<![CDATA[Fanrestore - Fan Restoration Forum - Script snippets]]> https://fanrestore.com/ Fri, 24 Apr 2026 15:54:54 +0000 MyBB <![CDATA[Script to make MKVs importable in Premiere]]> https://fanrestore.com/thread-4115.html Wed, 18 Aug 2021 13:28:02 +0000 deleted user]]> https://fanrestore.com/thread-4115.html
It's annoying as heck...

What if we could just have the normal audio losslessly inside the mp4 to begin with?

That's what this script does.

Code:
for %%f in (*.mkv) do (
   
    

if exist "%%~nf.mp4" (
echo %%~nf
echo "already exists"
) else (
rem ffmpeg -i "%%~nf.mkv" -vcodec copy -acodec alc "%%~nf.mp4"
ffmpeg -drc_scale 0.000000 -i "%%~nf.mkv" -vn -acodec pcm_f32be "%%~nf.af4354b456nbtysdge3r5.caf"
mp4box -add "%%~nf.mkv#video" -add "%%~nf.af4354b456nbtysdge3r5.caf#audio" -new "%%~nf.mp4"
del "%%~nf.af4354b456nbtysdge3r5.caf"
)

rem process_in "%%~nf.mkv"
rem process_out "%%~nf.out"
)
pause

Save this in a .bat file and you need to have ffmpeg and mp4box in the PATH.

It will find every .mkv file in the current folder, see if an identically named file with the .mp4 extension exists, and if it doesn't, it will get to work creating it. It will first convert the audio to a 32 bit floating point .caf file. Then it will use mp4box to package that along with the original video into an .mp4.

The resulting file will be (sometimes much) bigger than the original mkv because the audio is now 32 bit lossless. But: It works. And it's lossless.

Why CAF? Why 32 bit float? Why not directly write the PCM using ffmpeg? Why mp4 and not just .m2ts or something? Well, I tried a couple combinations and this is the only one I found that both works with mp4box, that doesn't lose quality on 24 bit audio, that works for resulting audio sizes over 4 GB and that is recognized and actually works in Premiere. Iirc 16 bit worked too, but 24 bit did not. Therefore 32 bit it is. CAF because it's the >4GB version of AIFF, and AIFF works whereas WAV doesn't because mp4 requires big-endian audio apparently and WAV doesn't support that and if you do feed little-endian WAV into mp4box, it will mux it, but it will still think it's big-endian and you'll just get static. And you can't write PCM directly to mp4 using ffmpeg because ffmpeg refuses to do that because it's not *officially* supported. And mp4 as the choice for the final output because Premiere seems to most reliably seek frames in mp4 files, whereas it will open .ts/.m2ts containers but often end up showing artifacts or the wrong frame.

Hope this will come in handy for someone.]]>
It's annoying as heck...

What if we could just have the normal audio losslessly inside the mp4 to begin with?

That's what this script does.

Code:
for %%f in (*.mkv) do (
   
    

if exist "%%~nf.mp4" (
echo %%~nf
echo "already exists"
) else (
rem ffmpeg -i "%%~nf.mkv" -vcodec copy -acodec alc "%%~nf.mp4"
ffmpeg -drc_scale 0.000000 -i "%%~nf.mkv" -vn -acodec pcm_f32be "%%~nf.af4354b456nbtysdge3r5.caf"
mp4box -add "%%~nf.mkv#video" -add "%%~nf.af4354b456nbtysdge3r5.caf#audio" -new "%%~nf.mp4"
del "%%~nf.af4354b456nbtysdge3r5.caf"
)

rem process_in "%%~nf.mkv"
rem process_out "%%~nf.out"
)
pause

Save this in a .bat file and you need to have ffmpeg and mp4box in the PATH.

It will find every .mkv file in the current folder, see if an identically named file with the .mp4 extension exists, and if it doesn't, it will get to work creating it. It will first convert the audio to a 32 bit floating point .caf file. Then it will use mp4box to package that along with the original video into an .mp4.

The resulting file will be (sometimes much) bigger than the original mkv because the audio is now 32 bit lossless. But: It works. And it's lossless.

Why CAF? Why 32 bit float? Why not directly write the PCM using ffmpeg? Why mp4 and not just .m2ts or something? Well, I tried a couple combinations and this is the only one I found that both works with mp4box, that doesn't lose quality on 24 bit audio, that works for resulting audio sizes over 4 GB and that is recognized and actually works in Premiere. Iirc 16 bit worked too, but 24 bit did not. Therefore 32 bit it is. CAF because it's the >4GB version of AIFF, and AIFF works whereas WAV doesn't because mp4 requires big-endian audio apparently and WAV doesn't support that and if you do feed little-endian WAV into mp4box, it will mux it, but it will still think it's big-endian and you'll just get static. And you can't write PCM directly to mp4 using ffmpeg because ffmpeg refuses to do that because it's not *officially* supported. And mp4 as the choice for the final output because Premiere seems to most reliably seek frames in mp4 files, whereas it will open .ts/.m2ts containers but often end up showing artifacts or the wrong frame.

Hope this will come in handy for someone.]]> <![CDATA[anaglyph 3D to left/right or top/bottom]]> https://fanrestore.com/thread-3519.html Wed, 14 Oct 2020 18:46:43 +0000 spoRv]]> https://fanrestore.com/thread-3519.html

Found an avisynth script here:
https://vrtifacts.com/dump-those-silly-c...d-glassess

If someone have already used - or will use it in the future - I'd like to watch some samples!

P.S. the script deals only with red/cyan and green/magenta anaglyphs, so it would be nice to add amber/blue version!]]>

Found an avisynth script here:
https://vrtifacts.com/dump-those-silly-c...d-glassess

If someone have already used - or will use it in the future - I'd like to watch some samples!

P.S. the script deals only with red/cyan and green/magenta anaglyphs, so it would be nice to add amber/blue version!]]> <![CDATA[Thumbnail script with scene detection]]> https://fanrestore.com/thread-2959.html Mon, 23 Dec 2019 04:04:27 +0000 deleted user]]> https://fanrestore.com/thread-2959.html
Difference to other thumbnail creating possibilities is that this one uses scene detection, so it's suited well for shorter videos like trailers when you want to get every distinct shot.

It's not perfect - you get blank frames for example during short flashes and it won't recognize faded changes usually, but I'm happy with it.

Requirements

- Ability to run .sh scripts. So either run in Linux or install a bash for Windows (for example Git Bash that comes with the Git installer)
- ffmpeg in the PATH.
- That's it!

How to use

1. Replace "Trailer.mkv" with the file you want to create thumbnails for
2. Set "columns" to how many columns of thumbnails you want to be displayed side-by-side
3. Set "columnwidth" to the width in pixels an individual thumbnail should have
4. Set "maxrows" to a high enough estimated number to fit in all thumbnails (from your experience and experiments) and then add 10. It's a bit awkwardly done, but ffmpeg needs you to set the amount of thumbnail tiles in advance, hence this script has a second cropping stage.
5. Set "scenedetect" to a value depending on your content. Lower values make it more sensitive. However darker scenes require higher sensitivity. It's a bit dumb, but I don't know a better way. For dark videos I recommend values around 0.2 and for bright content around 0.4.
6. Adjust JPEG quality if you want, but I don't know if it actually makes a difference for ffmpeg. Might replace this with a better JPEG compressor but I wanted this to work with the only dependency being ffmpeg.
7. Double click the script and wait for it to finish. Can take a little while.

The script will always create both .png and .jpg formats. Just keep the one you prefer.

