https://fanrestore.com/ Mon, 18 May 2026 16:11:19 +0000 MyBB https://fanrestore.com/thread-6902.html Wed, 22 Apr 2026 18:17:20 +0000 SCS_Shoug]]> https://fanrestore.com/thread-6902.html for supplying me with the DTS ISOs.

Title: Speed Racer
Format: Cinema DTS CD
Synced to: 2008 USBD
Source: .AUD, 24fps, 44.1kHz, 16bit, 5.0
Output: DTS-HD Master Audio, 23.976, 48kHz, 24bit,  5.1

PM for a link if interested. Always willing to hear feedback. Will be doing a v2 and UHD sync once that disc is out in May as this is my first time ever dealing with Cinema DTS and I'm not fully confident in how I handled LFE in particular.]]> for supplying me with the DTS ISOs.

Title: Speed Racer
Format: Cinema DTS CD
Synced to: 2008 USBD
Source: .AUD, 24fps, 44.1kHz, 16bit, 5.0
Output: DTS-HD Master Audio, 23.976, 48kHz, 24bit,  5.1

PM for a link if interested. Always willing to hear feedback. Will be doing a v2 and UHD sync once that disc is out in May as this is my first time ever dealing with Cinema DTS and I'm not fully confident in how I handled LFE in particular.]]> https://fanrestore.com/thread-6892.html Tue, 14 Apr 2026 17:51:17 +0000 Daniellemgm]]> https://fanrestore.com/thread-6892.html
I speculate that this is because Disney lost the original masters, so instead they used a pre-existing dub mix and violently ripped the vocals off of it with 2010-era audio extraction technology.

Needless to say, in the past decade and a half, audio extraction technology has jumped leaps and bounds, to the point the best ones out today are some serious CSI stuff. With stuff like UVR out there today that allows people with just home computers to make near-flawless instrumentals of songs, I thought to myself “why not fix the major issue Kiki had?”

The idea behind the 2010 audio mix, Hartman removal aside, isn’t a bad one. If done right, it would have been a “best of both worlds” dub with the Japanese score and the English dub audio. Indeed, the soundtrack alterations go against how Hayao Miyazaki intended the film to sound.

The models I used for stem extraction are MVSEP’s state of the art “Ensemble” models which mix and match various models to create the best possible vocal and instrument separation tracks.

The first release is a “purist” version with the ad-libs removed, effectively giving the 2010 mix without the “electric fan” artefacts. A “restorationist” version with the ad-libs reinserted will be released later.

When I first embarked on this project, I thought it was gonna just be removing a few lines here and there. What surprised me is that in the 2010 mix, some lines were retimed. For example, “Look Jiji, aren’t they beautiful?” when Kiki looks at the red heels happens a bit earlier.

This audio track is synced to the 2014 “Hayao Miyazaki Collection” MGVC Japanese Blu-ray, currently the best looking release.

PM me if you want a link to the FLAC file.

Sources used:

• 1998 Disney NTSC LaserDisc (for the 1998 dub, which was the best possible source as it has the English dub in Dolby Stereo without 5.1 upmixing)
  
• 2014 Studio Ghibli MGVC JPN “Hayao Miyazaki Collection” Blu-ray (for the original Japanese audio)
  
• Soundtrack CD (to patch in bits of the soundtrack)
  

]]>
I speculate that this is because Disney lost the original masters, so instead they used a pre-existing dub mix and violently ripped the vocals off of it with 2010-era audio extraction technology.

Needless to say, in the past decade and a half, audio extraction technology has jumped leaps and bounds, to the point the best ones out today are some serious CSI stuff. With stuff like UVR out there today that allows people with just home computers to make near-flawless instrumentals of songs, I thought to myself “why not fix the major issue Kiki had?”

The idea behind the 2010 audio mix, Hartman removal aside, isn’t a bad one. If done right, it would have been a “best of both worlds” dub with the Japanese score and the English dub audio. Indeed, the soundtrack alterations go against how Hayao Miyazaki intended the film to sound.

The models I used for stem extraction are MVSEP’s state of the art “Ensemble” models which mix and match various models to create the best possible vocal and instrument separation tracks.

The first release is a “purist” version with the ad-libs removed, effectively giving the 2010 mix without the “electric fan” artefacts. A “restorationist” version with the ad-libs reinserted will be released later.

