(2020-06-29, 10:23 PM)BDgeek Wrote: I'm happy to announce that, having been able to secure this LD, HiippieDalek captured and synced it to the US Shout BD.
I haven't been able to double check the sync yet, but in any case, it's available as is or in raw capture.
ps: The Second Site UK 2.0 PCM track has also been captured courtesy of pipefan413
Mostly checking my understanding here but I think a snapshot of the timeline is something like this...
November 2013:
DE BD (Koch Media) then
UK BD (Second Sight) from an old DVD-era master, probably what was used for the HD-DVD previously
August / September 2015:
IT BD &
FR BD, which I believe are still from the old master and apparently have some pretty horrid DNR etc.
May 2017:
US/CA BD (Shout! Factory, Collector's Edition) from new scan of 2K interpositive
August 2017:
AU BD (Cinema Cult), not sure which master would have been used here... my experience of Cinema Cult is not very great and I tend to find they use old masters, so the fact Shout! Factory made a new one doesn't necessarily convince me that they will have used it for this
December 2017:
JP BD possibly from new master though I didn't find much evidence beyond the release timing and the fact that the Japanese market tends to get good releases for the most part
November 2018:
US/CA Steelbook BD (Shout! Factory again) which appears to be much the same as before except this time they've added a 4.1 mix from the 70 mm Six Track Dolby Stereo which is apparently sh*t hot
December 2019:
DE Mediabook BD (Koch Media again) which appears to use the Shout! Factory scan but with a different encode (although weirdly they also seem to have cropped it differently, slightly more aggressively). Does not include the 4.1 70 mm audio but apparently does include a repaired version of the Dolby Stereo 2.0 which had dropouts on the Shout! Factory version. I'm seeing people praise this encode over the Shout! one but I kinda don't see it myself and it looks like they've cropped it excessively, which I don't get (compare it to the HD-DVD and the Shout! framing looks more correct, but then the HD-DVD might have been wrong as well).
Is it perhaps possible that the dropouts in the 2.0 on the Shout! Factory release(s) are caused by them porting the existing 2.0 audio (previously used on the UK BD etc., though only 16-bit on that) across from a master with more missing frames than their new scan, or something? If so, I expect my 2.0 track won't be of much use, being from the older master (with, I'd assume, the missing frames). I'll try lining them up in AviSynth when I get a chance to compare the frames. The LaserDisc quite possibly also has the same or similar missing frames as other releases off older master(s) but it might not be straightforward to confirm that without capturing the video as well; is that an option or not really, @
HippieDalek? It's probably possible to attempt a re-sync just looking at waveforms but it'd be much easier to confirm accuracy by comparing the video frames.
I don't currently have access to the 4.1 mix from the Shout! Factory Steelbook to compare it with any of the stereo mixes (off this LaserDisc or any of the Blu-ray Discs or HD-DVD) but if it's off a 70 mm master it might not necessarily render the 35 mm Dolby Stereo meaningless because my understanding is that 70 mm prints were generally done first and as such were often missing elements that were later mixed into the 35 mm Dolby Stereo versions (I understand The Empire Strikes Back actually has some different editing even in the video, not just the audio). That might not be the case for Streets of Fire, but it would be interesting to compare the 4.1 and the 2.0 stuff in some detail.