https://fanrestore.com/ Sun, 04 Oct 2026 08:32:48 +0000 MyBB https://fanrestore.com/thread-7883.html Thu, 01 Oct 2026 00:50:26 +0200 Sambarker04]]> https://fanrestore.com/thread-7883.html
As a bonus, I've also synced the attached short "A Christmas Caper" to the Madagascar BD, so if you got access to the link, they will contain both files.]]>
As a bonus, I've also synced the attached short "A Christmas Caper" to the Madagascar BD, so if you got access to the link, they will contain both files.]]> https://fanrestore.com/thread-7882.html Thu, 01 Oct 2026 00:43:38 +0200 Sambarker04]]> https://fanrestore.com/thread-7882.html
Feel free to PM me if you want to listen to it.]]>
Feel free to PM me if you want to listen to it.]]> https://fanrestore.com/thread-7875.html Sun, 27 Sep 2026 18:12:53 +0200 kenkenken96]]> https://fanrestore.com/thread-7875.html
It’s a very aggressive mix for high Vol, particularly in the high frequencies, which is characteristic of many ’90s mixes.

There are a few obvious mistakes in certain scenes, such as the tiger scene, but for me, this is the best mix for the Valkyrie scene.

Note: The video source for the Theatrical Cut must be made with MakeMKV; otherwise, it will be completely out of sync. I had to make sync adjustments in more scenes than I expected.

I believe this should also sync properly with the WEBRip.

FLAC: 48 kHz / 24-bit
AC3: 448kbps (for easy use)

PM for link.]]>
It’s a very aggressive mix for high Vol, particularly in the high frequencies, which is characteristic of many ’90s mixes.

There are a few obvious mistakes in certain scenes, such as the tiger scene, but for me, this is the best mix for the Valkyrie scene.

Note: The video source for the Theatrical Cut must be made with MakeMKV; otherwise, it will be completely out of sync. I had to make sync adjustments in more scenes than I expected.

I believe this should also sync properly with the WEBRip.

FLAC: 48 kHz / 24-bit
AC3: 448kbps (for easy use)

PM for link.]]> https://fanrestore.com/thread-7872.html Sun, 27 Sep 2026 02:53:57 +0200 commandrbond]]> https://fanrestore.com/thread-7872.html
PM for link.]]>
PM for link.]]> https://fanrestore.com/thread-7722.html Wed, 23 Sep 2026 06:32:03 +0200 commandrbond]]> https://fanrestore.com/thread-7722.html
I also made a custom version replacing the horrendous end credits song with soundtrack cut "The GoldenEye Overture" from the pre-title sequence. Also compiled without transcoding.

I have the LD DTS mix available, as well, synced again without transcoding, original end song intact...unfortunately.

Of course, the AC3 famously has outrageous LFE, almost bordering on annoying. But its still pretty fun.

PM for link.]]>
I also made a custom version replacing the horrendous end credits song with soundtrack cut "The GoldenEye Overture" from the pre-title sequence. Also compiled without transcoding.

I have the LD DTS mix available, as well, synced again without transcoding, original end song intact...unfortunately.

Of course, the AC3 famously has outrageous LFE, almost bordering on annoying. But its still pretty fun.

PM for link.]]> https://fanrestore.com/thread-7710.html Mon, 21 Sep 2026 19:30:12 +0200 thepotatoparadox]]> https://fanrestore.com/thread-7710.html
I have synced the following dubs and tracks to the Bluray release by Deaf Crocodile.

German 5.1 [DVD]
German Commentary [DVD]
English [DVD]
Spanish [VHS]
Portuguese [VHS]
Hungarian [VHS]
Russian - Voiceover [VHS]

The VHS tracks were found online and vary in quality. The Spanish VHS was graciously shared with me by a private collector. This dub has was only released in this censored version. Therefore, I filled those gaps with the Bluray track.

If you have higher quality sources for the VHS tracks, I'd be willing to do a V2 of them. PM for links.]]>
I have synced the following dubs and tracks to the Bluray release by Deaf Crocodile.