When I first embarked on this project, I thought it was gonna just be removing a few lines here and there. What surprised me is that in the 2010 mix, some lines were retimed. For example, “Look Jiji, aren’t they beautiful?” when Kiki looks at the red heels happens a bit earlier.

This audio track is synced to the 2014 “Hayao Miyazaki Collection” MGVC Japanese Blu-ray, currently the best looking release.

PM me if you want a link to the FLAC file.

Sources used:

• 1998 Disney NTSC LaserDisc (for the 1998 dub, which was the best possible source as it has the English dub in Dolby Stereo without 5.1 upmixing)
  
• 2014 Studio Ghibli MGVC JPN “Hayao Miyazaki Collection” Blu-ray (for the original Japanese audio)
  
• Soundtrack CD (to patch in bits of the soundtrack)
  

]]> https://fanrestore.com/thread-6890.html Mon, 13 Apr 2026 14:26:31 +0000 Kameraposti]]> https://fanrestore.com/thread-6890.html
Found this thread (thanks )
https://fanrestore.com/thread-5995.html?...blown+away

Found the track from russian tracker and checked it out -> found it to be superior to UHDs DTSMA.UHD is 24fps and German BLU is 23.976 -> decided to change the UHD fps.
Needs delay of +1335ms to synch.

Audio
Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Bit rate mode : Variable
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 16 bits
Compression mode : Lossless]]>
Found this thread (thanks )
https://fanrestore.com/thread-5995.html?...blown+away

Found the track from russian tracker and checked it out -> found it to be superior to UHDs DTSMA.UHD is 24fps and German BLU is 23.976 -> decided to change the UHD fps.
Needs delay of +1335ms to synch.

Audio
Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Bit rate mode : Variable
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 16 bits
Compression mode : Lossless]]> https://fanrestore.com/thread-6874.html Wed, 01 Apr 2026 09:07:23 +0000 Kameraposti]]> https://fanrestore.com/thread-6874.html Went through Soundman's impressive list and wanted to add some tracks that I didn't see in his list. Sorry if these are duplicates to other releases.

Bit depth : 16 bits
Sampling rate : 44.1 kHz

Airplane! (1980)
Ben-Hur.(1959)
Carrie (1976)
E.T..the.Extra-Terrestrial.(1982)
Evil Dead II (1987)
Thelma.and.Louise.(1991)
To Live and Die in L.A. (1985)
Under Siege (1992)

Tracks taken from Cinephiles remuxes]]> Went through Soundman's impressive list and wanted to add some tracks that I didn't see in his list. Sorry if these are duplicates to other releases.

Bit depth : 16 bits
Sampling rate : 44.1 kHz

Airplane! (1980)
Ben-Hur.(1959)
Carrie (1976)
E.T..the.Extra-Terrestrial.(1982)
Evil Dead II (1987)
Thelma.and.Louise.(1991)
To Live and Die in L.A. (1985)
Under Siege (1992)

Tracks taken from Cinephiles remuxes]]> https://fanrestore.com/thread-6856.html Fri, 27 Mar 2026 15:15:40 +0000 Kameraposti]]> https://fanrestore.com/thread-6856.html I liked the stereo track on the TC better than Atmos, but DC is my preferred version of the movie and it comes only with Atmos.
So I downgraded the Atmos to stereo and added the additional bits to TC stereo track.
Project was done purely for my own enjoyment but if you want it send a PM

Audio
Format : FLAC
Format/Info : Free Lossless Audio Codec
Duration : 1 h 57 min
Bit rate mode : Variable
Bit rate : 1 309 kb/s
Channel(s) : 2 channels
Sampling rate : 48.0 kHz
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 1.07 GiB (100%)
Writing library : libFLAC 1.2.1 (2007-09-17)
MD5 of the unencoded content : A9FBAF06EC0290FCB68E4B7D52602DB4]]> I liked the stereo track on the TC better than Atmos, but DC is my preferred version of the movie and it comes only with Atmos.
So I downgraded the Atmos to stereo and added the additional bits to TC stereo track.
Project was done purely for my own enjoyment but if you want it send a PM

Audio
Format : FLAC
Format/Info : Free Lossless Audio Codec
Duration : 1 h 57 min
Bit rate mode : Variable
Bit rate : 1 309 kb/s
Channel(s) : 2 channels
Sampling rate : 48.0 kHz
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 1.07 GiB (100%)
Writing library : libFLAC 1.2.1 (2007-09-17)
MD5 of the unencoded content : A9FBAF06EC0290FCB68E4B7D52602DB4]]> https://fanrestore.com/thread-6848.html Mon, 23 Mar 2026 15:50:03 +0000 Kameraposti]]> https://fanrestore.com/thread-6848.html I decided to listen to some D-theater audios and were pleasantly surprised. These are actually great :-)
(So, to my ears better than current Bluray or UHD. - your mileage may vary)

