So last night, I went to a 35mm tri-screening that showcased Army of Darkness, Waxwork and The Beyond. During then, I made a handful of mental notes on each of the movies in terms of their colors and hoo-boy did I find some interesting things to account. Now being the brainlet I am, I didn't take any brief iPhone pictures for practically the entire screening (the only exception being The Beyond which you can see info on here), however, I did make some mental screenshots.

Army of Darkness was supposedly a print made in 2009 weirdly enough so I'm not sure how accurate it would be to judge off of that, but I will say that it was not only in great condition, but it had a surprising amount of blues throughout. Now if I'm being honest, it caught me totally off-guard as someone who's only seen the movie through the–now outdated–Primitive Screwhead blu-ray which has a rather overbearingly warm yellow / orange color scheme; So seeing the movie suddenly have steel blues really took me aback. As surprising that color scheme was for me though, it looked very pretty at times. I must say though that look at Caps-A-Holic, Shout! Factory has gotten it pretty close, but it's still not quite as blue. The only reason I remember this was because of a rather dumb and crude memory where I noticed the reflection off of the blacksmith's bald head being in a deeper shade of blue.


The only apt comparison I can really think of here though is to ask of you to imagine the open-matte trailer scan provided from the Book of the Dead fan-site but with the daylight scenes being vibrant and more orangey (the night-time blues roughly on-par, just a touch lighter than what I saw). Thankfully there's a picture the organization behind the screening posted a picture of the reel on a lightbox.


On the topic of Waxwork, it's a fun and campy little 80s horror comedy with a lot of gorgeous blues. The print itself is in great condition and is–interestingly enough–the only known print to be floating around apparently (the only real notable issue being slight yellowing and somewhat wonky pin-registration issues, resulting in the projection being rather shaky at times).

Now for the record, I'm going off of the snapshots on Caps-A-Holics and the internet in general for home-media judging since I don't personally own a copy of the movie (in fact, last night was the first time I actually saw it). From what I can see, the Lionsgate blu-ray is a complete disservice and mute much of the blues whilst overbrightening it a touch. Meanwhile, the Nameless blu-ray is much closer to what I saw but not quite on the mark being a touch too dark and the blues still a bit off. I have two vivid mental recollections: The first time you catch a glimpse of the building's exhibits, there's a blue tone in the background and the whole werewolf cabin in the woods sequence was bathed in blue lighting, almost akin to what was seen in my Hellraiser regrade (it's really quite gorgeous honestly).

Now although I don't have iPhone pictures as I've said, thankfully the organization also posted several images of the reel on a lightbox similarly to Army of Darkness which helps demonstrates some of the blues I saw, but even then I kind of discount these a bit since they're not representing the faux moonlight I saw throughout the film.

Army of Darkness Color Match Test: I took the 35mm trailer scan from the Book of the Dead website and took the closest frame possible to the one put up by Cinematic Void (exact wasn't shown) and color matched it in Dr. Dre and did some further tweaking with white / black balancing in Resolve. The resultant grade is a damn near close replication of the film's color scheme from my personal experience–though I think the blues were a touch darker. It retains all of the blues but brings back the warmth and saturation missing in the trailer scan (and removed some of the excess yellow hue from the print).

I take it you saw the US theatrical cut of AoD?

I wonder if there were any timing differences between the original prints of that and the international version.

Somehow, I don't think the VHS bootleg of the latter that I made at the drive-in back in the day would be of any help...

(2019-05-06, 12:04 PM)The Griff Wrote: I take it you saw the US theatrical cut of AoD?

I wonder if there were any timing differences between the original prints of that and the international version.

Somehow, I don't think the VHS bootleg of the latter that I made at the drive-in back in the day would be of any help...

Taking this into consideration, I can safely say I say the U.S. Cut (didn't even know an International Cut existed, I only thought there's the Director's Cut). I doubt there'd be any real color timing differences worth noting due to the fact that it was a full-blown Universal production and not an obscuro film like with The Beyond. As for the VHS bootleg, I can't particularly discount it nor promote it in terms of color timing since I've seen scenarios where–apparently–VHS tapes somehow have it more correct (EG: The Terminator) but since I know nothing about the tape, I can't say. All I can say is that the pictures I posted are accurate to the print I saw.

It's interesting because the International Cut is currently the best available source for the film. It is what Shout! restored in 4K and then used as a base for their Director's Cut release.

And, yeah, I was kinda making fun of this particular bootleg since I shot it myself with a random video camera. In fact, I had to go to the drive-ins twice because the battery was only good for half a movie. Unfortunately, the 2nd time round, it was raining - so there's that and the fact that we were drinking and smoking and getting pretty rowdy. Certainly not suitable for re-distribution, even if it were a reliable colour reference!

Shout!'s Director's Cut doesn't use the International Cut restoration as a source. That's from an older master, but still higher quality than Universal's Theatrical Cut transfer IMO.

(2019-05-08, 02:05 AM)Dek Rollins Wrote: Shout!'s Director's Cut doesn't use the International Cut restoration as a source. That's from an older master, but still higher quality than Universal's Theatrical Cut transfer IMO.

Whoops. My bad. It's the US Theatrical Cut that uses the International Cut as a source.

There seem to be some Versions on caps-a-holic:
https://caps-a-holic.com/c_list.php?c=2734

Edit:
And we may not forget the history of DVD Releases:
http://sd.caps-a-holic.com/vergleich.php?vergleichID=40

Some of the DVDs have different colors and grading and such...

Randomly came across apparently a "UK uncut" (doesn't matter tbh) version of Halloween 3 and I made a fascinating discovery: It has very different color grading than practically every other home media release of the movie I've seen. A lot more colorful with loads of blues and greens and oranges at times.



After skimming through the footage, I actually think the transfer was made from either an IP or an OTP with heavy automated cleanup (since I noticed literally parts of the frame are missing when compared to the blu-ray).

I decided to do a little regrade test real fast to see what the results would be if I took frames of the newest remaster from Caps-A-Holic and the results are rather pleasing...


Since I don't have that aforementioned remaster, I can't do a regrade project, however, I would happily forward someone the rip of this transfer if they feel like doing a regrade project themself.