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The French Connection 1971 US BD Mono
#11
(2020-11-03, 09:10 PM)ac3 Wrote: Well I'm kinda offended when ppl msg me for stuff then whine about it not being 44.1. As for taking longer all i meant was I got the thing synced already why do it again - its a lot of work.

Yeah, OK, *that* is fair enough. None of us are getting paid here or anything (nor should we be) so whatever's offered is a courtesy... if someone sends you a resync they did at 48 kHz, and there's nothing else on offer, you take what you get!

My attitude has always been "make it how *you* want it, and anything beyond that is a bonus". It's not worth tying oneself in knots trying to please everybody. It sucks that you've had that experience and FWIW I wouldn't suggest redoing anything from scratch unless you're doing it all in script alone (AviSynth) which might make it relatively simple to reconfigure in a few minutes.
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#12
Yeah well davinci is locked at 48hz I'd go at 44.1 if I could Tongue
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#13
(2020-11-03, 09:19 PM)ac3 Wrote: Yeah well davinci is locked at 48hz I'd go at 44.1 if I could Tongue

Makes sense. That's mostly why I don't use it for audio even though I'm a bit more familiar with it than other software (I do other stuff with it though). I'm still experimenting with different resync methods, which is part of why I'm really slow at getting things done (the other part is that I'm analytical to a fault, but I'm fine with that as long as I get it done eventually). I seem to have settled into a rough pattern of mixing AviSynth with RX and Audacity because I find each of them to be better at different specific tasks. But anyway, I'm off-topic!
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