X-Men.2.(2003).UHD.sync

Audio
Format : DTS
Format/Info : Digital Theater Systems
Duration : 2 h 14 min
Bit rate mode : Constant
Bit rate : 1 510 kb/s
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 1.42 GiB

PM for link]]> I decided to listen to some D-theater audios and were pleasantly surprised. These are actually great :-)
(So, to my ears better than current Bluray or UHD. - your mileage may vary)

X-Men.2.(2003).UHD.sync

Audio
Format : DTS
Format/Info : Digital Theater Systems
Duration : 2 h 14 min
Bit rate mode : Constant
Bit rate : 1 510 kb/s
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 1.42 GiB

PM for link]]> https://fanrestore.com/thread-6814.html Wed, 25 Feb 2026 19:36:45 +0000 izzybell]]> https://fanrestore.com/thread-6814.html
Notes about Ghostbusters II: I sadly was only able to obtain a dupe DVD of this one where the English 5.1 track was reduced to 384kbps instead of the full 448kbps, if anyone here has a full bitrate copy of this track I'll gladly resync. I checked the DD 5.1 Backup track on the UHD and while it did have mono surrounds, After further A/B testing I found that it was just a downmix of the Dolby Atmos track due to the SFXs being synced differently than the Stereo track (also thank Bobby Brown since "On Our Own" was also mixed differently on the Atmos). I was also planning on syncing the Laserdisc stereo but one of the sides of the capture I had was off-balanced, the track only sounded slightly better than the UHD stereo anyways.

Update: GBII is no longer available, read my latest post]]>
Notes about Ghostbusters II: I sadly was only able to obtain a dupe DVD of this one where the English 5.1 track was reduced to 384kbps instead of the full 448kbps, if anyone here has a full bitrate copy of this track I'll gladly resync. I checked the DD 5.1 Backup track on the UHD and while it did have mono surrounds, After further A/B testing I found that it was just a downmix of the Dolby Atmos track due to the SFXs being synced differently than the Stereo track (also thank Bobby Brown since "On Our Own" was also mixed differently on the Atmos). I was also planning on syncing the Laserdisc stereo but one of the sides of the capture I had was off-balanced, the track only sounded slightly better than the UHD stereo anyways.

Update: GBII is no longer available, read my latest post]]> https://fanrestore.com/thread-6797.html Tue, 17 Feb 2026 01:03:18 +0000 izzybell]]> https://fanrestore.com/thread-6797.html
U.S Theatrical sync is sourced from the 1987 US Laserdisc, I would have liked to get a digital capture from the JP Laserdisc but my source only had the US one. Despite being analog it doesn't sound all too bad, I also checked and yes it does have proper Dolby Stereo matrixing.

International Theatrical sync is sourced from the 1989 Criterion LD [CC1169L], I also had a cap of [CC1120L] and they sounded identically. The sync has +3db gain applied since the original cap was rather quiet sounding.

Both are synced to the Archival Cuts Blu-Ray and are 44.1kHz FLAC 2.0, freely available to all forum members new and old.]]>
U.S Theatrical sync is sourced from the 1987 US Laserdisc, I would have liked to get a digital capture from the JP Laserdisc but my source only had the US one. Despite being analog it doesn't sound all too bad, I also checked and yes it does have proper Dolby Stereo matrixing.

International Theatrical sync is sourced from the 1989 Criterion LD [CC1169L], I also had a cap of [CC1120L] and they sounded identically. The sync has +3db gain applied since the original cap was rather quiet sounding.

Both are synced to the Archival Cuts Blu-Ray and are 44.1kHz FLAC 2.0, freely available to all forum members new and old.]]> https://fanrestore.com/thread-6786.html Tue, 10 Feb 2026 23:12:54 +0000 Daniel 4EVAR]]> https://fanrestore.com/thread-6786.html The audio released on the official DVD was so bad and poorly edited. So I spent the past three days making it "better".
Improved transition, added missing dialogues and sound effects.

