2020-05-05, 09:09 PM
@little-endion The movie Ive been working on is Timecop.
Ive not done an extensive study, just by ear and a quick look at the waveform while syncing.
I do prefer the BD mix in this case.
The CDTS does sound alittle more 'compressed' if that's the right word.
Unsure where that is coming from hence my questioning of EQ and Codec Compression.
Would the encoding engineers compensate for the deficiency's / characteristics of a particular codec compression method?
Ive long discussed with members here about the level colorists grade to the characteristics of a given 35mm film release print type.
@TomArrow. Thanks for your input bud, and yes I think Ill follow that method in the future.
Ive not done an extensive study, just by ear and a quick look at the waveform while syncing.
I do prefer the BD mix in this case.
The CDTS does sound alittle more 'compressed' if that's the right word.
Unsure where that is coming from hence my questioning of EQ and Codec Compression.
Would the encoding engineers compensate for the deficiency's / characteristics of a particular codec compression method?
Ive long discussed with members here about the level colorists grade to the characteristics of a given 35mm film release print type.
@TomArrow. Thanks for your input bud, and yes I think Ill follow that method in the future.