Script (save as somefile.sh):

Code:
#!/bin/bash
inputfile="Trailer.mkv"
columns=4
columnwidth=640
maxrows=30
scenedetect=0.2 #Scene detection treshold. Lower = greater detection. Try around 0.2 for dark videos and 0.4 for normal videos
jpegquality=1 #JPEG quality from 1-31 with 31 being worst quality (not sure if this works!)


x="x"
tmpfile="$inputfile.tmp.bmp"
outputfile="$inputfile.png"
outputfilejpg="$inputfile.jpg"
tiles="$columns$x$maxrows"
echo "Doing scene analysis: $inputfile ..."
ffmpeg -i "$inputfile" -vf select="gt(scene\,$scenedetect)",scale=$columnwidth:-1,tile=$tiles  -hide_banner -frames:v 1 "$tmpfile" 2>/dev/null
echo "Generated temporary uncropped tile file $tmpfile ..."
cropvalue=`ffmpeg -loop 1 -r 1 -i "$tmpfile" -t 2 -r 1 -vf cropdetect=0:1:0  -f null - 2>&1  | awk '/crop/ { print $NF }' | tail -1`
echo "Calculated crop value: $cropvalue"
echo "Generating PNG file: $outputfile"
ffmpeg -i "$tmpfile" -vf $cropvalue -hide_banner  "$outputfile"  2>/dev/null
echo "Generating JPG file: $outputfilejpg"
ffmpeg -i "$tmpfile" -vf $cropvalue -hide_banner -q:v $jpegquality "$outputfilejpg"  2>/dev/null
echo "Deleting temporary file: $tmpfile"
rm "$tmpfile"
read -rsp $'(Hopefully) done! Press any key to continue...\n' -n1 key
]]>
Difference to other thumbnail creating possibilities is that this one uses scene detection, so it's suited well for shorter videos like trailers when you want to get every distinct shot.

It's not perfect - you get blank frames for example during short flashes and it won't recognize faded changes usually, but I'm happy with it.

Requirements

- Ability to run .sh scripts. So either run in Linux or install a bash for Windows (for example Git Bash that comes with the Git installer)
- ffmpeg in the PATH.
- That's it!

How to use

1. Replace "Trailer.mkv" with the file you want to create thumbnails for
2. Set "columns" to how many columns of thumbnails you want to be displayed side-by-side
3. Set "columnwidth" to the width in pixels an individual thumbnail should have
4. Set "maxrows" to a high enough estimated number to fit in all thumbnails (from your experience and experiments) and then add 10. It's a bit awkwardly done, but ffmpeg needs you to set the amount of thumbnail tiles in advance, hence this script has a second cropping stage.
5. Set "scenedetect" to a value depending on your content. Lower values make it more sensitive. However darker scenes require higher sensitivity. It's a bit dumb, but I don't know a better way. For dark videos I recommend values around 0.2 and for bright content around 0.4.
6. Adjust JPEG quality if you want, but I don't know if it actually makes a difference for ffmpeg. Might replace this with a better JPEG compressor but I wanted this to work with the only dependency being ffmpeg.
7. Double click the script and wait for it to finish. Can take a little while.

The script will always create both .png and .jpg formats. Just keep the one you prefer.

Script (save as somefile.sh):

Code:
#!/bin/bash
inputfile="Trailer.mkv"
columns=4
columnwidth=640
maxrows=30
scenedetect=0.2 #Scene detection treshold. Lower = greater detection. Try around 0.2 for dark videos and 0.4 for normal videos
jpegquality=1 #JPEG quality from 1-31 with 31 being worst quality (not sure if this works!)


x="x"
tmpfile="$inputfile.tmp.bmp"
outputfile="$inputfile.png"
outputfilejpg="$inputfile.jpg"
tiles="$columns$x$maxrows"
echo "Doing scene analysis: $inputfile ..."
ffmpeg -i "$inputfile" -vf select="gt(scene\,$scenedetect)",scale=$columnwidth:-1,tile=$tiles  -hide_banner -frames:v 1 "$tmpfile" 2>/dev/null
echo "Generated temporary uncropped tile file $tmpfile ..."
cropvalue=`ffmpeg -loop 1 -r 1 -i "$tmpfile" -t 2 -r 1 -vf cropdetect=0:1:0  -f null - 2>&1  | awk '/crop/ { print $NF }' | tail -1`
echo "Calculated crop value: $cropvalue"
echo "Generating PNG file: $outputfile"
ffmpeg -i "$tmpfile" -vf $cropvalue -hide_banner  "$outputfile"  2>/dev/null
echo "Generating JPG file: $outputfilejpg"
ffmpeg -i "$tmpfile" -vf $cropvalue -hide_banner -q:v $jpegquality "$outputfilejpg"  2>/dev/null
echo "Deleting temporary file: $tmpfile"
rm "$tmpfile"
read -rsp $'(Hopefully) done! Press any key to continue...\n' -n1 key
]]> <![CDATA[HDR to SDR]]> https://fanrestore.com/thread-2663.html Fri, 03 May 2019 22:21:58 +0000 spoRv]]> https://fanrestore.com/thread-2663.html Don't know which is better, so if anyone, after have tried them, want to chime in, it will help!

Script 1A
Code:
#Indexing
FFVideoSource("any_HDR_video.mkv")

#From 10bit to 16bit
ConvertBits(16)

#Reverse upscale to FULL HD with 16bit precision
#(optional)
#DeBilinearResizeMT(1920, 1080)

#From YUV to XYZ with 16bit precision
ConvertYUVtoXYZ(Color=0, OutputMode=1, HDRMode=0, fullrange=false)

#Tone-mapping with 16bit precision
#(of course values could/should? be changed)
ConvertXYZ_Reinhard_HDRtoSDR(exposure_X=14.0, contrast_X=0.5, exposure_Y=14.0, contrast_Y=0.5, exposure_Z=14.0, contrast_Z=0.5)

#From XYZ back to YUV 4:4:4 with 16bit precision
ConvertXYZtoYUV(pColor=0)

#Converting back to 4:2:0 with 16bit precision
Converttoyuv420(interlaced=false, matrix="Rec.709")

#Dithering to 8bit with the Floyd-Steinberg error diffusion
ConvertBits(bits=8, dither=1)

#Clipping
Limiter(min_luma=16, max_luma=235, min_chroma=16, max_chroma=240)

Script 1B:
Code:
#Indexing
FFVideoSource("any_HDR_video.mkv")

#From 10bit to 16bit
ConvertBits(16)

#Reverse upscale to FULL HD with 16bit precision
#(optional)
#DeBilinearResizeMT(1920, 1080)

#From YUV to XYZ with 16bit precision
ConvertYUVtoXYZ(Color=0, OutputMode=1, HDRMode=0, fullrange=false)

#Tone-mapping with 16bit precision
#(of course values could/should? be changed)
ConvertXYZ_Reinhard_HDRtoSDR(exposure_X=14.0, contrast_X=0.5, exposure_Y=14.0, contrast_Y=0.5, exposure_Z=14.0, contrast_Z=0.5)

#From XYZ back to YUV 4:4:4 with 16bit precision
ConvertXYZtoYUV(pColor=0)

#Converting back to 4:2:0
Converttoyv12(matrix="PC709")

#From 16bit to 8bit
ConvertTo8bit

#Clipping (needed?)
Limiter(min_luma=16, max_luma=235, min_chroma=16, max_chroma=240)

Script 2:
Code:
FFVideoSource("any_HDR_video.mkv")

z_ConvertFormat(pixel_type="RGBPS",colorspace_op="2020ncl:st2084:2020:l=>rgb:linear:2020:l", dither_type="none")

DGHable
# you can always play with the exposure:
# DGHable(exposure=1.0)
# (replace 1.0 with your own value)
# Reinhard could also be used:
# DGReinhard

z_ConvertFormat(pixel_type="YV12",colorspace_op="rgb:linear:2020:l=>709:709:709:l",dither_type="ordered")
]]> Don't know which is better, so if anyone, after have tried them, want to chime in, it will help!

