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[versions] dcps/prores files that i'm aware of
#1
not sure what i can ever contribute here but might as well post about this since i don't think everything is too well known and they're kinda cool.

what dcps are is just prores files but repackaged to jpeg2000 and xyz12le 4:4:4. they're usually encrypted but quite a few have leaked
what makes prores files so neat is the fact they're 'visually transparent' encodes and are only encoded in i-frames meaning no previous or next frames are used as reference, resulting in amazing video and perfect grain (p and b frames will mess that up). you also have pretty much uncompressed colour (12-bit/upconverted 10-bit) and for dcps you'll get unique sound mixes. the lack of letterboxing is also a big seller.

apocalypse now "dcpremux" (redux master - theatrical cut): it's public but the remux that's out there is messed up (it's encoded as 48fps which i assume ruined the entire file as it freezes/stutters during scene transitions, probably since the codec can't handle those bitrate spikes any more, i assume whenever they were toying with it they also messed up the colour space as that's fucky too... probably done so that no one encodes it) luckily word of mouth is that the .xmfs were the first things that leaked so maybe we'll get a proper one someday, it's watchable but on a technical level it's ruined. still an awesome leak

my neighbor totoro 2x dcp: 2 of the gkids dcps were leaked publicly, apparently because someone was ment to upload trailer dcps (usually unencrypted afaik) but messed up big time. unique video transfer and a major improvement over any home video version. the two dcps also differ visually.

escape from new york dcpremux: on private trackers

tombstone dcpremux: on private trackers

hateful eight 4k RU "dcprip" web-dl/webrip: public but as stated by the teamhd people, they obtained it thanks to their web-dl fund so it's not legit. the russian bluray is also 25fps.

hateful eight 4k GER dcprip bdremux: on private trackers, haven't heard much about this one but it seems to be a bd-66

back to the future dcprip bdremux: this one's well known... and public.

apocalypse now prores 4k (final cut): on private trackers, it's about a terabyte and has a 5.1 mix. leaked from a streaming service

needle 1988 prores: public, digitised from.. some source shown by 4:2:2 chroma subsampling but insanely high quality, massive improvement over the blurry and denoised french bluray. also apparently screened as a dcp.
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#2
Tombstone.1993.2K.DCP.Remux.Scope.Rec.709.JP2K.Dolby.SVA.FLAC.2.0.EPS.mkv - seems to that it was converted back to 709 and 23.976

Format                                  : Matroska
Format version                          : Version 4
File size                                : 181 GiB
Duration                                : 2 h 9 min
Overall bit rate mode                    : Variable
Overall bit rate                        : 200 Mb/s
Movie name                              : Tombstone (1993) [EPS 2K Rec.709 Master]
Writing application                      : Lavf58.33.100
Writing library                          : Lavf58.33.100
ErrorDetectionType                      : Per level 1
Video
ID                                      : 1
Format                                  : JPEG 2000
Codec ID                                : V_MS/VFW/FOURCC / mjp2
Duration                                : 2 h 9 min
Width                                    : 2 048 pixels
Height                                  : 858 pixels
Display aspect ratio                    : 2.40:1
Frame rate mode                          : Constant
Frame rate                              : 23.976 (24000/1001) FPS
Title                                    : Video
Writing library                          : Motion JPEG2000
Default                                  : Yes
Forced                                  : No

Audio
ID                                      : 2
Format                                  : FLAC (Lt/Rt) 35mm Dolby SVA 4.0 Matrix RM [EPS]
Format/Info                              : Free Lossless Audio Codec
Codec ID                                : A_FLAC
Duration                                : 2 h 9 min
Bit rate mode                            : Variable
Channel(s)                              : 2 channels
Channel layout                          : L R
Sampling rate                            : 48.0 kHz
Bit depth                                : 24 bits
Compression mode                        : Lossless
Default                                  : Yes
Forced                                  : No

escape from new york, hdbits

General

Unique ID : 180190987566036691186724710292090127824 (0x878F859906313938644282AFA1A205D0)
Format : Matroska
Format version : Version 4
File size : 157 GiB
Duration : 1 h 39 min
Overall bit rate mode : Variable
Overall bit rate : 227 Mb/s
Frame rate : 24.000 FPS
Encoded date : 2024-03-10 01:12:52 UTC
Writing application : mkvmerge v82.0 ('I'm The President') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1Video
ID : 1
Format : JPEG 2000
Codec ID : V_MS/VFW/FOURCC / mjp2
Duration : 1 h 39 min
Bit rate : 222 Mb/s
Width : 4 096 pixels
Height : 1 716 pixels
Display aspect ratio : 2.40:1
Frame rate mode : Constant
Frame rate : 24.000 FPS
Bits/(Pixel*Frame) : 1.318
Stream size : 154 GiB (98%)
Default : Yes
Forced : NoAudio #1
ID : 2
Format : MLP FBA
Format/Info : Meridian Lossless Packing FBA
Commercial name : Dolby TrueHD
Codec ID : A_TRUEHD
Duration : 1 h 39 min
Bit rate mode : Variable
Bit rate : 3 420 kb/s
Maximum bit rate : 4 608 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 1 200.000 FPS (40 SPF)
Compression mode : Lossless
Stream size : 2.37 GiB (2%)
Language : English
Default : Yes
Forced : NoAudio #2
ID : 3
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 39 min
Bit rate mode : Constant
Bit rate : 640 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 455 MiB (0%)
Language : English
Service kind : Complete Main
Default : No
Forced : No

