[versions] Vintage Clint Eastwood films original audio preservation

[Stamper]

Updated the first post. Both Kino UHDs of Play Misty For Me and The Eiger Sanction are in sync with their precedent Kino Blu-ray discs. So any muxing you made for the stop gap Blu-ray will also work on the UHD versions.

[Stamper]

Anyone checked out the sync for Dirty Harry UHD? I'm a bit disappointed by the washed out colors and magenta skintones (in some scenes, skintones are different from shot to shot!) also the Dirty Harry logo is near orange on the opening credits (it was always red as far as I remember). Anyway I saw someone synced the new mono and Atmos to the old master, but they fiddled with the audio converting it to flac, and I want to remux the UHD tracks to the old Blu-ray as they are.

[wongfeihung]

I'm no expert, but the UHD's mono track sounded strong to me.

For this I can forgive the image's imperfections.

[Stamper]

Guess i'm going to have to rip the uhd and encode it and drop in fcpx to see the time differences!

[Beber]

I got a Dolby Vision P8 version that was added to the REMUX video stream, but I watched it on my videoprojector without Dolby Vision anyway and I was satisfied with the way it looks as well, although very few grain was seen even in the optical shots such as the opening credits, which surprised me.

To match the UHD tracks to the old Blu-ray, it's +24 frames, so 1001 ms.
So, the other way around, it's minus 1001 ms if you want to match the Blu-ray tracks to the UHD.

[Plissken1138]

I'm very much pleased with 4K Dirty Harry, warts and all. On one wieving, just a few instances of color mishandling got my attention. Overall, grain handling aside, it's much closer to releases before the Blu-ray with it's color palete fad that I hope is in the process of gettin' t f o.

[Stamper]

Yes it looks more like the film always did, except for the variations and pasty skintones.