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PDB, I wrote a kilometric answer, but I lost it somehow, as usual...
Long story short: I think I am right, you think you are right. As in this case it's impossible to be both right (or wrong), one is right, and the other is not. Who is right, and who is wrong? 
("I could be wrong... I could be right!", do you remember that song?!?)
To solve the question, I think you should prove me wrong providing a SINGLE setting for saturation, contrast, brightness, gamma etc. that will turn the BD to look, if not identical, really close to the LD in every single shot; you are allowed also to add a SINGLE color correction just to remove the pink tint.
This is a friendly challenge, of course, if you have time and will to do it.
I will be more than happy to change my mind in the case! Until then, I am right, the Earth is flat and the Sun is rotating around it...
Can someone explain why the red light is missing from the following frame? It is present in all the other frames in the shot... top LD, bottom BD:
this is just a good reason for a restoration! 
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I can't claim to know how Alien: Resurrection is supposed to look, but for what it's worth, I think the LD looks very similar to other Jean-Pierre Jeunet films in terms of color timing.
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I have the Japanese release of this movie on LD and I enjoy it immensely.
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PDB, I'm interested in your silver print look. So If I get this right, I take a picture in photoshop, then duplicate a layer than I turn black & white, then I reduce opacity by 50% (with the color version below) and it does the silver print look? Thanks
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2017-05-19, 12:03 PM
(This post was last modified: 2017-05-19, 12:04 PM by Evit.)
Italian TV channel RAI4 showed Alien 4 with Italian credits, those scenes are for sure from a theatrical release because the localized version was never released on home video. It's likely that most of the movie is from Blu Ray but the intro up until young Ripley clone naked in the tank should be from direct 35mm transfer.
I'll post some screengrabs soon
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