I used the following for this edit:

• 5.1 Surround Hindi Audio from the Official Extended DVD
• 5.1 Surround English Audio from the Official Extended Blu-ray
• 5.1 Surround Theatrical English Audio from Amazon
• 2.0 Mono Hindi Audio from Amazon

DM on X for Link - @redstone_daniel]]> The audio released on the official DVD was so bad and poorly edited. So I spent the past three days making it "better".
Improved transition, added missing dialogues and sound effects.

I used the following for this edit:

• 5.1 Surround Hindi Audio from the Official Extended DVD
• 5.1 Surround English Audio from the Official Extended Blu-ray
• 5.1 Surround Theatrical English Audio from Amazon
• 2.0 Mono Hindi Audio from Amazon

DM on X for Link - @redstone_daniel]]> https://fanrestore.com/thread-6774.html Sun, 01 Feb 2026 21:06:49 +0000 izzybell]]> https://fanrestore.com/thread-6774.html Turisu's excellent thread on Jurassic Park mixes, I decided I wanted to throw my hat in the ring and make what I believe to be the definitive version of this historic audio mix.

Using a bit-perfect capture of the DTS Laserdisc done by a good friend of mine, I correctly attenuated the surround channels to -3db and tried my best to match the LFE to the R6 DVD (though in execution I think I got it closer to the V1 R1 DTS DVD but according to Turisu both are more or less correct). In addition I synced this fixed track to the 2025 UHD from the Trilogy set as it currently has the best PQ, No idea if it'll sync to the previous UHD since there's a 16 frame difference between the two but knowing Universal it might just need a delay. Available in 24-bit 44.1kHz FLAC 5.1, to all forum members new and old.

Interesting Note: For my syncs, I typically use the latest mix of a film available on the source I'm syncing it to, In this case the DD 5.1 backup track on the Trilogy UHD. However during my syncing process I quickly noticed that the dialogue was out of sync with the DTS LD track while the music & effects were in perfect sync with each other. It seems the new Dolby Atmos mix has offset dialogue when compared to previous mixes as not even the DTS:X track from the previous UHD had this quirk.]]> Turisu's excellent thread on Jurassic Park mixes, I decided I wanted to throw my hat in the ring and make what I believe to be the definitive version of this historic audio mix.

Using a bit-perfect capture of the DTS Laserdisc done by a good friend of mine, I correctly attenuated the surround channels to -3db and tried my best to match the LFE to the R6 DVD (though in execution I think I got it closer to the V1 R1 DTS DVD but according to Turisu both are more or less correct). In addition I synced this fixed track to the 2025 UHD from the Trilogy set as it currently has the best PQ, No idea if it'll sync to the previous UHD since there's a 16 frame difference between the two but knowing Universal it might just need a delay. Available in 24-bit 44.1kHz FLAC 5.1, to all forum members new and old.

Interesting Note: For my syncs, I typically use the latest mix of a film available on the source I'm syncing it to, In this case the DD 5.1 backup track on the Trilogy UHD. However during my syncing process I quickly noticed that the dialogue was out of sync with the DTS LD track while the music & effects were in perfect sync with each other. It seems the new Dolby Atmos mix has offset dialogue when compared to previous mixes as not even the DTS:X track from the previous UHD had this quirk.]]> https://fanrestore.com/thread-6763.html Wed, 28 Jan 2026 04:13:15 +0000 izzybell]]> https://fanrestore.com/thread-6763.html
1. 2.0 Original Dolby Stereo Mix

Sourced from the 1999 DVD (thx ), To my knowledge and according to my research this DVD has the highest quality version of this mix. Available in 16-bit 48kHz FLAC 2.0

2. 5.1 & 2.0 Sensurround Mix

Sourced from a bit-perfect capture of the THX AC-3 Laserdisc [8760-85]. There's a sync of this already on Internet Archive however the one review on the page states that the track is not properly synced so I went ahead and resynced it, Available in 16-bit 48kHz FLAC 5.1. Due to the limitations of AC-3 Laserdiscs the 2.0 PCM track has considerably higher frequency detail than the 5.1 AC-3 track, since I use Sony Vegas for my syncing it was as easy as replacing the AC-3 with the stereo track. Available in 16-bit 44.1kHz FLAC 2.0

3. 5.1 Sensurround Mix (Decoded Stereo + AC-3 LFE)