Script 1A
Code:
#Indexing
FFVideoSource("any_HDR_video.mkv")

#From 10bit to 16bit
ConvertBits(16)

#Reverse upscale to FULL HD with 16bit precision
#(optional)
#DeBilinearResizeMT(1920, 1080)

#From YUV to XYZ with 16bit precision
ConvertYUVtoXYZ(Color=0, OutputMode=1, HDRMode=0, fullrange=false)

#Tone-mapping with 16bit precision
#(of course values could/should? be changed)
ConvertXYZ_Reinhard_HDRtoSDR(exposure_X=14.0, contrast_X=0.5, exposure_Y=14.0, contrast_Y=0.5, exposure_Z=14.0, contrast_Z=0.5)

#From XYZ back to YUV 4:4:4 with 16bit precision
ConvertXYZtoYUV(pColor=0)

#Converting back to 4:2:0 with 16bit precision
Converttoyuv420(interlaced=false, matrix="Rec.709")

#Dithering to 8bit with the Floyd-Steinberg error diffusion
ConvertBits(bits=8, dither=1)

#Clipping
Limiter(min_luma=16, max_luma=235, min_chroma=16, max_chroma=240)

Script 1B:
Code:
#Indexing
FFVideoSource("any_HDR_video.mkv")

#From 10bit to 16bit
ConvertBits(16)

#Reverse upscale to FULL HD with 16bit precision
#(optional)
#DeBilinearResizeMT(1920, 1080)

#From YUV to XYZ with 16bit precision
ConvertYUVtoXYZ(Color=0, OutputMode=1, HDRMode=0, fullrange=false)

#Tone-mapping with 16bit precision
#(of course values could/should? be changed)
ConvertXYZ_Reinhard_HDRtoSDR(exposure_X=14.0, contrast_X=0.5, exposure_Y=14.0, contrast_Y=0.5, exposure_Z=14.0, contrast_Z=0.5)

#From XYZ back to YUV 4:4:4 with 16bit precision
ConvertXYZtoYUV(pColor=0)

#Converting back to 4:2:0
Converttoyv12(matrix="PC709")

#From 16bit to 8bit
ConvertTo8bit

#Clipping (needed?)
Limiter(min_luma=16, max_luma=235, min_chroma=16, max_chroma=240)

Script 2:
Code:
FFVideoSource("any_HDR_video.mkv")

z_ConvertFormat(pixel_type="RGBPS",colorspace_op="2020ncl:st2084:2020:l=>rgb:linear:2020:l", dither_type="none")

DGHable
# you can always play with the exposure:
# DGHable(exposure=1.0)
# (replace 1.0 with your own value)
# Reinhard could also be used:
# DGReinhard

z_ConvertFormat(pixel_type="YV12",colorspace_op="rgb:linear:2020:l=>709:709:709:l",dither_type="ordered")
]]> <![CDATA[[FIJI] Film Restoration macros.]]> https://fanrestore.com/thread-2581.html Fri, 22 Mar 2019 21:46:22 +0000 althor1138]]> https://fanrestore.com/thread-2581.html
Dual Image Sequence Registration:
https://github.com/althor1138/DISR-FIJI-MACRO

It basically takes two identical film clips from separate sources and registers them spatially.

If you don't want to mess with installing the plugin just download the fiji.app folder here and open up FIJI. The plugin is in the plugins tab under FILM TOOLS.

https://drive.google.com/drive/folders/1...sp=sharing]]>
Dual Image Sequence Registration:
https://github.com/althor1138/DISR-FIJI-MACRO

It basically takes two identical film clips from separate sources and registers them spatially.

If you don't want to mess with installing the plugin just download the fiji.app folder here and open up FIJI. The plugin is in the plugins tab under FILM TOOLS.

https://drive.google.com/drive/folders/1...sp=sharing]]> <![CDATA[VC-1 to x265]]> https://fanrestore.com/thread-2501.html Mon, 04 Feb 2019 00:30:55 +0000 CaveDoctor]]> https://fanrestore.com/thread-2501.html My question, what is the quality like for converting VC-1 content to x265?
Would it be better to convert the VC-1 content to prores before converting to x265, in order to avoid degradation?
Also, are there any methods of audio upscaling?]]> My question, what is the quality like for converting VC-1 content to x265?
Would it be better to convert the VC-1 content to prores before converting to x265, in order to avoid degradation?
Also, are there any methods of audio upscaling?]]> <![CDATA[Exploiting Seamless Branching]]> https://fanrestore.com/thread-2409.html Sat, 01 Dec 2018 20:32:21 +0000 Chewtobacca]]> https://fanrestore.com/thread-2409.html here.  While he uses tsMuxeR, eac3to is a better tool for the job because it runs a second pass when fixing the gaps that result from seamless branching. EDIT: See schorman's posts below.
  • The only tool you need is eac3to.
  • I'll use Aliens as an example and add other playlists as and when.
  • Adjust everything to fit your directory structure, e.g., change "X" to whatever; do a "find and replace".  
  • When joining M2TS files like this, make sure you have space on the drive in which eac3to is located as well as the drive in which the BD is located. This is because eac3to makes temporary files on the drive it occupies.
  • If your branching disc has a Dolby TrueHD track, you must decode it instead of extracting it.  DTS-HD MA tracks can be extracted without incident.
  • Use -no2ndpass unless you have reason not to do so.
  •  So far, this approach works only on standard BDs.  UHD BDs have sync issues.
Aliens: CBS TV cut

Code:
"filepath\eac3to334\eac3to.exe" "X:\ALIENS_WW\BDMV\Stream\01106.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01107.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01108.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01140.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01110.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01142.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01112.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01144.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01114.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01147.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01117.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01149.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01119.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01146.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01121.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01124.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01125.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01141.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01127.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01128.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01129.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01130.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01131.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01133.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01134.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01137.m2ts"  -demux -no2ndpass

Alien: Extended

Code:
"filepath\eac3to334\eac3to.exe" "X:\ALIEN_WW\BDMV\STREAM\00983.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00985.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00984.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00986.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00987.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01016.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00988.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00991.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00989.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01018.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00992.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00995.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00993.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00997.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00996.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00998.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00999.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01001.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01000.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01003.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01002.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01004.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01005.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01007.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01006.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01008.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01009.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01027.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01010.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01013.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01012.m2ts" -demux -no2ndpass

Alien 3: Extended
Code:
"filepath\eac3to334\eac3to.exe"
00750.m2ts+00752.m2ts+00753.m2ts+00701.m2ts+00755.m2ts+00703.m2ts+00757.m2ts+00758.m2ts+00759.m2ts+00760.m2ts+00761.m2ts+00762.m2ts+00763.m2ts+00764.m2ts+00765.m2ts+00766.m2ts+00767.m2ts+00768.m2ts+00769.m2ts+00770.m2ts+00771.m2ts+00772.m2ts+00773.m2ts+00774.m2ts+00775.m2ts+00776.m2ts+00777.m2ts -demux -no2ndpass

Alien 3: Extended (chest-burster ending)
Code:
"filepath\eac3to334\eac3to.exe"
00750.m2ts+00752.m2ts+00753.m2ts+00701.m2ts+00755.m2ts+00703.m2ts+00757.m2ts+00758.m2ts+00759.m2ts+00760.m2ts+00761.m2ts+00762.m2ts+00763.m2ts+00764.m2ts+00765.m2ts+00766.m2ts+00767.m2ts+00768.m2ts+00769.m2ts+00770.m2ts+00771.m2ts+00772.m2ts+00773.m2ts+00774.m2ts+00775.m2ts+00713.m2ts+00777.m2ts -demux -no2ndpass

Close Encounters of the Fourth Tongue Kind (1977)

This uses the 30th Anniversary Edition, not the 40th Anniversary one that followed in 2017.  I should imagine it would work with the first Sony BD too.  Use the DTS-HD MA track.