Apocalypse Now 1979 Final Cut UHD MEZ ProRes444 LPCM 5.1-PHOENiX, beyondhd / bluebird

Title    : Apocalypse Now (Final Cut)
Type    : Movie (1979)
Preview  :
Chapters : No
Source :
Insecure streaming service's encoding and DRM'ing workflow

- - - - - - - - - - - - - - - - - - - - - -
Video :
English, ProRes (4444) 4096x1716 (2.40:1) @ 854 Mb/s (VBR)24.000 FPS (CFR), YUV444PNone, Progressive
- - - - - - - - - - - - - - - - - - - - - - -
Audio :
English, PCM 1.0 @ 1 152 kb/s (CBR)
English, PCM 1.0 @ 1 152 kb/s (CBR)
English, PCM 1.0 @ 1 152 kb/s (CBR)
English, PCM 1.0 @ 1 152 kb/s (CBR)
English, PCM 1.0 @ 1 152 kb/s (CBR)
English, PCM 1.0 @ 1 152 kb/s (CBR)

Complete name : Apocalypse.Now.1979.Final.Cut.UHD.MEZ.ProRes444.LPCM.5.1-PHOENiX.mov

Format : MPEG-4
Format profile : QuickTime
Codec ID : qt 0000.02 (qt )
File size : 1.07 TiB
Duration : 3 h 1 min
Overall bit rate mode : Variable
Overall bit rate : 861 Mb/s
Writing application : Lavf57.25.100

Video
ID : 1
Format : ProRes
Format version : Version 1
Format profile : 4444
Codec ID : ap4h
Duration : 3 h 1 min
Bit rate mode : Variable
Bit rate : 854 Mb/s
Width : 4 096 pixels
Height : 1 716 pixels
Display aspect ratio : 2.40:1
Frame rate mode : Constant
Frame rate : 24.000 FPS
Color space : YUV
Chroma subsampling : 4:4:4
Scan type : Progressive
Bits/(Pixel*Frame) : 5.064
Stream size : 1.06 TiB (99%)
Writing library : abm0
Language : English
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709

Audio #1
ID : 2
Format : PCM
Format settings : Little / Signed
Codec ID : lpcm
Duration : 3 h 1 min
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Channel layout : C
Sampling rate : 48.0 kHz
Bit depth : 24 bits
Stream size : 1.46 GiB (0%)
Language : English
Default : Yes
Alternate group : 1

ID : 8

Type : Time code
Format : QuickTime TC
Duration : 3 h 1 min
Frame rate : 24.000 FPS
Time code of first frame : 00:00:00:00
Time code, striped : Yes
Language : English
Default : No
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#3
(2024-05-11, 10:22 PM)kiyoakiwah Wrote: unique video transfer and a major improvement over any home video version. the two dcps also differ visually.

How so?
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#4
(2024-05-12, 01:12 AM)Lio Wrote:
(2024-05-11, 10:22 PM)kiyoakiwah Wrote: unique video transfer and a major improvement over any home video version. the two dcps also differ visually.

How so?

i don't remember but it's two different video files
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#5
I'm basically wondering how the DCP differs from home video aside from resolution; is there a description available of how it is a "major improvement" or a "unique transfer"?
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#6
(2024-05-12, 03:17 PM)Lio Wrote: I'm basically wondering how the DCP differs from home video aside from resolution; is there a description available of how it is a "major improvement" or a "unique transfer"?

there's a comparison on the place where it's available, the only downside is a smaller frame - https://slow.pics/c/DkK8PoNh (you can flick through 73 screencaps)
tons of films have tons of different digital masters, some look better than others. some may never see home video. some are intended only to be shown cinematically, or are filtered/de-noised for official releases.

afaik back to the future is nearly identical but it has small advantages over the wow bd
in needle the grain nearly got scrubbed clean - https://slow.pics/c/nhNVNaA8 / https://slow.pics/c/4EweRlAW
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#7
(2024-05-12, 03:17 PM)Lio Wrote: I'm basically wondering how the DCP differs from home video aside from resolution; is there a description available of how it is a "major improvement" or a "unique transfer"?

The resolution isn't the thing, an actual DCP won't have any compression worries.
A few of these like Hateful 8 was said to be from a German non DCP source tho.
Those NFO's dont have the original audio from a dcp tho.
The Martian was about years back also
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