Like my T2 syncs I decided to do a highly experimental audio track for this film. Using my sync of the PCM stereo version of the Sensurround mix as a base I ran the track through foobar2000's FreeSurround plugin to decode back to a 5.1 surround track, from there I added the LFE from the discrete AC-3 5.1 and made the decoded surround channels duped mono (Edit: fixed this, I had originally thought Sensurround had a mono surround but it actually has stereo surrounds). This should be the version of this mix with the most high frequency detail. Of course using a Dolby Hardware Decoder would be much better than a software plugin but as I don't have access to said equipment this is the best I could do to execute this idea and for that it should be noted as highly experimental. Available in 16-bit 44.1kHz FLAC 5.1

Freely available to all forum members new and old]]>
1. 2.0 Original Dolby Stereo Mix

Sourced from the 1999 DVD (thx ), To my knowledge and according to my research this DVD has the highest quality version of this mix. Available in 16-bit 48kHz FLAC 2.0

2. 5.1 & 2.0 Sensurround Mix

Sourced from a bit-perfect capture of the THX AC-3 Laserdisc [8760-85]. There's a sync of this already on Internet Archive however the one review on the page states that the track is not properly synced so I went ahead and resynced it, Available in 16-bit 48kHz FLAC 5.1. Due to the limitations of AC-3 Laserdiscs the 2.0 PCM track has considerably higher frequency detail than the 5.1 AC-3 track, since I use Sony Vegas for my syncing it was as easy as replacing the AC-3 with the stereo track. Available in 16-bit 44.1kHz FLAC 2.0

3. 5.1 Sensurround Mix (Decoded Stereo + AC-3 LFE)

Like my T2 syncs I decided to do a highly experimental audio track for this film. Using my sync of the PCM stereo version of the Sensurround mix as a base I ran the track through foobar2000's FreeSurround plugin to decode back to a 5.1 surround track, from there I added the LFE from the discrete AC-3 5.1 and made the decoded surround channels duped mono (Edit: fixed this, I had originally thought Sensurround had a mono surround but it actually has stereo surrounds). This should be the version of this mix with the most high frequency detail. Of course using a Dolby Hardware Decoder would be much better than a software plugin but as I don't have access to said equipment this is the best I could do to execute this idea and for that it should be noted as highly experimental. Available in 16-bit 44.1kHz FLAC 5.1

Freely available to all forum members new and old]]> https://fanrestore.com/thread-6759.html Sun, 25 Jan 2026 09:08:08 +0000 izzybell]]> https://fanrestore.com/thread-6759.html
NOTE: All tracks listed are synced to SPECIFICALLY the 2160p 35mm Optical CC WB at a frame rate of 23.976. The scan is at a frame rate of 24.000, the easiest way to adjust the frame rate is to use MKVToolNix and type in "23.976" into the "Default Duration/FPS" section on the video. You can also speed the audio back up to 24 via eac3to.

1: Original CDS Mix
Sourced from the DTS track on the 2003 Pioneer JPDVD, Available in 24-bit 48kHz FLAC 5.1

2: Original Dolby Stereo SR Mix
Sourced from a bit-perfect capture of the US WS Laserdisc, Available in 16-bit 44.1kHz FLAC 2.0

3: DTS Headphone:X Remix
Sourced from the 2015 US Blu-Ray. I thought this track was rather impressive so I decided to sync it for my project. Available in 24-bit 48kHz FLAC 2.0

3.5: Custom Dolby Atmos "Bed" Upmix
As an experiment I decided to upmix the Headphone:X track to 7.1.2 Dolby Atmos, Do note this track is highly experimental and will not provide a full Atmos experience. Available in 24-bit 48kHz TrueHD 7.1 Atmos 
No Longer Available

As per usual all audios are freely available to any account new and old. Cheers!]]>
NOTE: All tracks listed are synced to SPECIFICALLY the 2160p 35mm Optical CC WB at a frame rate of 23.976. The scan is at a frame rate of 24.000, the easiest way to adjust the frame rate is to use MKVToolNix and type in "23.976" into the "Default Duration/FPS" section on the video. You can also speed the audio back up to 24 via eac3to.