Chronology: Roy is fired -> India sequence -> Lacombe's auditorium speech -> Roy goes back to the road with his camera
*no McDonald's sign

Code:
"filepath\eac3to334\eac3to.exe" "X:\CETK\BDMV\STREAM\00000.m2ts"+"X:\CETK\BDMV\STREAM\00002.m2ts"+"X:\CETK\BDMV\STREAM\00006.m2ts"+"X:\CETK\BDMV\STREAM\00008.m2ts"+"X:\CETK\BDMV\STREAM\00009.m2ts"+"X:\CETK\BDMV\STREAM\00010.m2ts"+"X:\CETK\BDMV\STREAM\00013.m2ts"+"X:\CETK\BDMV\STREAM\00015.m2ts"+"X:\CETK\BDMV\STREAM\00016.m2ts"+"X:\CETK\BDMV\STREAM\00018.m2ts"+"X:\CETK\BDMV\STREAM\00020.m2ts"+"X:\CETK\BDMV\STREAM\00022.m2ts"+"X:\CETK\BDMV\STREAM\00024.m2ts"+"X:\CETK\BDMV\STREAM\00025.m2ts"+"X:\CETK\BDMV\STREAM\00026.m2ts"+"X:\CETK\BDMV\STREAM\00027.m2ts"+"X:\CETK\BDMV\STREAM\00118.m2ts"+"X:\CETK\BDMV\STREAM\00119.m2ts"+"X:\CETK\BDMV\STREAM\00032.m2ts"+"X:\CETK\BDMV\STREAM\00033.m2ts"+"X:\CETK\BDMV\STREAM\00034.m2ts"+"X:\CETK\BDMV\STREAM\00037.m2ts"+"X:\CETK\BDMV\STREAM\00038.m2ts"+"X:\CETK\BDMV\STREAM\00040.m2ts"+"X:\CETK\BDMV\STREAM\00041.m2ts"+"X:\CETK\BDMV\STREAM\00043.m2ts"+"X:\CETK\BDMV\STREAM\00044.m2ts"+"X:\CETK\BDMV\STREAM\00046.m2ts"+"X:\CETK\BDMV\STREAM\00048.m2ts" 1: "X:\CETK\BDMV\video.264"  3: "X:\CETK\BDMV\audio.dtshd" -no2ndpass
]]> here.  While he uses tsMuxeR, eac3to is a better tool for the job because it runs a second pass when fixing the gaps that result from seamless branching. EDIT: See schorman's posts below.
  • The only tool you need is eac3to.
  • I'll use Aliens as an example and add other playlists as and when.
  • Adjust everything to fit your directory structure, e.g., change "X" to whatever; do a "find and replace".  
  • When joining M2TS files like this, make sure you have space on the drive in which eac3to is located as well as the drive in which the BD is located. This is because eac3to makes temporary files on the drive it occupies.
  • If your branching disc has a Dolby TrueHD track, you must decode it instead of extracting it.  DTS-HD MA tracks can be extracted without incident.
  • Use -no2ndpass unless you have reason not to do so.
  •  So far, this approach works only on standard BDs.  UHD BDs have sync issues.
Aliens: CBS TV cut

Code:
"filepath\eac3to334\eac3to.exe" "X:\ALIENS_WW\BDMV\Stream\01106.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01107.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01108.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01140.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01110.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01142.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01112.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01144.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01114.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01147.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01117.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01149.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01119.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01146.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01121.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01124.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01125.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01141.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01127.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01128.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01129.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01130.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01131.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01133.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01134.m2ts"+"X:\ALIENS_WW\BDMV\Stream\01137.m2ts"  -demux -no2ndpass

Alien: Extended

Code:
"filepath\eac3to334\eac3to.exe" "X:\ALIEN_WW\BDMV\STREAM\00983.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00985.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00984.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00986.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00987.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01016.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00988.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00991.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00989.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01018.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00992.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00995.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00993.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00997.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00996.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00998.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\00999.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01001.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01000.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01003.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01002.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01004.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01005.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01007.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01006.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01008.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01009.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01027.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01010.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01013.m2ts"+"X:\ALIEN_WW\BDMV\STREAM\01012.m2ts" -demux -no2ndpass

Alien 3: Extended
Code:
"filepath\eac3to334\eac3to.exe"
00750.m2ts+00752.m2ts+00753.m2ts+00701.m2ts+00755.m2ts+00703.m2ts+00757.m2ts+00758.m2ts+00759.m2ts+00760.m2ts+00761.m2ts+00762.m2ts+00763.m2ts+00764.m2ts+00765.m2ts+00766.m2ts+00767.m2ts+00768.m2ts+00769.m2ts+00770.m2ts+00771.m2ts+00772.m2ts+00773.m2ts+00774.m2ts+00775.m2ts+00776.m2ts+00777.m2ts -demux -no2ndpass

Alien 3: Extended (chest-burster ending)
Code:
"filepath\eac3to334\eac3to.exe"
00750.m2ts+00752.m2ts+00753.m2ts+00701.m2ts+00755.m2ts+00703.m2ts+00757.m2ts+00758.m2ts+00759.m2ts+00760.m2ts+00761.m2ts+00762.m2ts+00763.m2ts+00764.m2ts+00765.m2ts+00766.m2ts+00767.m2ts+00768.m2ts+00769.m2ts+00770.m2ts+00771.m2ts+00772.m2ts+00773.m2ts+00774.m2ts+00775.m2ts+00713.m2ts+00777.m2ts -demux -no2ndpass

Close Encounters of the Fourth Tongue Kind (1977)

This uses the 30th Anniversary Edition, not the 40th Anniversary one that followed in 2017.  I should imagine it would work with the first Sony BD too.  Use the DTS-HD MA track.

Chronology: Roy is fired -> India sequence -> Lacombe's auditorium speech -> Roy goes back to the road with his camera
*no McDonald's sign

Code:
"filepath\eac3to334\eac3to.exe" "X:\CETK\BDMV\STREAM\00000.m2ts"+"X:\CETK\BDMV\STREAM\00002.m2ts"+"X:\CETK\BDMV\STREAM\00006.m2ts"+"X:\CETK\BDMV\STREAM\00008.m2ts"+"X:\CETK\BDMV\STREAM\00009.m2ts"+"X:\CETK\BDMV\STREAM\00010.m2ts"+"X:\CETK\BDMV\STREAM\00013.m2ts"+"X:\CETK\BDMV\STREAM\00015.m2ts"+"X:\CETK\BDMV\STREAM\00016.m2ts"+"X:\CETK\BDMV\STREAM\00018.m2ts"+"X:\CETK\BDMV\STREAM\00020.m2ts"+"X:\CETK\BDMV\STREAM\00022.m2ts"+"X:\CETK\BDMV\STREAM\00024.m2ts"+"X:\CETK\BDMV\STREAM\00025.m2ts"+"X:\CETK\BDMV\STREAM\00026.m2ts"+"X:\CETK\BDMV\STREAM\00027.m2ts"+"X:\CETK\BDMV\STREAM\00118.m2ts"+"X:\CETK\BDMV\STREAM\00119.m2ts"+"X:\CETK\BDMV\STREAM\00032.m2ts"+"X:\CETK\BDMV\STREAM\00033.m2ts"+"X:\CETK\BDMV\STREAM\00034.m2ts"+"X:\CETK\BDMV\STREAM\00037.m2ts"+"X:\CETK\BDMV\STREAM\00038.m2ts"+"X:\CETK\BDMV\STREAM\00040.m2ts"+"X:\CETK\BDMV\STREAM\00041.m2ts"+"X:\CETK\BDMV\STREAM\00043.m2ts"+"X:\CETK\BDMV\STREAM\00044.m2ts"+"X:\CETK\BDMV\STREAM\00046.m2ts"+"X:\CETK\BDMV\STREAM\00048.m2ts" 1: "X:\CETK\BDMV\video.264"  3: "X:\CETK\BDMV\audio.dtshd" -no2ndpass
]]> <![CDATA[Deblur (A Simple Sharpening Script)]]> https://fanrestore.com/thread-2106.html Thu, 05 Apr 2018 02:54:08 +0000 MWilson]]> https://fanrestore.com/thread-2106.html DEBLUR
Quick and dirty sharpening.
REQUIREMENTS
fft3dfilter
arearesize
-------------------------------

I wanted to write something that could "fix" blurry encodes. It works fairly well, as long as your source isn't fubar to begin with.

I just posted a few images that should show what can be done with the default settings followed by a bit of denoising (fft3dfilter(sigma=8) for these).

Anyways hope you enjoy the script!

