I created a Python script with AI which stitches the decoded parts of a Cinema DTS CD to one large multi channel audio file.

Features:

• Detecting the signal tone and removing unneeded silence
  
• Detecting overlap by correlation (with detection of inverted parts)
  
• Short cross fade for reducing audible errors
  
• Merging of the files
  
• Extraction of LFE including clipping protection and custom LFE gain (optional)
  
• Slowdown to 23.976 FPS and resample to 48 kHz (optional)
  

...Standing On 2 Feet.

Hey guys.
So, this is a fancut of the film. I removed a couple of unfunny/embarrasing moments that have been bugging me for some time. One scene has been added!

Editing changes:

# bar scene.
The t-800 throws the long-haired guy through the air and he lands on the kitchen. He burns himself and drops to the ground. That's supposed to be funny, but it's not (I'm growing old).  It also breaks the flow of the scene.
It's gone now.
- 4.2 sec.

# "stand on one foot"
No, John, no. Terminators stand on two feet.
This scene is the reason for the fancut. You know, there's humor and then there's a parody or a spoof movie. This scene belongs in a Scary Movie kind of film, or even in one of the sequels, not here. 
This one required reframing a couple of shots and a bit of editing. Is the end result perfect? Probably not, but anything is better than the original.
- 12 sec.

# chip scene
I felt like by just removing things, even if the film improved, I was making it "less" in a way (like, why is a decaffeinato cheaper than a regular coffee dispite all the process to remove the caffeine?), so I wondered if I could include something from the extended version, without hurting the already perfect pacing of the theatrical. The chip scene is the obvious answer. 
Here it is in all its glory... or almost. I did a bit of editing when Sarah and John are arguing after removing the chip. The shot when John replies "but he is my friend, all right?" is gone, and I also fixed the shot where we see Sarah moving her mouth ("Maybe"), but there's no audio (looks like an editing mistake, because the "Maybe" is in the next close up).
+ 196 sec

Dewaxed, regraded
· First of all: we need a proper release, with no dnr, and no shitty AI processing (I mean, Cameron can't let T2 be the only of his movies without the AI treatment, right?).
All the processing I did is just makeup. It can make the film look more pretty, more watchable, which is the goal, of course, but that's it.
So.
I did some pre-processing in Hybrid. Dynamic dehaloing and removing jagged edges.
Then, in Resolve I played with soften and sharpen and texture detail, after that, added a bit of 50% opacity blur, and finally a layer of grain.
Like I said, makeup.
Did I go too far softening some shots? It's possible that this looks softer than what a proper mastering would look, but still not as soft as the old pinkish telecine, so I think we're good.
· I used the good 35mm print scan floating around as reference. It's one of the best scans I've seen, but we should not turn our brains off just because we read "35mm print scan". The thing it's not perfect. It tends too look too dark (Sarah and Silverman scenes, for example), it has that orangey red tones that many scans have for some reason, and blues tend too look a bit too purpleish sometimes. There's actually an overall bluish tint during a good part of the film, with, somewhat, washed out colors (specially noticeable in the desert scenes. The other scan out there looks worse overall, but it shows more vibrant warmer colors there). Those are minor things, not a big deal, but they are there, and it's necessary to look beyond the flaws when matching colors.
The sound comes from the 2007 French bluray. That's right, the one sourced from the original mix! First of all I sync'ed it to the 4K, which surpisingly, wasn't as difficult as I expected, then all the editing. I couldn't do all the things I wanted, like removing a couple of lines of dialogue (only audio editing, without cutting anything). Anyway, it's done.

Quote:54.66 GB
Video: HVC1 3840x2160 23.976fps [V: hevc main 10 L5.1, yuv420p10le, 3840x2160 [default]]
Audio: FLAC (framed) 48000Hz 6ch 4608kbps [A: flac, 48000 Hz, 5.1(side), s16 [default]]
Subtitle: UTF-8 [S: Español [spa] (subrip) [default]]
Subtitle: UTF-8 [S: English [eng] (subrip) [default]]
Subtitle: UTF-8 [S: No subtitles]

May the force be with yall!

Hi.


Former film student, I've been a cinephile for more than 25 years now.

I've been dissatisfied with several official releases regarding censorship, color grading and audio tracks.

This board appears to feature talented people who actually fixed what the studios couldn't do. 


Thanks for letting me in.

Bob

Hi,

I'd like to introduce myself. My name is Pim and i have a big passion for movies and home theatre. Good picture quality and sound quality is a never-ending chase. Especially for audio, there is always a comprise to make (gf, neighbours, looks).

My current setup is a LG G4 (filmmaker mode) and a Sony Bravia Quad with the new Sony Theatre Sub 9. It is a nice setup and a good compromise to watch UHD blu-ray movies at home.

The reason i joined this forum is because some movies are not shipped with the best possible audio, many modern Atmos tracks are lacking in the low-end when compared to their older dvd or blu-ray editions. It is really cool and interesting to see how the community is hunting/creating the best version of movies.

Hey guys.
Long time no see. Lots of unread private messages... I should login more often!

So.
Here's a nice fancut I finally did thanks to the recent surfacing of a 4K scan of the legendary "helicopter in the twin towers" trailer.
Not much to say, I just edited the footage of the trailer into the film. Regraded it to make it look as close... or perhaps the least dissimilar from the rest of the film.
I know this was never meant to be part of the film, but hey, the 3 Raimi films are pretty much the only superhero movies  I can tolerate. It was tempting to do this.
The real challenge here was the audio. Thankfully, the guy included a nice 2.0 lossless pcm format track.
I followed a couple of youtube tutorials to create a 5.1 mix out of the original 2.0 using Steve Thompson's V.I plugins + audacity (32 bit only!). I did my best to match the loudness of this 5.1 audio to the rest of the film. It wasn't easy, but considering my limited skills doing this kind of stuff, I'm more than happy.
Hope you like it.

The film itself is not regraded or anything. I've seen the 35mm open matte scan that's been floating around, and I think the bluray colors are just fine.

Quote:41.09 GB
Video: MPEG4 Video (H264) 1920x1080 23.976fps [V: h264 high L4.1, yuv420p, 1920x1080 [default]]
Audio: FLAC (framed) 48000Hz 6ch 4608kbps [A: flac, 48000 Hz, 5.1(side), s16 [default]]
Subtitle: UTF-8 [S: Español [spa] (subrip) [default]]
Subtitle: UTF-8 [S: English [eng] (subrip) [default]]
Subtitle: UTF-8 [S: No subtitles]

Hi there! Found this forum via some of the other fan restoration forums out there.

Longtime lurker, finally saying hi. Star Wars (OT) nut, also obsessed with Twilight Zone. Looking forward to posting in the future.

Brand new to this forum, discovered it falling down the rabbit hole of finding out audio tracks on newer editions of many beloved films have been remixed or neutered, hoping to learn more about original theatrical mixes on dvds and laserdiscs

Hiya folks, it's me Adam Fortner, and here I am on FanRestore to restore movies and preserve them.