I'm a bit confused about the fake grain thing, though
Shoutbox archive
2006 BD is the old master, the 2013 BD is the Aliens approach (Lowry and Cameron by DNRing the master before adding fake grain) and the umatic is the source of the 2013 BD release (fake grain) with the theatrical grading. Aside for the 35mm fan scanned ones (if you don't mind cue markers), only the LD video (the 1995 THX release for picture) + 1991 Image audio hybrid is the closest for the best on home video in general with natural colors without needing to regrade the entire film
Is there any reason to prefer LD video over any of the other options (2006 bluray, 2013 bluray, umatic regrade)?
All that gives is someone syncing the 1995 Image Entertainment LaserDisc [ID2940NSB] image (Domesday Duplicator) with the 1991 Image Entertainment LaserDisc [ID8316HD] audio. The latter is suggested by Blah-ray alone: https://blah-ray.blogspot.com/search/lab...%281984%29
I am not that shocked, but yeah: https://forum.blu-ray.com/showpost.php?p...count=9272 It is disgusting that is not worth the LD audio sync alone
anyone knows if LDRIP of On the Waterfront exists anywhere? Trying to find better audio to mux with UHD release. (https://blah-ray.blogspot.com/2020/03/on...-1954.html)
But it is my fault, that they are released so late: I just bought the spanish bootlegs few weeks ago, because I was tired of waiting for regular german releases...
I think some of them, or even all of them, might be first time german BD releases of these steven Seagal movies. I assume, we just get the regular master, no new master, or they would announce it big time.
January 16th, 2025 Plaion will release a Steven Seagal BD Boxset containing: Hard to Kill, Out for Justice, On Deadly Ground, The Glimmer Man, Fire Down Below
Sadly for dub viewing non americans the unrated version of NoES is just on english with subtitles... Even if it is spliced via seamless branching...
New scan of my The Beach trailer by Dejonge Film (Belgium). Much, much cleaner and sharper. Overall condition isn't good though https://i.ibb.co/BBNDHXy/Standbild-2024-...-1-1-1.jpg
The uncut parts are definitely analog and not digital for what CiNEPHiLES saying
From the CiNEPHiLES release: Uncut edition of this film adds only 9 seconds of extra footage with no dialogue, as such I didn't think it was worth remuxing the theatrical version. Subtitles and commentaries (which were only included on disc with the theatrical edition) have been adjusted to sync. The 2.0 track included on the UHD is thankfully the original mono, and it sounds great. It appears to be a lossless version of the mastering included on the previous disc. A few seconds of the uncut footage seem to be spliced from a lower quality source, but it's not noticable.
There's only 9 seconds of extra footage in the uncut version. According to Blah-ray previous disc sounded good already, so if UHD is worse, that could be synced with the uncut moments spliced in
A good capture from a VHS of the uncut version would do the job as well, if the 4K release has a tempered mono mix
Misread as the music cue is missing (it does appear in that 4K release). Despite that, an LD audio sync with the Japanese uncut version of the film (as the only NTSC LD release contains an Unrated cut) is worth doing regardless: https://www.lddb.com/laserdisc/33382/SF0...m-Street-A
I just got confirmation: A Nightmare on Elm Street (1984) is now fully uncut on 4K (Disc & Streaming). Though the mono mix seams to be only available on disc
Gonna talk to them tomorrow. Can't imagine that this is the "final" resolution of the trailer. And compression aint good, too :-(
don't insult super8 like that! did you have a talk with them? minus the very obvious issues with the files you received it looks like a good scanner - https://ibb.co/Byqt4xd (super8 4k)
Just got the scan of my "the beach" trailer. Its a 4k wetscan and looks like super8 footage....damn :-(
tried without the UPS? also maybe try from laptop without power adapter plugged in to confirm theres no ground loop
Any OG Cap artists know wtf this noise interference is? I've got everything through AVR Sinewave UPS (for dirty power).. LD or VHS, changed rooms, cap cards, between laptop/desktop, turned all powered devices off.. its all the same. What the hell is doing this? https://i.imgur.com/GhuzE93.jpeg
And the best one overall is the 1995 LD release for both picture and sound quality. Before and after are not that great (between the first LD release in 1985 and 1991 release on the former; 1997 DVD on the latter for inferior of the same mono audio master as the 1995 LD release)
I don't expect anything decent coming from Cameron anymore. Pictured AI'd and degrained and no mono mix. And he's vocal about it
No mono was a given, it's upscaled in 4K just like all the others. Putting the mono in there just doesn't fit, it's a thing now for fanrestore.