----------------------------------

Code:
function deblur2(clip v,float "blend",bool "clean",int "bsize", bool "show")
{
blend=Default(blend,.75)
clean=default(clean,true)
show=default(show,false)
bsize=default(bsize,4)
osize=bsize/2
v=v.converttoyv12()
v
fft3dfilter(16,bw=bsize,bh=bsize,ow=osize,oh=osize)
Subtract(last,v)
Subtract(v,last)
a=last
a.arearesize(width(v)/2,height(v)/2)
fft3dfilter(16,bw=bsize,bh=bsize,ow=osize,oh=osize)
gaussresize(width(a),height(a),p=1)
Subtract(last,a)
Subtract(a,last)
b=last
b
fft3dfilter(16,bw=bsize,bh=bsize,ow=osize,oh=osize)
Subtract(last,b)
Subtract(b,last)
fft3dfilter(sharpen=4)
(clean==true) ? last.fft3dfilter(16,bw=32,bh=32,ow=16,oh=16) : last
merge(v,last,blend)
x=last
(show==true) ? StackHorizontal(v,x) : x
return last
}

And here are a few images. Left is original, center is blurred, right is the result at the default strength with a block size of 48 (deblur2(bsize=48)).

[Image: 0J8QYZe.png]
[Image: pilb4xO.png]]]> DEBLUR
Quick and dirty sharpening.
REQUIREMENTS
fft3dfilter
arearesize
-------------------------------

I wanted to write something that could "fix" blurry encodes. It works fairly well, as long as your source isn't fubar to begin with.

I just posted a few images that should show what can be done with the default settings followed by a bit of denoising (fft3dfilter(sigma=8) for these).

Anyways hope you enjoy the script!

----------------------------------

Code:
function deblur2(clip v,float "blend",bool "clean",int "bsize", bool "show")
{
blend=Default(blend,.75)
clean=default(clean,true)
show=default(show,false)
bsize=default(bsize,4)
osize=bsize/2
v=v.converttoyv12()
v
fft3dfilter(16,bw=bsize,bh=bsize,ow=osize,oh=osize)
Subtract(last,v)
Subtract(v,last)
a=last
a.arearesize(width(v)/2,height(v)/2)
fft3dfilter(16,bw=bsize,bh=bsize,ow=osize,oh=osize)
gaussresize(width(a),height(a),p=1)
Subtract(last,a)
Subtract(a,last)
b=last
b
fft3dfilter(16,bw=bsize,bh=bsize,ow=osize,oh=osize)
Subtract(last,b)
Subtract(b,last)
fft3dfilter(sharpen=4)
(clean==true) ? last.fft3dfilter(16,bw=32,bh=32,ow=16,oh=16) : last
merge(v,last,blend)
x=last
(show==true) ? StackHorizontal(v,x) : x
return last
}

And here are a few images. Left is original, center is blurred, right is the result at the default strength with a block size of 48 (deblur2(bsize=48)).

[Image: 0J8QYZe.png]
[Image: pilb4xO.png]]]> <![CDATA[Mode Average in Avisynth]]> https://fanrestore.com/thread-2077.html Fri, 09 Mar 2018 07:17:39 +0000 nightstalkerpoet]]> https://fanrestore.com/thread-2077.html
File attached.

.zip   Mode.zip (Size: 117.65 KB / Downloads: 3) ]]>
File attached.

.zip   Mode.zip (Size: 117.65 KB / Downloads: 3) ]]> <![CDATA[loading a source divided in several files]]> https://fanrestore.com/thread-1539.html Fri, 02 Jun 2017 23:35:07 +0000 spoRv]]> https://fanrestore.com/thread-1539.html
Code:
# method 1 for MPEG-2
# load all parts on DGindex and save a single d2v file

LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")

film=mpeg2source("001-004.d2v").TFM(d2v = "001-004.d2v").TDecimate
...

Code:
# method 2 for MPEG-2
# load every part separately and save a d2v file for each one
# then TFM and TDecimate any part

LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")

part1=mpeg2source("001.d2v").TFM(d2v = "001.d2v").TDecimate
part2=mpeg2source("002.d2v").TFM(d2v = "002.d2v").TDecimate
part3=mpeg2source("003.d2v").TFM(d2v = "003.d2v").TDecimate
part4=mpeg2source("004.d2v").TFM(d2v = "004.d2v").TDecimate

film=part1+part2+part3+part4

...

# method 2 for avi
# TFM and TDecimate any part

part1=avisource("001.d2v").TFM.TDecimate
part2=avisource("002.d2v").TFM.TDecimate
part3=avisource("003.d2v").TFM.TDecimate
part4=avisource("004.d2v").TFM.TDecimate

film=part1+part2+part3+part4

Code:
# method 3 for MPEG-2
# load every part separately and save a d2v file for each one
# then TFM any part, and TDecimate the joined result

LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")

part1=mpeg2source("001.d2v").TFM(d2v = "001.d2v")
part2=mpeg2source("002.d2v").TFM(d2v = "002.d2v")
part3=mpeg2source("003.d2v").TFM(d2v = "003.d2v")
part4=mpeg2source("004.d2v").TFM(d2v = "004.d2v")

film=(part1+part2+part3+part4).TDecimate

...

# method 3 for avi
# TFM any part, and TDecimate the joined result

part1=avisource("001.d2v").TFM
part2=avisource("002.d2v").TFM
part3=avisource("003.d2v").TFM
part4=avisource("004.d2v").TFM

film=(part1+part2+part3+part4).TDecimate

Code:
# method 4 for avi
# join all the parts, then TFM and TDecimate

part1=avisource("001.d2v")
part2=avisource("002.d2v")
part3=avisource("003.d2v")
part4=avisource("004.d2v")

film=(part1+part2+part3+part4).TFM.TDecimate

I always use method 2 for laserdisc captures; I'm using the same for Harry Potter.]]>
Code:
# method 1 for MPEG-2
# load all parts on DGindex and save a single d2v file

LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")

film=mpeg2source("001-004.d2v").TFM(d2v = "001-004.d2v").TDecimate
...

Code:
# method 2 for MPEG-2
# load every part separately and save a d2v file for each one
# then TFM and TDecimate any part

LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")

part1=mpeg2source("001.d2v").TFM(d2v = "001.d2v").TDecimate
part2=mpeg2source("002.d2v").TFM(d2v = "002.d2v").TDecimate
part3=mpeg2source("003.d2v").TFM(d2v = "003.d2v").TDecimate
part4=mpeg2source("004.d2v").TFM(d2v = "004.d2v").TDecimate

film=part1+part2+part3+part4

...

# method 2 for avi
# TFM and TDecimate any part

part1=avisource("001.d2v").TFM.TDecimate
part2=avisource("002.d2v").TFM.TDecimate
part3=avisource("003.d2v").TFM.TDecimate
part4=avisource("004.d2v").TFM.TDecimate

film=part1+part2+part3+part4

Code:
# method 3 for MPEG-2
# load every part separately and save a d2v file for each one
# then TFM any part, and TDecimate the joined result

LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")

part1=mpeg2source("001.d2v").TFM(d2v = "001.d2v")
part2=mpeg2source("002.d2v").TFM(d2v = "002.d2v")
part3=mpeg2source("003.d2v").TFM(d2v = "003.d2v")
part4=mpeg2source("004.d2v").TFM(d2v = "004.d2v")

film=(part1+part2+part3+part4).TDecimate

...

# method 3 for avi
# TFM any part, and TDecimate the joined result

part1=avisource("001.d2v").TFM
part2=avisource("002.d2v").TFM
part3=avisource("003.d2v").TFM
part4=avisource("004.d2v").TFM

film=(part1+part2+part3+part4).TDecimate

Code:
# method 4 for avi
# join all the parts, then TFM and TDecimate

part1=avisource("001.d2v")
part2=avisource("002.d2v")
part3=avisource("003.d2v")
part4=avisource("004.d2v")

film=(part1+part2+part3+part4).TFM.TDecimate

I always use method 2 for laserdisc captures; I'm using the same for Harry Potter.]]> <![CDATA[VC1 loading problem and solution]]> https://fanrestore.com/thread-1466.html Mon, 08 May 2017 01:06:25 +0000 spoRv]]> https://fanrestore.com/thread-1466.html
At the end, what I did was to demux just the video track, and remux it using MKVToolnix GUI; after that, FFvideosource accepted the source.

