I watched a really good French movie the other day called Black Box. It's about an audio analyst who works on black box recordings from crashed planes and he starts to uncover inconsistencies with the recordings, very much in the style of Blow Out. Anyway the reason I mention it is while he is listening to the audio he is using Izotope RX. And he's actually using it with the correct interface etc, it's not the usual Hollywood completely fabricated software. Just cool to see a program I use on a regular basis being used in a movie.
The words of Cameron makes even the viewers encourage to contribute the donations of fan scans, regrading and (proper) perserving his movies. Disgusting for those wanted a non-DNR, non-AI upscale and closest original grading of his movies.
He's lost it. A self righteous, pompous, know it all. He's made some truly great films, but he's so blinded by digital is good, he fails to recognize how he's destroyed his previous work, and the work of all the cinematographers and colorists that made those films look so good.
this was really enjoyable. He uses audio clips from other critics during the TWBB segment (he says nothing). Kinda genius https://youtu.be/A_Y_xtIslpk Starts w/ Norm MacDonald interviewing M. Night about developing a style
Just for fun, I took the Dolby TrueHD 5.1 from "Magnolia 1999", made an isolated instrumental, removed sound fx, dialogue. No commercial 24-bit 5.1 version exists, only the stereo PCM. My process was lossless all the way through (aside from the AI tinkering). Link is under the "Released" section of audio projects
@NCseventeen here's an idea; use a Luma key on the version of the film w/ the grain plate on it, because there should be more grain in the darker parts, less grain in the lighter. So you mix it w/ the original. You can also use a rougher grain on the night parts, finer on day parts. Also slap a deflicker filter on because it will mix the flicker of that w/ the original and add unwanted weirdness
Sorry I did have to remove your link. We don’t allow direct link to material. It’s better to post a thread about the project and then if people want it then they can PM you.
Here is the thing i enjoy feedback i am learning but a lot of these looks are meant to give ya 35mm experience. they are novel i am not working a pro studio.. but i do take my time trying to match if i have good sources..but i wil say the people explain the process of wot i am doing it sounds easy.. but if others can show their work would help..
@NCseventeen Again pretty sure I said I don't understand and I am confused, a few times, and I have made no judgements since I have never seen anything you have done. Just a statement of fact. Not being mean. If you want to discuss further, perhaps a thread is a better place then the shoutbox.
Well guess wot my system is diffrent. and my scans will be avaialble on my patreon and discord.. the emulation is all free .. no diffrent than u guys re editing mulan... or lion king lol.. and the ones i give there we go over wot i did and we talk about it as a comunity more for learning emulation better for all of us... inclluding me
And in regards of keeping hard worked stuff to patreons, personally I can fully understand, as at OT many scanns are only avaible to contributors, to avoid people use others hard work for things like bootleg masters, or to sell for profit.
Also I don't recall hating or judging on anything you have done, because I have never seen anything you have done. As far as I can tell, its all kept to your pateron. Which is fine, that's your choice.
@NCseventeen Yeah agree with MrBrown, I never expressed any hate or hostility. I just don't know your process and the posts you have made were confusing to me. Were these projects regrades or 35mm scans. MrBrown cleared it up for me, pretty quickly.
@NCseventeen I never said anything about "hate", I just reworded the posts, as I just can say what I can read there, not that I really KNOW anything different from the texts. If I start to dislike or avoid someone, that usually has to do with the persons behaviour, way of communication, and such things... with me the road to get my hate is quite long.
@PDB Some are scans, some are regrades, according to my understanding on the twitter texts. personally, I thought it was well stated in the singular tweets, but I also can see why it might confuse
Anyways talk is cheap right? content is king.. time will show.. Big love guys.. It's so easy to hate on some one but very hard to believe in some one.. so.. yea.. ill let time sort that out..
The diffrence between myself and u guys is u can actually do research on me while you guys? randoms... i always suggest.. wait before u judge.. also shows a lot of insecurity going on some random fan edit site.. talking about me lol. also heads up... alot of the films that have been scanned came from my collection.. Clueless...
@PDB mate. Its a hobby.. its not a definite. also.. there's a strong community of people who like and we all work together on getting better.. look man i maybe an amateur color corrector.. but when it comes to film prints scans. u guys are all gonna feel kind of silly.
haha its gonna be fun @MrBrown and all of you guys when you guys see what's next... my suggestion usually is wait for a person to fail and then hate.. but.. you guys are gonna feel very silly.. and also do some research before u guys make claims. And my emulation is fucking novelty. haha .. I love the he claims lol.. \
what I see on his twitter are mostly scans already shared on the organ and elsewhere, and his "emulations" which are just regular blu-rays with contrast/saturation/grain added. he's mostly uploading his LD and VHS rips on vimeo.
@SilverWook There is a question if his work is real 35mm scans or regrades, he has said things in the past that don't make sense to me. His Twitter/X video post explaining his work doesn't help explain it either.
Has anyone talked with framemaster lately? He has vanished from both here and the originaltrilogy forum since October. I was very looking forward to his scan of Beauty and the Beast and I am among the contributors.
sadly Fincher has been tinkering with Se7en since the laserdisc and with every subsequent home video release. I'm quite impressed they did an 8K scan of a super 35mm negative then 'grain managed' it