https://fanrestore.com/ Wed, 02 Sep 2026 08:32:45 +0000 MyBB https://fanrestore.com/thread-7263.html Wed, 02 Sep 2026 01:13:32 +0200 Krioo]]> https://fanrestore.com/thread-7263.html https://fanrestore.com/thread-7262.html Wed, 02 Sep 2026 01:04:26 +0200 Krioo]]> https://fanrestore.com/thread-7262.html https://fanrestore.com/thread-7261.html Tue, 01 Sep 2026 08:48:16 +0200 rinrinabis]]> https://fanrestore.com/thread-7261.html
My questions:

In the 4k UHD remaster of the Sam Raimi Spiderman Trilogy, do the shots that use CGI get left in 2k or do they do something else to make it look 2k?

Is there a way to keep a film frame 4k and input the 2k CGI in?

What if Sony remastered the Lord of the Rings trilogy (as in made it a 4k digital intermediate)?

P.S. The Frighteners didn’t use a digital intermediate, even though it is CGI heavy.]]>
My questions:

In the 4k UHD remaster of the Sam Raimi Spiderman Trilogy, do the shots that use CGI get left in 2k or do they do something else to make it look 2k?

Is there a way to keep a film frame 4k and input the 2k CGI in?

What if Sony remastered the Lord of the Rings trilogy (as in made it a 4k digital intermediate)?

P.S. The Frighteners didn’t use a digital intermediate, even though it is CGI heavy.]]> https://fanrestore.com/thread-7260.html Mon, 31 Aug 2026 22:05:59 +0200 wright96d]]> https://fanrestore.com/thread-7260.html
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]]> https://fanrestore.com/thread-7259.html Mon, 31 Aug 2026 21:33:21 +0200 wright96d]]> https://fanrestore.com/thread-7259.html Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped by: williarob

Please thanks and PM for access

Notes: DC offset corrected, 60hz hum attenuated. Very simple sync, just synced the beginning and the side change, but I watched the whole movie and didn't notice any sync issues.

]]> Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped by: williarob

Please thanks and PM for access

Notes: DC offset corrected, 60hz hum attenuated. Very simple sync, just synced the beginning and the side change, but I watched the whole movie and didn't notice any sync issues.

]]> https://fanrestore.com/thread-7258.html Mon, 31 Aug 2026 16:34:53 +0200 ash_82]]> https://fanrestore.com/thread-7258.html
An alternative to the 2.0 from the US Blu-ray (with added static noise) used on this scan 

PM for link]]>
An alternative to the 2.0 from the US Blu-ray (with added static noise) used on this scan 

PM for link]]> https://fanrestore.com/thread-7257.html Mon, 31 Aug 2026 16:27:18 +0200 ash_82]]> https://fanrestore.com/thread-7257.html + Dolby SDU4 decoded track (flac 5.0)

The print scan only had a -very decent- dual mono optical track

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24 ]]> + Dolby SDU4 decoded track (flac 5.0)

The print scan only had a -very decent- dual mono optical track

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24 ]]> https://fanrestore.com/thread-7256.html Mon, 31 Aug 2026 16:23:03 +0200 ash_82]]> https://fanrestore.com/thread-7256.html
The print scan only had a -very decent- dual mono optical track

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24]]>
The print scan only had a -very decent- dual mono optical track

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24]]> https://fanrestore.com/thread-7255.html Mon, 31 Aug 2026 04:00:25 +0200 Jimmdean]]> https://fanrestore.com/thread-7255.html https://fanrestore.com/thread-7254.html Sun, 30 Aug 2026 17:25:13 +0200 Emer]]> https://fanrestore.com/thread-7254.html https://fanrestore.com/thread-7253.html Sun, 30 Aug 2026 04:12:52 +0200 sanjuro_61]]> https://fanrestore.com/thread-7253.html
I was replacing the digital tweaked shots from the 4K (Indy Satipo and the spiders, digging the well of souls, and the lamps) with the previous unaltered version when I found an alternative 35mm print scan out there (4K, 40.6GB).
Here's a gallery: https://postimg.cc/gallery/5Hr6Qs6/d90df7c8













The UHD is accurate for the most part. Even the Nepal scene, which people told me it should not be that warm when I did my regrade, is warm here.
I also have the remixed laserdisc audio sync'ed and ready to mux.

Any interest in this? 

I'm asking because the regrade itself will be pretty much nonexistent  (maybe a few shots here and there, and a bit less warm in the Bagdad scenes).]]>
I was replacing the digital tweaked shots from the 4K (Indy Satipo and the spiders, digging the well of souls, and the lamps) with the previous unaltered version when I found an alternative 35mm print scan out there (4K, 40.6GB).
Here's a gallery: https://postimg.cc/gallery/5Hr6Qs6/d90df7c8













The UHD is accurate for the most part. Even the Nepal scene, which people told me it should not be that warm when I did my regrade, is warm here.
I also have the remixed laserdisc audio sync'ed and ready to mux.

Any interest in this? 

I'm asking because the regrade itself will be pretty much nonexistent  (maybe a few shots here and there, and a bit less warm in the Bagdad scenes).]]> https://fanrestore.com/thread-7252.html Sat, 29 Aug 2026 16:10:51 +0200 Kikujiro22]]> https://fanrestore.com/thread-7252.html
Only the Australian Force Video Region 4 DVD has the english dub.
If anyone has it, please share it thanks🙏
https://i.ebayimg.com/images/g/kuQAAOSwA...-l1200.jpg]]>
Only the Australian Force Video Region 4 DVD has the english dub.
If anyone has it, please share it thanks🙏
https://i.ebayimg.com/images/g/kuQAAOSwA...-l1200.jpg]]> https://fanrestore.com/thread-7250.html Fri, 28 Aug 2026 14:38:48 +0200 DTS-6D]]> https://fanrestore.com/thread-7250.html
It should easily sync to the BD version you own, or with a small adjustment for any intro/logos .

Pm for link.]]>
It should easily sync to the BD version you own, or with a small adjustment for any intro/logos .

Pm for link.]]> https://fanrestore.com/thread-7251.html Fri, 28 Aug 2026 11:44:02 +0200 Kado_2020]]> https://fanrestore.com/thread-7251.html https://fanrestore.com/thread-7249.html Thu, 27 Aug 2026 01:50:06 +0200 Altroplayz]]> https://fanrestore.com/thread-7249.html