Come on guys it's going to be fun ride!

Cameron destroying his own movies since 2017

Any OG Cap artists know wtf this noise interference is? I've got everything through AVR Sinewave UPS (for dirty power).. LD or VHS, changed rooms, cap cards, between laptop/desktop, turned all powered devices off.. its all the same. What the hell is doing this? https://i.imgur.com/GhuzE93.jpeg

tried without the UPS? also maybe try from laptop without power adapter plugged in to confirm theres no ground loop

that is from the UPS

Just got the scan of my "the beach" trailer. Its a 4k wetscan and looks like super8 footage....damn :-(

https://i.ibb.co/KmrRwCF/Standbild-2024-...-1-1-1.jpg

Not sure where you got that scanned but yikes.

Really, really disappointed. It was scanned at "Berola", Germany

don't insult super8 like that! did you have a talk with them? minus the very obvious issues with the files you received it looks like a good scanner - https://ibb.co/Byqt4xd (super8 4k)

Gonna talk to them tomorrow. Can't imagine that this is the "final" resolution of the trailer. And compression aint good, too :-(

hi everyone just wanted to say that

https://youtu.be/KAOdjqyG37A too real

I just got confirmation: A Nightmare on Elm Street (1984) is now fully uncut on 4K (Disc & Streaming). Though the mono mix seams to be only available on disc

Misread as the music cue is missing (it does appear in that 4K release). Despite that, an LD audio sync with the Japanese uncut version of the film (as the only NTSC LD release contains an Unrated cut) is worth doing regardless: https://www.lddb.com/laserdisc/33382/SF0...m-Street-A

A good capture from a VHS of the uncut version would do the job as well, if the 4K release has a tempered mono mix

There's only 9 seconds of extra footage in the uncut version. According to Blah-ray previous disc sounded good already, so if UHD is worse, that could be synced with the uncut moments spliced in

From the CiNEPHiLES release: Uncut edition of this film adds only 9 seconds of extra footage with no dialogue, as such I didn't think it was worth remuxing the theatrical version. Subtitles and commentaries (which were only included on disc with the theatrical edition) have been adjusted to sync. The 2.0 track included on the UHD is thankfully the original mono, and it sounds great. It appears to be a lossless version of the mastering included on the previous disc. A few seconds of the uncut footage seem to be spliced from a lower quality source, but it's not noticable.

The uncut parts are definitely analog and not digital for what CiNEPHiLES saying