1: Original CDS Mix
Sourced from the DTS track on the 2003 Pioneer JPDVD, Available in 24-bit 48kHz FLAC 5.1

2: Original Dolby Stereo SR Mix
Sourced from a bit-perfect capture of the US WS Laserdisc, Available in 16-bit 44.1kHz FLAC 2.0

3: DTS Headphone:X Remix
Sourced from the 2015 US Blu-Ray. I thought this track was rather impressive so I decided to sync it for my project. Available in 24-bit 48kHz FLAC 2.0

3.5: Custom Dolby Atmos "Bed" Upmix
As an experiment I decided to upmix the Headphone:X track to 7.1.2 Dolby Atmos, Do note this track is highly experimental and will not provide a full Atmos experience. Available in 24-bit 48kHz TrueHD 7.1 Atmos 
No Longer Available

As per usual all audios are freely available to any account new and old. Cheers!]]> https://fanrestore.com/thread-6758.html Sat, 24 Jan 2026 18:15:15 +0000 izzybell]]> https://fanrestore.com/thread-6758.html
Available in FLAC 5.1, if any alternate formats are needed state in the PM, freely available to all members new and old]]>
Available in FLAC 5.1, if any alternate formats are needed state in the PM, freely available to all members new and old]]> https://fanrestore.com/thread-6756.html Sat, 24 Jan 2026 05:53:55 +0000 izzybell]]> https://fanrestore.com/thread-6756.html I thought I'd at least share this as I didn't see anyone post about as most projects for this film focus on the Theatrical Cut.

I have synced a bit-perfect capture of the T2 Special Edition Dolby Surround LD mix to the 2015 BD. I've heard this mix is quite beloved and listening to it for myself it's a quite a powerful stereo track. Probably doesn't need to be said but this is synced to the 153 min Special Edition and not the 156 min Extended Special Edition.

Available in 16-bit 44.1kHz FLAC, free for any account new and old]]> I thought I'd at least share this as I didn't see anyone post about as most projects for this film focus on the Theatrical Cut.

I have synced a bit-perfect capture of the T2 Special Edition Dolby Surround LD mix to the 2015 BD. I've heard this mix is quite beloved and listening to it for myself it's a quite a powerful stereo track. Probably doesn't need to be said but this is synced to the 153 min Special Edition and not the 156 min Extended Special Edition.

Available in 16-bit 44.1kHz FLAC, free for any account new and old]]> https://fanrestore.com/thread-6753.html Fri, 23 Jan 2026 19:23:04 +0000 ElLoboQueso]]> https://fanrestore.com/thread-6753.html
One minor note, the DVD is missing a frame of footage during the scene where Utility Belt Buzz laments the "loss" of his "father" which I have to add a millisecond of silence just to keep up with the Blu-Ray copy which was used as a reference for syncing.

Speaking of the Blu-Ray release, the AC3 track is synchronized to the 2010 copy as current versions cut out the "casting couch" gag from the blooper reel in the light of the sexual accusations towards John Lasseter (a disgraced co-founder of Pixar). Also, the audio needs to be delayed by 17934ms with MKVToolNix as the Blu-Ray uses the 2009-present re-release masters (in which the Pixar variant of the Walt Disney Pictures logo is replaced by the 2006-2022 CGI castle logo). I might do an audio hybrid version with the edited version of the credits though if I can get my hands on the current 4K and/or Blu-Ray releases)

Even though the DVD's claim that the audio is encoded with Dolby Digital Surround EX, MediaInfo doesn't specify that so I'd assume you have to force it into Dolby EX with a receiver if it has that option? I could be wrong though.

The audio is losslessly combined with FFMPEG by using the concat filter.

PM me if you want a link for the audio]]>
One minor note, the DVD is missing a frame of footage during the scene where Utility Belt Buzz laments the "loss" of his "father" which I have to add a millisecond of silence just to keep up with the Blu-Ray copy which was used as a reference for syncing.

Speaking of the Blu-Ray release, the AC3 track is synchronized to the 2010 copy as current versions cut out the "casting couch" gag from the blooper reel in the light of the sexual accusations towards John Lasseter (a disgraced co-founder of Pixar). Also, the audio needs to be delayed by 17934ms with MKVToolNix as the Blu-Ray uses the 2009-present re-release masters (in which the Pixar variant of the Walt Disney Pictures logo is replaced by the 2006-2022 CGI castle logo). I might do an audio hybrid version with the edited version of the credits though if I can get my hands on the current 4K and/or Blu-Ray releases)

Even though the DVD's claim that the audio is encoded with Dolby Digital Surround EX, MediaInfo doesn't specify that so I'd assume you have to force it into Dolby EX with a receiver if it has that option? I could be wrong though.

The audio is losslessly combined with FFMPEG by using the concat filter.

PM me if you want a link for the audio]]>