don't insult super8 like that! did you have a talk with them? minus the very obvious issues with the files you received it looks like a good scanner - https://ibb.co/Byqt4xd (super8 4k)
Any OG Cap artists know wtf this noise interference is? I've got everything through AVR Sinewave UPS (for dirty power).. LD or VHS, changed rooms, cap cards, between laptop/desktop, turned all powered devices off.. its all the same. What the hell is doing this? https://i.imgur.com/GhuzE93.jpeg
And the best one overall is the 1995 LD release for both picture and sound quality. Before and after are not that great (between the first LD release in 1985 and 1991 release on the former; 1997 DVD on the latter for inferior of the same mono audio master as the 1995 LD release)
probably dnr'ed to death since it's a very grainy movie and cameron doesn't like grain. not holding my breath. every older cameron movie on 4k was a let down
The funniest thing is most of the guys who complain about the AI use are family men with several kids. Also most people who collect UHD and Blu-ray are well established financially with superior jobs. They also probably use their basement for very costly home-cinema set ups with large armchairs and Atmos sound.
I watched a really good French movie the other day called Black Box. It's about an audio analyst who works on black box recordings from crashed planes and he starts to uncover inconsistencies with the recordings, very much in the style of Blow Out. Anyway the reason I mention it is while he is listening to the audio he is using Izotope RX. And he's actually using it with the correct interface etc, it's not the usual Hollywood completely fabricated software. Just cool to see a program I use on a regular basis being used in a movie.
The words of Cameron makes even the viewers encourage to contribute the donations of fan scans, regrading and (proper) perserving his movies. Disgusting for those wanted a non-DNR, non-AI upscale and closest original grading of his movies.
He's lost it. A self righteous, pompous, know it all. He's made some truly great films, but he's so blinded by digital is good, he fails to recognize how he's destroyed his previous work, and the work of all the cinematographers and colorists that made those films look so good.
this was really enjoyable. He uses audio clips from other critics during the TWBB segment (he says nothing). Kinda genius https://youtu.be/A_Y_xtIslpk Starts w/ Norm MacDonald interviewing M. Night about developing a style
Just for fun, I took the Dolby TrueHD 5.1 from "Magnolia 1999", made an isolated instrumental, removed sound fx, dialogue. No commercial 24-bit 5.1 version exists, only the stereo PCM. My process was lossless all the way through (aside from the AI tinkering). Link is under the "Released" section of audio projects
@NCseventeen here's an idea; use a Luma key on the version of the film w/ the grain plate on it, because there should be more grain in the darker parts, less grain in the lighter. So you mix it w/ the original. You can also use a rougher grain on the night parts, finer on day parts. Also slap a deflicker filter on because it will mix the flicker of that w/ the original and add unwanted weirdness
Sorry I did have to remove your link. We don’t allow direct link to material. It’s better to post a thread about the project and then if people want it then they can PM you.
Here is the thing i enjoy feedback i am learning but a lot of these looks are meant to give ya 35mm experience. they are novel i am not working a pro studio.. but i do take my time trying to match if i have good sources..but i wil say the people explain the process of wot i am doing it sounds easy.. but if others can show their work would help..
@NCseventeen Again pretty sure I said I don't understand and I am confused, a few times, and I have made no judgements since I have never seen anything you have done. Just a statement of fact. Not being mean. If you want to discuss further, perhaps a thread is a better place then the shoutbox.
Well guess wot my system is diffrent. and my scans will be avaialble on my patreon and discord.. the emulation is all free .. no diffrent than u guys re editing mulan... or lion king lol.. and the ones i give there we go over wot i did and we talk about it as a comunity more for learning emulation better for all of us... inclluding me
And in regards of keeping hard worked stuff to patreons, personally I can fully understand, as at OT many scanns are only avaible to contributors, to avoid people use others hard work for things like bootleg masters, or to sell for profit.
Also I don't recall hating or judging on anything you have done, because I have never seen anything you have done. As far as I can tell, its all kept to your pateron. Which is fine, that's your choice.