For me it is more interesting to watch my uhd discs... I have no hdcp 2.2 compatible TV... And at the moment no player... With the box, I could invest in playing ability... And save some more u til I get a TV...
They seem to crack them on a disc by disc basis. Works on a wide variety of drives, means that you don't need all the inane HW/SW requirements mandated by Cyberlink/BDA
For 35mm I have a film scanner at home. Originally meant for photography, but surely works for movie film as well. For 70mm you might need one that is meant for middle format (which is around 6x6); though 70mm is 6.5cm from what I read, so I am not 100% sure it would fit in.
About 20 Years ago, my mother witnessed Christmas Music in a Mall... in July. The Played a Song from a german Punk-Rock Band "Die Roten Rosen" the Song was "Weihnachtsmann vom Dach" ("Santa Clause from the attic")
I actually tried the same two processes: f_align which I saw in the Mad, Mad World restoration doc when they aligned the LD to a film print and running an image sequence in a macro through PS
yes, but usually for official release, the distortion remain the same across the whole movie, so once you have found the right settings, it could work... let us know!
Well my own playing around with it didn't really work so I'm going to post on Doom 9. If I find a method that works I'll for sure make a thread documenting.
Oooo ... interesting. Maybe Synnove would make a new thread to document the info, developements, and testing (with lots of pictures)? Possibly under "Requests, proposals, help" for the technique? Or elsewhere for the actual project?
Wild guess, but how about cleverly manipulating MVTools? They have frame interpolation. It's meant for time-based interpolation, but perhaps you could trick it into doing it for two differently warped frames and somehow morph one into the other.
I know the proper process for combining the information from the two transfers to replace the missing blacks or highlights, but getting the frames aligned is the difficult part.
It's Star Trek The Motion Picture; I'm using the HDTV cap and the Blu-Ray. The blu has many instances of clipped highlights and crushed blacks to the point where the information is completely gone. Unfortunately they are 2 diff scans so the frame geometry is different.
@ Synnove "crushed blacks/blown highlights" -- this may occur on one of the R-G-B separations and might be fixable using adjusted values from a non-crushed/blown separation.
I've tried using f_align in nuke and align layers in photoshop but they only do linear transforms; the geometry differences in the scans are non linear. I want to align them to restore the detail in the crushed blacks to the clearer blu transfer.
Does anyone have a method for aligning two separate filmscans? I've two HD sources (one HDTV that has a LOT of compression and dirt), one that's BLU but crushed blacks/blown highlights. They are two diff scans so the geometry is slightly different.
Hell yeah... More tempered movie releases to whitewash movie (producing) history... Like Disney's Fantasia... Heck the scandal should be resolved and worked on properly, that it is harder to happen again, and that victims have faith and find strength sooner to open up, but trying to delete the names of the aggressors from producing history, is surely not the right way, that just leads to forgetting things...
I personally think that once a film has been sent to the cinemas, that's it, no backsies, no replacing and no changing. And maybe in 50 years people could watch these films without the reservations of 2017 audiences.
And to make it more relevant to our forum, what should be done with films made by and with people we know did terrible things? Views about removing Weinstein's name from his films have been raised, and while that can be made quiet easily, the same can't be said about Spacey in some films that I really like, like "LA Confidential"
And Singer returned to the X men franchise, and that made money. Weinstein hasn't made a commercial hit in like 5 years, and James Woods said that it could definitely be the reason he was finally exposed.
Personally, I think it's a trend that will eventually go away. It's lessons will be learnt, though. But I think that will mean less women in the top jobs, because we see it in the private sector. Men feel that they can't behave around women the same as they behave around men, and that means less women in the top jobs
I'm pretty sure John Lasseter knew he was getting exposed and so he stepped down pre-emptively. I'm surprised Bryan Singer has been relatively unscathed so far.
Even today, it doesn't look like the nuclear fallout from the Tungsten Bomb (W being short for both Tungsten and Weinstein) is going to stop anytime soon.
With every man that is exposed, it seems like he examined how the previous men reacted to the accusations and tried to do it better. Louis CK came out the best among those who's career is probably over because he figured that well, he can't deny, he can't come out of the closet, and he can't claim to have issues, so he just let some lawyers draft an apology.
@ cs The thing about affleck's exposed groping (or, to be more precise, the reminding of said groping) is that he was one of the first to denounce Weinstein, and while hypocricy is a given in show business, when you grope women against their will and denounce another man for mistreating women, it's better if you keep your mouth shut.
Affleck and Depp seem to make it through this scandal rather fine, considering they are performers, and accusations hurt their public image a lot more than those behind the camera. Weinstein could theoretically make a comeback (By using someone else). Spacey can't.
With Affleck it was groping, mostly. Standard Jock behaviour, nothing surprising, considering the way he behaves himself in public. But the thing with the costumes is mostly on Snyder, I think.
Just that he had been implicated in the Great Hollywood Sex Scandal of 2017 and forced to apologize for his role in it. Brett Ratner wasn't anywhere near as lucky--WB dumped him almost as soon as his name came up.
So far in 2017, the most enjoyable film for me was "Baby Driver", and I'm waiting to see if watching "Dunkirk" on home video manages to replicate some of the actual anxiety I felt while watching on IMAX.
I actually liked TFA. Yes, it was very much "been there, done that", but it did something very few films in the last decade managed to do. It kept me extremely entertained for 2 hours. The script and characters were engaging, Kylo was a pretty well thought out (if a bit angsty) villain, and it stands the test of the 3rd and 4th viewing, which many films fail at, including R1, which, while having a killer 3rd act, has a severely problematic 1st act. Even if TLJ turns out to be a remake of ESB, if it's a good remake, I'll probably still enjoy it.