That trailer of "Seven" looks about the same colorwise as the widely released Blu-ray. I wonder if it was edited using it or if the new master will look about the same...
These deserved to be rescanned without Cameron, Lowry nor Park Road Post involvements. Especially with the latter destroyed Jackson's Middle-earth saga with DNR usage (both Theatrical and Extended Cuts)
Yeah it's completely AI nuked. Someone posted pix on social media, where the posters in the store at the beginning, ads for brands, are redrawn and now the brand names are mispelled.
seems as if schnittberichte.com (english movie-censorship.com) had to fill in with some more comparison shots, just to make the censored frames not feeling so lonely in Showdown in Little Tokyo https://www.movie-censorship.com/report.php?ID=581572
Thansk for the heads up, Bilbofett. Roger flew under the radar for so many years. He used to be easily accessible online from the late 90s to the late 00s or thereabouts. Loved to chat with fans on his own forum.
Roger Avary (Pulp Fiction/Silent Hill/Rules of Attraction) discussing film, home video, art on WHATEVER podcast live w/ chat https://www.youtube.com/live/q0KddpwzQzo
That's fine, but expected for a "Cameronvism" release. The MGM "Hi-Def" source (used in the 2001 DVD & 2006 BD releases) kinda sucks, despite the master different from the 1995 LD release which are the intended way to watch it for the picture quality alone. It did get the closest color grading, but the loss of detail kills it for the MGM "Hi-Def" master
I see... so sorry for pestering, but what makes LD better than 2006? Which seemingly did not get that treatment, and still has better quality than a LD could
2006 BD is the old master, the 2013 BD is the Aliens approach (Lowry and Cameron by DNRing the master before adding fake grain) and the umatic is the source of the 2013 BD release (fake grain) with the theatrical grading. Aside for the 35mm fan scanned ones (if you don't mind cue markers), only the LD video (the 1995 THX release for picture) + 1991 Image audio hybrid is the closest for the best on home video in general with natural colors without needing to regrade the entire film
All that gives is someone syncing the 1995 Image Entertainment LaserDisc [ID2940NSB] image (Domesday Duplicator) with the 1991 Image Entertainment LaserDisc [ID8316HD] audio. The latter is suggested by Blah-ray alone: https://blah-ray.blogspot.com/search/lab...%281984%29
But it is my fault, that they are released so late: I just bought the spanish bootlegs few weeks ago, because I was tired of waiting for regular german releases...
I think some of them, or even all of them, might be first time german BD releases of these steven Seagal movies. I assume, we just get the regular master, no new master, or they would announce it big time.
January 16th, 2025 Plaion will release a Steven Seagal BD Boxset containing: Hard to Kill, Out for Justice, On Deadly Ground, The Glimmer Man, Fire Down Below
From the CiNEPHiLES release: Uncut edition of this film adds only 9 seconds of extra footage with no dialogue, as such I didn't think it was worth remuxing the theatrical version. Subtitles and commentaries (which were only included on disc with the theatrical edition) have been adjusted to sync. The 2.0 track included on the UHD is thankfully the original mono, and it sounds great. It appears to be a lossless version of the mastering included on the previous disc. A few seconds of the uncut footage seem to be spliced from a lower quality source, but it's not noticable.
There's only 9 seconds of extra footage in the uncut version. According to Blah-ray previous disc sounded good already, so if UHD is worse, that could be synced with the uncut moments spliced in
Misread as the music cue is missing (it does appear in that 4K release). Despite that, an LD audio sync with the Japanese uncut version of the film (as the only NTSC LD release contains an Unrated cut) is worth doing regardless: https://www.lddb.com/laserdisc/33382/SF0...m-Street-A
I just got confirmation: A Nightmare on Elm Street (1984) is now fully uncut on 4K (Disc & Streaming). Though the mono mix seams to be only available on disc
don't insult super8 like that! did you have a talk with them? minus the very obvious issues with the files you received it looks like a good scanner - https://ibb.co/Byqt4xd (super8 4k)
Any OG Cap artists know wtf this noise interference is? I've got everything through AVR Sinewave UPS (for dirty power).. LD or VHS, changed rooms, cap cards, between laptop/desktop, turned all powered devices off.. its all the same. What the hell is doing this? https://i.imgur.com/GhuzE93.jpeg
And the best one overall is the 1995 LD release for both picture and sound quality. Before and after are not that great (between the first LD release in 1985 and 1991 release on the former; 1997 DVD on the latter for inferior of the same mono audio master as the 1995 LD release)
probably dnr'ed to death since it's a very grainy movie and cameron doesn't like grain. not holding my breath. every older cameron movie on 4k was a let down
The funniest thing is most of the guys who complain about the AI use are family men with several kids. Also most people who collect UHD and Blu-ray are well established financially with superior jobs. They also probably use their basement for very costly home-cinema set ups with large armchairs and Atmos sound.
I watched a really good French movie the other day called Black Box. It's about an audio analyst who works on black box recordings from crashed planes and he starts to uncover inconsistencies with the recordings, very much in the style of Blow Out. Anyway the reason I mention it is while he is listening to the audio he is using Izotope RX. And he's actually using it with the correct interface etc, it's not the usual Hollywood completely fabricated software. Just cool to see a program I use on a regular basis being used in a movie.
The words of Cameron makes even the viewers encourage to contribute the donations of fan scans, regrading and (proper) perserving his movies. Disgusting for those wanted a non-DNR, non-AI upscale and closest original grading of his movies.
He's lost it. A self righteous, pompous, know it all. He's made some truly great films, but he's so blinded by digital is good, he fails to recognize how he's destroyed his previous work, and the work of all the cinematographers and colorists that made those films look so good.
this was really enjoyable. He uses audio clips from other critics during the TWBB segment (he says nothing). Kinda genius https://youtu.be/A_Y_xtIslpk Starts w/ Norm MacDonald interviewing M. Night about developing a style