German 5.1 [DVD]
German Commentary [DVD]
English [DVD]
Spanish [VHS]
Portuguese [VHS]
Hungarian [VHS]
Russian - Voiceover [VHS]

The VHS tracks were found online and vary in quality. The Spanish VHS was graciously shared with me by a private collector. This dub has was only released in this censored version. Therefore, I filled those gaps with the Bluray track.

If you have higher quality sources for the VHS tracks, I'd be willing to do a V2 of them. PM for links.]]> https://fanrestore.com/thread-7605.html Thu, 17 Sep 2026 04:30:34 +0200 Sambarker04]]> https://fanrestore.com/thread-7605.html
Here are some notes I made while I was making this. Firstly, the Geri's Game (or jerrygm in the R14T5.txt file, making me confused it was Jerry Maguire lol) short is missing on Reel 1, due to it being included as part of the trailers reel, which means that I was able to start the first frame of the film perfectly as the first shade of blue appears when the Disney logo fades in, probably being that this is the ACTUAL first frame after 2 seconds after the 2-pop to comply with SMPTE standards. Next is that every reel transition is interesting to work on, because there seems to be 60ms of silence at the beginning of each reel, so I patched it with the first seconds of the next reel from the previous reel before it goes to 2-pop to signal the end of the reel, just so I don't make it sound odd. The only instances I didn't do it is at the end of reels 1 and 5, since reel 1 seems to have a quick millisecond fade out to silence before the next reel, and on reel 5 since even on the first seconds of that reel at the end of reel 4 has an awkward audio cut, so I fixed it to prevent any chorus effect. I do know there does exist a duplicate of reel 5 to include the second set of outtakes, but since the UHD only includes the first set like on the previous releases, except for the VHS (which includes both), I used the original reel 5 instead. Also, it seems that this is a post-1999 revision, so the LFE has been increased to 6 dB, based on what I compared to the 2008 BD mix, especially why it also has the alternate reel 5 as well. Also, the rear+LFE channels recieved a 60ms delay, so I fixed it.]]>
Here are some notes I made while I was making this. Firstly, the Geri's Game (or jerrygm in the R14T5.txt file, making me confused it was Jerry Maguire lol) short is missing on Reel 1, due to it being included as part of the trailers reel, which means that I was able to start the first frame of the film perfectly as the first shade of blue appears when the Disney logo fades in, probably being that this is the ACTUAL first frame after 2 seconds after the 2-pop to comply with SMPTE standards. Next is that every reel transition is interesting to work on, because there seems to be 60ms of silence at the beginning of each reel, so I patched it with the first seconds of the next reel from the previous reel before it goes to 2-pop to signal the end of the reel, just so I don't make it sound odd. The only instances I didn't do it is at the end of reels 1 and 5, since reel 1 seems to have a quick millisecond fade out to silence before the next reel, and on reel 5 since even on the first seconds of that reel at the end of reel 4 has an awkward audio cut, so I fixed it to prevent any chorus effect. I do know there does exist a duplicate of reel 5 to include the second set of outtakes, but since the UHD only includes the first set like on the previous releases, except for the VHS (which includes both), I used the original reel 5 instead. Also, it seems that this is a post-1999 revision, so the LFE has been increased to 6 dB, based on what I compared to the 2008 BD mix, especially why it also has the alternate reel 5 as well. Also, the rear+LFE channels recieved a 60ms delay, so I fixed it.]]> https://fanrestore.com/thread-7461.html Tue, 15 Sep 2026 10:02:50 +0200 ash_82]]> https://fanrestore.com/thread-7461.html
Rob synced a downmix of the 5.1 on his scan.

PM for link]]>
Rob synced a downmix of the 5.1 on his scan.

PM for link]]> https://fanrestore.com/thread-7305.html Sun, 13 Sep 2026 22:19:44 +0200 wright96d]]> https://fanrestore.com/thread-7305.html Output Soundtrack: 16-bit, 48khz, Mono

While Arrow did use this same DVD as the source for their mono, they unfortunately neglected to disable ac3 dynamic range control when transcoding it.

Please thanks and PM for access

Notes: DC offset corrected, 60, 96, 120, 180, 300, 13165.5, and 15734hz hums attenuated.

]]> Output Soundtrack: 16-bit, 48khz, Mono

While Arrow did use this same DVD as the source for their mono, they unfortunately neglected to disable ac3 dynamic range control when transcoding it.

