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The Good, The Bad, and The Ugly (Italian Cut Reconstruction in English)
#41
Just to confirm, the changes should be the one shot of Eli Wallach and the audio, right?
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#42
Yeah, the video is identical except for the Tuco shot at the end. I would've liked to include English subtitles with the Italian version, but I've never made subtitles before and I don't have a proper translation of the Italian dialogue.

If anyone wants the audio tracks alone to mux into the same video, let me know.
Finest kind.
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#43
Yes, that would be lovely, I'll take a copy of the Italian audio.
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#44
I should've put both audio tracks in both versions, but I hadn't even made the Italian mono sync when I uploaded the English version, and I didn't think about it until the Italian version was uploading.

Also I'll be rendering the 'seamless' English version soon.
Finest kind.
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Thanks given by: iguanaclerk
#45
Here's a question for those who are interested in the shorter English version. Should I leave the Italian titles/text as in the reconstruction, or are the English titles preferable?
Finest kind.
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#46
I say English titles since those are meant to go with the English IC.
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Thanks given by: Dek Rollins
#47
I can never thank you enough for this. I love it! Thanks!!!
AKA thxita on OriginalTrilogy
I preserve movies as they first appeared in Italy.
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Thanks given by: Dek Rollins
#48
I'm trying to recreate the original PEA title from the US theatrical version, using the 35mm scan preview for the text. Here's what I have for the still:

https://i.imgur.com/FOrSjO8.jpg

Adding in the animated transition will be the tedious part, and that animation is also unique from the home video replacement.
Finest kind.
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#49
Final render on the shorter English extended cut is under way, so this is last call on the Italian version of the reconstruction.
Finest kind.
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Thanks given by: Evit
#50
I got a copy so if anyone wants the Italian version after Dek has removed it just message me
AKA thxita on OriginalTrilogy
I preserve movies as they first appeared in Italy.
Reply
Thanks given by: Dek Rollins


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