probably dnr'ed to death since it's a very grainy movie and cameron doesn't like grain. not holding my breath. every older cameron movie on 4k was a let down
The Terminator was announced on 4K BD from Warner Home Video WITHOUT the original mono https://www.blu-ray.com/news/?id=35154
Maybe someone have an Amazon AMC+ subscription and can check this title
Disc 3: The Chronicles of Riddick 4K (Theatrical Cut in alternate 1.78:1 aspect ratio)
bluray forum discussing it https://forum.blu-ray.com/showthread.php...st22411841
VS may be preparing THE KEEP for release https://new.reddit.com/r/boutiquebluray/...t_appears/
probably somewhere local, lots of people offer such a service and shipping is expensive
Just found out HK actor Corey Yuen died. Apparently, he died in 2022 but it wasn't revealed till now. Cool dude.
The funniest thing is most of the guys who complain about the AI use are family men with several kids. Also most people who collect UHD and Blu-ray are well established financially with superior jobs. They also probably use their basement for very costly home-cinema set ups with large armchairs and Atmos sound.
I watched a really good French movie the other day called Black Box. It's about an audio analyst who works on black box recordings from crashed planes and he starts to uncover inconsistencies with the recordings, very much in the style of Blow Out. Anyway the reason I mention it is while he is listening to the audio he is using Izotope RX. And he's actually using it with the correct interface etc, it's not the usual Hollywood completely fabricated software. Just cool to see a program I use on a regular basis being used in a movie.
The words of Cameron makes even the viewers encourage to contribute the donations of fan scans, regrading and (proper) perserving his movies. Disgusting for those wanted a non-DNR, non-AI upscale and closest original grading of his movies.
He's lost it. A self righteous, pompous, know it all. He's made some truly great films, but he's so blinded by digital is good, he fails to recognize how he's destroyed his previous work, and the work of all the cinematographers and colorists that made those films look so good.
omg, he went with the mom's basement smartassery there... https://www.hollywoodreporter.com/movies...235972175/
Anyone here near Chatsworth, CA? Free film scanner oppurtunity. https://x.com/sleepyserenade/status/1821641771279118366
@Bilbofett this series of video essays is brilliant, PTA among them https://vimeo.com/search?q=the+directors+series
this was really enjoyable. He uses audio clips from other critics during the TWBB segment (he says nothing). Kinda genius https://youtu.be/A_Y_xtIslpk Starts w/ Norm MacDonald interviewing M. Night about developing a style
2 other may get them later on. If true... This would be indeed some really good news
Looks like A Nightmare on Elm Street will get the Unrated version on 4K https://collider.com/a-nightmare-on-elm-...steelbook/
Just for fun, I took the Dolby TrueHD 5.1 from "Magnolia 1999", made an isolated instrumental, removed sound fx, dialogue. No commercial 24-bit 5.1 version exists, only the stereo PCM. My process was lossless all the way through (aside from the AI tinkering). Link is under the "Released" section of audio projects
And there is a podcast from Juno Reator with Brad Fiedel uploaded a week ago! https://www.youtube.com/watch?v=vMRAhfxh...unoReactor
@bendermac Thanks for this, Juno Reactor are one of my favorite bands (if you can call them that) and this was magic. I had no idea this happened
The Terminator & Terminator 2 Live Orchestral Soundtrack with Brad Fiedel - only 11 minutes, but totally worth it 
@NCseventeen here's an idea; use a Luma key on the version of the film w/ the grain plate on it, because there should be more grain in the darker parts, less grain in the lighter. So you mix it w/ the original. You can also use a rougher grain on the night parts, finer on day parts. Also slap a deflicker filter on because it will mix the flicker of that w/ the original and add unwanted weirdness
But it did look very promising from the glance I gave it. Was the original print faded?
Sorry I did have to remove your link. We don’t allow direct link to material. It’s better to post a thread about the project and then if people want it then they can PM you.
as in its hard to pull off its not as easy as just rising the exposre and then layering a grain lut.. anyways tips would help big ups
Here is the thing i enjoy feedback i am learning but a lot of these looks are meant to give ya 35mm experience. they are novel i am not working a pro studio.. but i do take my time trying to match if i have good sources..but i wil say the people explain the process of wot i am doing it sounds easy.. but if others can show their work would help..
The beyond (35mm Emulation) it says scan i miss labeled but dont wanna re upload..
Patreon model works for me best because it rolls over and then its easier to get consistancy especially after u are delivering wot u promise...
Also it has be a bit loosely explained cause i dont want the feds at my door.. if u notice.. it just says donnations for photos..