Hope this could help someone who has the same problem.]]>
At the end, what I did was to demux just the video track, and remux it using MKVToolnix GUI; after that, FFvideosource accepted the source.

Hope this could help someone who has the same problem.]]> <![CDATA[5 pass average (motion compensated)]]> https://fanrestore.com/thread-1299.html Sun, 12 Feb 2017 13:46:25 +0000 althor1138]]> https://fanrestore.com/thread-1299.html
This should allow for averaging captures from the same source or even different sources that are similar in size and alignment. Mileage might vary Smile. I personally use it for making 3 or 5 captures of a laserdisc and averaging it to remove as much noise as possible before moving on to IVTC and DNR. It's up to you to make sure the clips are aligned before feeding them into this function. So make sure to trim beforehand.

What you'll need:

avisynth 2.6
interleave (internal filter)
MVTOOLS2 (2.6.0.5 or similar)
temporalsoften (internal filter)

Code:
Function FivePassAverage(clip pass1,clip pass2,clip pass3, clip pass4, clip pass5)
{
interleave=interleave(pass1,pass2,pass3,pass4,pass5)
super=msuper(interleave,pel=2,mt=true)
multivectors=manalyse(super,multi=true,delta=2,mt=true)
multiclip=mcompensate(interleave,super,multivectors,mt=true,tr=2,center=true)
average=temporalsoften(multiclip,2,255,255,50,2).selectevery(25,12)
return(average)
}

Code:
Function ThreePassAverage(clip pass1,clip pass2,clip pass3)
{
interleave=interleave(pass1,pass2,pass3)
super=msuper(interleave,pel=2,mt=true)
multivectors=manalyse(super,multi=true,delta=1,mt=true)
multiclip=mcompensate(interleave,super,multivectors,mt=true,tr=1,center=true)
average=temporalsoften(multiclip,1,255,255,50,2).selectevery(9,4)
return(average)
}
]]>
This should allow for averaging captures from the same source or even different sources that are similar in size and alignment. Mileage might vary Smile. I personally use it for making 3 or 5 captures of a laserdisc and averaging it to remove as much noise as possible before moving on to IVTC and DNR. It's up to you to make sure the clips are aligned before feeding them into this function. So make sure to trim beforehand.

What you'll need:

avisynth 2.6
interleave (internal filter)
MVTOOLS2 (2.6.0.5 or similar)
temporalsoften (internal filter)

Code:
Function FivePassAverage(clip pass1,clip pass2,clip pass3, clip pass4, clip pass5)
{
interleave=interleave(pass1,pass2,pass3,pass4,pass5)
super=msuper(interleave,pel=2,mt=true)
multivectors=manalyse(super,multi=true,delta=2,mt=true)
multiclip=mcompensate(interleave,super,multivectors,mt=true,tr=2,center=true)
average=temporalsoften(multiclip,2,255,255,50,2).selectevery(25,12)
return(average)
}

Code:
Function ThreePassAverage(clip pass1,clip pass2,clip pass3)
{
interleave=interleave(pass1,pass2,pass3)
super=msuper(interleave,pel=2,mt=true)
multivectors=manalyse(super,multi=true,delta=1,mt=true)
multiclip=mcompensate(interleave,super,multivectors,mt=true,tr=1,center=true)
average=temporalsoften(multiclip,1,255,255,50,2).selectevery(9,4)
return(average)
}
]]> <![CDATA[TSMC (Temporal Soften Motion Compensated)(Denoiser)]]> https://fanrestore.com/thread-1298.html Sun, 12 Feb 2017 13:27:08 +0000 althor1138]]> https://fanrestore.com/thread-1298.html
It's quite simple actually and the dependencies are only:

Avisynth 2.6
Temporal Soften (this is an internal filter)
MVTOOLS2 (version 2.6.0.5 or higher)

The only things you really need to tinker with are tradius(temporal radius) and mthresh(motion threshold). Everything else I never change but I put them in as options in case you want to change the blocksize, for example. The only thing I ever adjust actually is mthresh.

mthresh=70 will denoise basically only stationary stuff.
mthresh=120 will denoise slightly moving stuff.
mthresh=180 will denoise moving stuff but not extremely high motion.

Anything over 180(depending on the source) can start to risk loss of detail that, imo, is unacceptable. However, 70-120 denoises A LOT but still looks good.

These numbers above are based on a few sources that I've tested. Every source is different and requires tweaking. Feeding an already denoised clip via auxclip helps mvtools in 2 ways. It will be more precise when calculating motion vectors and prevents mvtools from thinking that noise is motion. This will allow you to use the same settings more or less. What I mean is that, for example, mthresh=140 will give kind of the same results in different clips. I usually use a motion compensated fft3d denoiser for this as it denoises well even when there is motion without artifacting.
FFTMC

Here is the function for TSMC. Download the avsi and place it into your plugins folder.
TSMC

EDIT: I also wanted to add that if anybody has any ideas to make this better feel free to chime in. I'm by no means an avisynth guru and am open to improvement!

A quick how to use avisynth and this denoiser:

1) Go download avisynth 2.6 or avs+ and install it:
https://github.com/pinterf/AviSynthPlus/releases
I recommend going with avs+ as it's regularly maintained by Pinterf and has many newer features.

2) Download mvtools2. Navigate to the avisynth folder in Program Files and extract the mvtools2.dll file into the plugins folder inside the avisynth folder.
https://github.com/pinterf/mvtools/releases
Again, I recommend Pinterf's version as it is more up to date with more features.

3) Go to the TSMC link above and save TSMC.avsi to your avisynth plugins folder.

4) open notepad and write a script to load the video file and denoise it. Here's an example:

Code:
Source=avisource("c:\temp\starwars.avi")
FFTclip=fftmc(Source,2,1,500,4,2,0)
TSMC(Source,3,120,255,4,FFTclip)

Save this wherever you want it as starwars.avs or whatever you want to name it. Just make sure you have .avs as the extension.

5) Open Virtualdub. Navigate to your starwars.avs file and open it in virtualdub. It should pop up in virtualdub already denoised via avisynth.]]>
It's quite simple actually and the dependencies are only:

Avisynth 2.6
Temporal Soften (this is an internal filter)
MVTOOLS2 (version 2.6.0.5 or higher)

The only things you really need to tinker with are tradius(temporal radius) and mthresh(motion threshold). Everything else I never change but I put them in as options in case you want to change the blocksize, for example. The only thing I ever adjust actually is mthresh.

mthresh=70 will denoise basically only stationary stuff.
mthresh=120 will denoise slightly moving stuff.
mthresh=180 will denoise moving stuff but not extremely high motion.

Anything over 180(depending on the source) can start to risk loss of detail that, imo, is unacceptable. However, 70-120 denoises A LOT but still looks good.

These numbers above are based on a few sources that I've tested. Every source is different and requires tweaking. Feeding an already denoised clip via auxclip helps mvtools in 2 ways. It will be more precise when calculating motion vectors and prevents mvtools from thinking that noise is motion. This will allow you to use the same settings more or less. What I mean is that, for example, mthresh=140 will give kind of the same results in different clips. I usually use a motion compensated fft3d denoiser for this as it denoises well even when there is motion without artifacting.
FFTMC

Here is the function for TSMC. Download the avsi and place it into your plugins folder.
TSMC

EDIT: I also wanted to add that if anybody has any ideas to make this better feel free to chime in. I'm by no means an avisynth guru and am open to improvement!

A quick how to use avisynth and this denoiser:

1) Go download avisynth 2.6 or avs+ and install it:
https://github.com/pinterf/AviSynthPlus/releases
I recommend going with avs+ as it's regularly maintained by Pinterf and has many newer features.

2) Download mvtools2. Navigate to the avisynth folder in Program Files and extract the mvtools2.dll file into the plugins folder inside the avisynth folder.
https://github.com/pinterf/mvtools/releases
Again, I recommend Pinterf's version as it is more up to date with more features.

3) Go to the TSMC link above and save TSMC.avsi to your avisynth plugins folder.