Please thanks and PM for access

Notes: DC offset corrected, 60, 96, 120, 180, 300, 13165.5, and 15734hz hums attenuated.

]]> https://fanrestore.com/thread-7271.html Sun, 06 Sep 2026 08:50:46 +0200 wright96d]]> https://fanrestore.com/thread-7271.html Output Soundtrack: 16-bit, 48khz, Stereo

Not original, but the best sounding out of all available mixes.

Please thanks and PM for access

Notes: DC offset corrected, 60hz hum attenuated. Very simple sync, just slowed down 25fps source to 23.976fps and lined up the beginning, but I watched the whole movie and didn't notice any sync issues.

]]> Output Soundtrack: 16-bit, 48khz, Stereo

Not original, but the best sounding out of all available mixes.

Please thanks and PM for access

Notes: DC offset corrected, 60hz hum attenuated. Very simple sync, just slowed down 25fps source to 23.976fps and lined up the beginning, but I watched the whole movie and didn't notice any sync issues.

]]> https://fanrestore.com/thread-7266.html Wed, 02 Sep 2026 15:06:02 +0200 ash_82]]> https://fanrestore.com/thread-7266.html
An alternative to the downmix of the 6.1 Blu-Ray track used on this one (with added static)

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24]]>
An alternative to the downmix of the 6.1 Blu-Ray track used on this one (with added static)

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24]]> https://fanrestore.com/thread-7260.html Mon, 31 Aug 2026 22:05:59 +0200 wright96d]]> https://fanrestore.com/thread-7260.html
]]>
]]> https://fanrestore.com/thread-7259.html Mon, 31 Aug 2026 21:33:21 +0200 wright96d]]> https://fanrestore.com/thread-7259.html Output Soundtrack: 16-bit, 44.1khz, Stereo
Sourced by: BDgeek
Captured by: williarob

Please thanks and PM for access

Notes: DC offset corrected, 60hz hum attenuated. Very simple sync, just synced the beginning and the side change, but I watched the whole movie and didn't notice any sync issues.

]]> Output Soundtrack: 16-bit, 44.1khz, Stereo
Sourced by: BDgeek
Captured by: williarob

Please thanks and PM for access

Notes: DC offset corrected, 60hz hum attenuated. Very simple sync, just synced the beginning and the side change, but I watched the whole movie and didn't notice any sync issues.

]]> https://fanrestore.com/thread-7258.html Mon, 31 Aug 2026 16:34:53 +0200 ash_82]]> https://fanrestore.com/thread-7258.html
An alternative to the 2.0 from the US Blu-ray (with added static noise) used on this scan 

PM for link]]>
An alternative to the 2.0 from the US Blu-ray (with added static noise) used on this scan 

PM for link]]> https://fanrestore.com/thread-7257.html Mon, 31 Aug 2026 16:27:18 +0200 ash_82]]> https://fanrestore.com/thread-7257.html + Dolby SDU4 decoded track (flac 5.0)

The print scan only had a -very decent- dual mono optical track

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24 ]]> + Dolby SDU4 decoded track (flac 5.0)

The print scan only had a -very decent- dual mono optical track

PM for link

Note on the decoding process, similar to the one commandrbond made for his Shure decoding:
 
Sound Blaster X-Fi HD RCA out goes to the SDU4 XLR in.  SDU4 L-C-R-S XLR outputs go into TRS inputs of a Behringer UMC404HD, 4 mono channels are recorded in Reaper at 48khz/24bits (to avoid any resampling down the line)
Playback and recording are done on separate computers to avoid ground loop or interference.
An empy LFE channel is added for playback compatibility (just like commandrbond I prefer to let the AVR handle bass management rather than create an unauthentic low pass filter).  
The surround channel is duplicated, both SR and SL are attenuated by 3dbs.
The inputs of the SDU4 were very precisely aligned with a 1khz sine wave tone at -18dBFS.
The outputs of the SDU4 are calibrated at a very conservative level to avoid any clipping.
The mix is peak-normalized to the exact same peak level as the original undecoded track (preserving channel balance)
The mix is synced to the original Lt/Rt track and exported in flac 5.0, 48/24 ]]>