2021-02-09, 02:06 AM
(This post was last modified: 2021-02-09, 02:09 AM by pipefan413.)
I saw it twice: once in IMAX then once in 2.39:1. I felt like 90% of it was definitely framed for 2.39:1 and the IMAX version basically just looked like film that was supposed to be matted but wasn't, which sucked, because I really love full on IMAX.
And then of course there's this... 🔍https://www.rogerdeakins.com/film-talk/1...ase-dates/
![[Image: emersive.png]](https://i.postimg.cc/VvFJbxvP/emersive.png)
But certainly for some of the grander shots it's amazing. As with THE FORCE AWAKENS, for instance, it's an excellent way to frame "character running away from explosions"; seeing smoke / dirt / whatever flying high into the air and still fitting inside the frame the whole time is really nice.
I'm not entirely sure what he's talking about re. IMAX's "silver screen" here 🔍https://www.rogerdeakins.com/post-the-di...nd-standa/... I assume this is a standard thing for IMAX theatres that I didn't know about?
And then of course there's this... 🔍https://www.rogerdeakins.com/film-talk/1...ase-dates/
But certainly for some of the grander shots it's amazing. As with THE FORCE AWAKENS, for instance, it's an excellent way to frame "character running away from explosions"; seeing smoke / dirt / whatever flying high into the air and still fitting inside the frame the whole time is really nice.
I'm not entirely sure what he's talking about re. IMAX's "silver screen" here 🔍https://www.rogerdeakins.com/post-the-di...nd-standa/... I assume this is a standard thing for IMAX theatres that I didn't know about?