4) open notepad and write a script to load the video file and denoise it. Here's an example:

Code:
Source=avisource("c:\temp\starwars.avi")
FFTclip=fftmc(Source,2,1,500,4,2,0)
TSMC(Source,3,120,255,4,FFTclip)

Save this wherever you want it as starwars.avs or whatever you want to name it. Just make sure you have .avs as the extension.

5) Open Virtualdub. Navigate to your starwars.avs file and open it in virtualdub. It should pop up in virtualdub already denoised via avisynth.]]> <![CDATA[LD Denoiser]]> https://fanrestore.com/thread-1251.html Sun, 15 Jan 2017 03:16:00 +0000 spoRv]]> https://fanrestore.com/thread-1251.html
Code:
function LDdenoise(clip input, float "strength", int "mc", int "temporalframes",\
int "blksize", int "search", int "searchparam", int "overlap", int "dct")
{

# Set default options.

strength=default(strength,1)
   temporalframes=default(temporalframes,1)
mc = default(mc, 0)

# Prepare supersampled clip.

super = input.MSuper(levels=6,chroma=true)

# Motion vector search.

b5vec = MAnalyse(super, delta=5, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, dct=dct)
b4vec = MAnalyse(super, delta=4, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b3vec = MAnalyse(super, delta=3, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b2vec = MAnalyse(super, delta=2, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b1vec = MAnalyse(super, delta=1, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f1vec = MAnalyse(super, delta=1, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f2vec = MAnalyse(super, delta=2, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f3vec = MAnalyse(super, delta=3, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f4vec = MAnalyse(super, delta=4, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f5vec = MAnalyse(super, delta=5, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)

# Motion Compensation.

b5clip = MCompensate(input,super, b5vec)
b4clip = MCompensate(input,super, b4vec)
b3clip = MCompensate(input,super, b3vec)
b2clip = MCompensate(input,super, b2vec)
b1clip = MCompensate(input,super, b1vec)
f1clip = MCompensate(input,super, f1vec)
f2clip = MCompensate(input,super, f2vec)
f3clip = MCompensate(input,super, f3vec)
f4clip = MCompensate(input,super, f4vec)
f5clip = MCompensate(input,super, f5vec)

# Create compensated clip.

interleaved = mc >= 5 ? Interleave(f5clip, f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip, b5clip) :
\ mc == 4 ? Interleave(f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip) :
\ mc == 3 ? Interleave(f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip) :
\ mc == 2 ? Interleave(f2clip, f1clip, input, b1clip, b2clip) :
\ mc == 1 ? Interleave(f1clip, input, b1clip):
\ input

#Perform DFTTEST

params="""dfttest(y=true,u=true,v=true,f0beta=0.5,sigma=0,dither=0,sbsize=25,sosize=20,tbsize="""+string(temporalframes)+""",tosize="""+string(temporalframes)+"""/3,nstring=\
   "a:"""+string(strength)+""" \
   "+string(current_frame)+",0,440,10 \
   "+string(current_frame)+",0,10,10 \
   "+string(current_frame)+",0,10,340 \
   "+string(current_frame)+",0,10,680 \
   "+string(current_frame)+",0,440,680 \
   "+string(current_frame)+",1,440/2,3 \
   "+string(current_frame)+",1,3,3 \
   "+string(current_frame)+",1,3,340/2 \
   "+string(current_frame)+",1,3,680/2 \
   "+string(current_frame)+",1,440/2,350 \
   "+string(current_frame)+",2,120,3 \
   "+string(current_frame)+",2,3,3 \
   "+string(current_frame)+",2,3,340/2 \
   "+string(current_frame)+",2,3,680/2 \
   "+string(current_frame)+",2,440/2,680/2")
   """
filter=eval("scriptclip(interleaved,params)")
return SelectEvery(filter, mc * 2 + 1,mc)

}

function LDdenoise2(clip input, float "strength", int "mc", int "temporalframes",\
int "blksize", int "search", int "searchparam", int "overlap", int "dct")
{

# Set default options.

width=width(input)
height=height(input)
strength=default(strength,1)
temporalframes=default(temporalframes,1)
mc = default(mc, 0)

# Prepare supersampled clip.

super = input.MSuper(levels=6,chroma=true)

# Motion vector search.

b5vec = MAnalyse(super, delta=5, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, dct=dct)
b4vec = MAnalyse(super, delta=4, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b3vec = MAnalyse(super, delta=3, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b2vec = MAnalyse(super, delta=2, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b1vec = MAnalyse(super, delta=1, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f1vec = MAnalyse(super, delta=1, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f2vec = MAnalyse(super, delta=2, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f3vec = MAnalyse(super, delta=3, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f4vec = MAnalyse(super, delta=4, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f5vec = MAnalyse(super, delta=5, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)

# Motion Compensation.

b5clip = MCompensate(input,super, b5vec)
b4clip = MCompensate(input,super, b4vec)
b3clip = MCompensate(input,super, b3vec)
b2clip = MCompensate(input,super, b2vec)
b1clip = MCompensate(input,super, b1vec)
f1clip = MCompensate(input,super, f1vec)
f2clip = MCompensate(input,super, f2vec)
f3clip = MCompensate(input,super, f3vec)
f4clip = MCompensate(input,super, f4vec)
f5clip = MCompensate(input,super, f5vec)

# Create compensated clip.

interleaved = mc >= 5 ? Interleave(f5clip, f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip, b5clip) :
\ mc == 4 ? Interleave(f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip) :
\ mc == 3 ? Interleave(f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip) :
\ mc == 2 ? Interleave(f2clip, f1clip, input, b1clip, b2clip) :
\ mc == 1 ? Interleave(f1clip, input, b1clip):
\ input

#Perform DFTTEST

yparams="""dfttest(y=true,u=false,v=false,f0beta=0.5,sigma=0,dither=0,sbsize=25,sosize=20,tbsize="""+string(temporalframes)+""",tosize="""+string(temporalframes)+"""/3,nstring=\
"a:"""+string(strength)+""" \
"+string(current_frame)+",0,"""+string(height-40)+""",10 \
"+string(current_frame)+",0,10,10 \
"+string(current_frame)+",0,10,"""+string(width/4)+""" \
"+string(current_frame)+",0,10,"""+string(width/2)+""" \
"+string(current_frame)+",0,10,"""+string(width/1.5)+""" \
"+string(current_frame)+",0,10,"""+string(width-40)+""" \
"+string(current_frame)+",0,"""+string(height-40)+""","""+string(width-40)+""" ")
"""


yfilter=eval("scriptclip(interleaved,yparams)")

uvparams="""dfttest(y=false,u=true,v=true,f0beta=0.5,sigma=0,dither=0,sbsize=25,sosize=20,tbsize="""+string(temporalframes)+""",tosize="""+string(temporalframes)+"""/3,nstring=\
"a:"""+string(strength)+""" \
"+string(current_frame)+",1,"""+string((height/2)-30)+""",3 \
"+string(current_frame)+",1,3,3 \
"+string(current_frame)+",1,3,"""+string((width/2)/2)+""" \
"+string(current_frame)+",1,3,"""+string((width/2)-30)+""" \
"+string(current_frame)+",1,"""+string((height/2)-30)+""","""+string((width/2)-30)+""" \
"+string(current_frame)+",2,"""+string((height/2)-30)+""",3 \
"+string(current_frame)+",2,3,3 \
"+string(current_frame)+",2,3,"""+string((width/2)/2)+""" \
"+string(current_frame)+",2,3,"""+string((width/2)-30)+""" \
"+string(current_frame)+",2,"""+string((height/2)-30)+""","""+string((width/2)-30)+""" ")
"""

uvfilter=eval("scriptclip(yfilter,uvparams)")

return SelectEvery(uvfilter, mc * 2 + 1,mc)

}
]]>
Code:
function LDdenoise(clip input, float "strength", int "mc", int "temporalframes",\
int "blksize", int "search", int "searchparam", int "overlap", int "dct")
{

# Set default options.

strength=default(strength,1)
   temporalframes=default(temporalframes,1)
mc = default(mc, 0)

# Prepare supersampled clip.

super = input.MSuper(levels=6,chroma=true)

# Motion vector search.

b5vec = MAnalyse(super, delta=5, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, dct=dct)
b4vec = MAnalyse(super, delta=4, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b3vec = MAnalyse(super, delta=3, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b2vec = MAnalyse(super, delta=2, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b1vec = MAnalyse(super, delta=1, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f1vec = MAnalyse(super, delta=1, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f2vec = MAnalyse(super, delta=2, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f3vec = MAnalyse(super, delta=3, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f4vec = MAnalyse(super, delta=4, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f5vec = MAnalyse(super, delta=5, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)

# Motion Compensation.

b5clip = MCompensate(input,super, b5vec)
b4clip = MCompensate(input,super, b4vec)
b3clip = MCompensate(input,super, b3vec)
b2clip = MCompensate(input,super, b2vec)
b1clip = MCompensate(input,super, b1vec)
f1clip = MCompensate(input,super, f1vec)
f2clip = MCompensate(input,super, f2vec)
f3clip = MCompensate(input,super, f3vec)
f4clip = MCompensate(input,super, f4vec)
f5clip = MCompensate(input,super, f5vec)

# Create compensated clip.

interleaved = mc >= 5 ? Interleave(f5clip, f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip, b5clip) :
\ mc == 4 ? Interleave(f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip) :
\ mc == 3 ? Interleave(f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip) :
\ mc == 2 ? Interleave(f2clip, f1clip, input, b1clip, b2clip) :
\ mc == 1 ? Interleave(f1clip, input, b1clip):
\ input

#Perform DFTTEST

params="""dfttest(y=true,u=true,v=true,f0beta=0.5,sigma=0,dither=0,sbsize=25,sosize=20,tbsize="""+string(temporalframes)+""",tosize="""+string(temporalframes)+"""/3,nstring=\
   "a:"""+string(strength)+""" \
   "+string(current_frame)+",0,440,10 \
   "+string(current_frame)+",0,10,10 \
   "+string(current_frame)+",0,10,340 \
   "+string(current_frame)+",0,10,680 \
   "+string(current_frame)+",0,440,680 \
   "+string(current_frame)+",1,440/2,3 \
   "+string(current_frame)+",1,3,3 \
   "+string(current_frame)+",1,3,340/2 \
   "+string(current_frame)+",1,3,680/2 \
   "+string(current_frame)+",1,440/2,350 \
   "+string(current_frame)+",2,120,3 \
   "+string(current_frame)+",2,3,3 \
   "+string(current_frame)+",2,3,340/2 \
   "+string(current_frame)+",2,3,680/2 \
   "+string(current_frame)+",2,440/2,680/2")
   """
filter=eval("scriptclip(interleaved,params)")
return SelectEvery(filter, mc * 2 + 1,mc)

}

function LDdenoise2(clip input, float "strength", int "mc", int "temporalframes",\
int "blksize", int "search", int "searchparam", int "overlap", int "dct")
{

# Set default options.

width=width(input)
height=height(input)
strength=default(strength,1)
temporalframes=default(temporalframes,1)
mc = default(mc, 0)

# Prepare supersampled clip.

super = input.MSuper(levels=6,chroma=true)

# Motion vector search.

b5vec = MAnalyse(super, delta=5, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, dct=dct)
b4vec = MAnalyse(super, delta=4, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b3vec = MAnalyse(super, delta=3, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b2vec = MAnalyse(super, delta=2, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
b1vec = MAnalyse(super, delta=1, isb=true,chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f1vec = MAnalyse(super, delta=1, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f2vec = MAnalyse(super, delta=2, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f3vec = MAnalyse(super, delta=3, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f4vec = MAnalyse(super, delta=4, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)
f5vec = MAnalyse(super, delta=5, chroma=true, search=search, searchparam=searchparam, overlap=overlap, blksize=blksize, dct=dct)

# Motion Compensation.

b5clip = MCompensate(input,super, b5vec)
b4clip = MCompensate(input,super, b4vec)
b3clip = MCompensate(input,super, b3vec)
b2clip = MCompensate(input,super, b2vec)
b1clip = MCompensate(input,super, b1vec)
f1clip = MCompensate(input,super, f1vec)
f2clip = MCompensate(input,super, f2vec)
f3clip = MCompensate(input,super, f3vec)
f4clip = MCompensate(input,super, f4vec)
f5clip = MCompensate(input,super, f5vec)

# Create compensated clip.

interleaved = mc >= 5 ? Interleave(f5clip, f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip, b5clip) :
\ mc == 4 ? Interleave(f4clip, f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip, b4clip) :
\ mc == 3 ? Interleave(f3clip, f2clip, f1clip, input, b1clip, b2clip, b3clip) :
\ mc == 2 ? Interleave(f2clip, f1clip, input, b1clip, b2clip) :
\ mc == 1 ? Interleave(f1clip, input, b1clip):
\ input

#Perform DFTTEST

yparams="""dfttest(y=true,u=false,v=false,f0beta=0.5,sigma=0,dither=0,sbsize=25,sosize=20,tbsize="""+string(temporalframes)+""",tosize="""+string(temporalframes)+"""/3,nstring=\
"a:"""+string(strength)+""" \
"+string(current_frame)+",0,"""+string(height-40)+""",10 \
"+string(current_frame)+",0,10,10 \
"+string(current_frame)+",0,10,"""+string(width/4)+""" \
"+string(current_frame)+",0,10,"""+string(width/2)+""" \
"+string(current_frame)+",0,10,"""+string(width/1.5)+""" \
"+string(current_frame)+",0,10,"""+string(width-40)+""" \
"+string(current_frame)+",0,"""+string(height-40)+""","""+string(width-40)+""" ")
"""


yfilter=eval("scriptclip(interleaved,yparams)")

uvparams="""dfttest(y=false,u=true,v=true,f0beta=0.5,sigma=0,dither=0,sbsize=25,sosize=20,tbsize="""+string(temporalframes)+""",tosize="""+string(temporalframes)+"""/3,nstring=\
"a:"""+string(strength)+""" \
"+string(current_frame)+",1,"""+string((height/2)-30)+""",3 \
"+string(current_frame)+",1,3,3 \
"+string(current_frame)+",1,3,"""+string((width/2)/2)+""" \
"+string(current_frame)+",1,3,"""+string((width/2)-30)+""" \
"+string(current_frame)+",1,"""+string((height/2)-30)+""","""+string((width/2)-30)+""" \
"+string(current_frame)+",2,"""+string((height/2)-30)+""",3 \
"+string(current_frame)+",2,3,3 \
"+string(current_frame)+",2,3,"""+string((width/2)/2)+""" \
"+string(current_frame)+",2,3,"""+string((width/2)-30)+""" \
"+string(current_frame)+",2,"""+string((height/2)-30)+""","""+string((width/2)-30)+""" ")
"""

uvfilter=eval("scriptclip(yfilter,uvparams)")

return SelectEvery(uvfilter, mc * 2 + 1,mc)

}
]]> <![CDATA[Fix analog capture color problems]]> https://fanrestore.com/thread-1250.html Sun, 15 Jan 2017 03:08:51 +0000 spoRv]]> https://fanrestore.com/thread-1250.html
It reduce chroma at 1/4th of the original; don't worry, because even the best Super-NTSC encoded laserdisc will barely suffer using this function; just try and let me know! Thanks to antcuufaalb!!!


Code:
function lowchromanoise (clip clip) {
clip
SeparateFields
Spline16Resize(clip.width/4,clip.height/2)
Spline16Resize(clip.width,clip.height/2)
Weave
MergeLuma(clip)
}
]]>
It reduce chroma at 1/4th of the original; don't worry, because even the best Super-NTSC encoded laserdisc will barely suffer using this function; just try and let me know! Thanks to antcuufaalb!!!


Code:
function lowchromanoise (clip clip) {
clip
SeparateFields
Spline16Resize(clip.width/4,clip.height/2)
Spline16Resize(clip.width,clip.height/2)
Weave
MergeLuma(clip)
}
]]>