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2020-12-28, 10:55 PM
(This post was last modified: 2020-12-28, 11:10 PM by pipefan413.)
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The clicks and such are dirt, scratches and dropouts. How they are handled will vary from player to player but without the noise reduction CX encoding offers they will be there to some extent as will the surface/background noise. Cleaning a dirty disc will help as will a scratch-free surface. But what's in the pits themselves essentially defines the sound
As for different players sounding different, things like calibration/alignment will play a part as will the design of the player itself (ie components used, ageing components such as dry/leaking capacitors, shielding of power supplies etc). Once digital tracks were introduced the FM analogue tracks were basically 'legacy' tracks for those older players which lacked the ability to play the digital tracks, the bandwidth couldn't be reassigned so the analogue tracks stayed. Thankfully as a result we got AC-3 and commentary/isolated tracks. If a disc is particularly rotted the digital track can sound awful (as the error compensation starts to fail) but the analogue tracks will suffer less, assuming the disc plays at all.
I've read that once digital tracks became the norm on LDs the analogue tracks became less of a priority to player manufacturers. As most people would want to listen to the PCM track even if using the analogue RCA outs, unless you were importing LDs with dual language (or were in the unlikely position of wanting to listen to a DTS LD without a decoder) you'd probably never play a stereo analogue track, but if you did the CX encoding would make it sound pretty decent. Supposedly the best players for analogue sound quality are the early gas-laser models.
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That jibes with what I've heard. I think the analog on my lx-900 is the best I have but my player has issues with it's analog outputs.
When I start capturing I don't know what will be best for analog captures but my focus is digital PCM anyways. There shouldn't be player differences on digital tracks should there? I was thinking of using my minty backup player just for pcm capturing: dvl-700.
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Any LD player capable of digital-out should be adequate for bit-perfect capture, provided it's in good working order. A weak RF signal from the laser or failing caps can degrade the PCM audio (for some reason it's the first thing to go, before analogue audio and video itself), if in doubt, run a DTS disc, if it plays perfectly then you're good
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So I've got my dvl-700 setup on my desk connected via the U24xl and have checked the signals work. Audacity picks it up and I was able to do a test recording with no problems. I take it I'll need to get reaper to do bitperfect captures. I've never used the software before so is there anything I should know about implementing all of this the first time and trying to get all the sound setting correct?
Just to make sure the side starts are good I'll do a plain extra cap of each Side 2 start to ensure the autoflip process didn't cut anything.
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I'm having all sorts of headaches suddenly with captures on the same hardware I've been using for months now and it's getting on my nerves. A long time ago I found that sometimes I'd run a capture and it would have the (analogue) audio totally out of sync for no clear reason, usually accompanied by a visible lag in the timestamp / playback timer at the start of the capture. It'd be running smoothly on a black screen and then as soon as the frames of video start coming in, it freezes, and starts recording but with the video noticeably later than the audio. This is now happening with irritating frequency.
The player I'm currently recording from is the Pioneer CLD-1750 that has been my more or less preferred player overall for some time. The capture card is a Blackmagic Design Decklink Studio 2, recording the player's composite output.
When I had issues like this before it seemed to be fixed by rolling back to an older driver for the Decklink. It's still on that same old version and hasn't updated so I'm wondering if maybe either...
1. Windows has updated something in the OS that has broken the functionality of the older driver, or
2. The CLD-1750 has started to develop intermittent problems with sync for some reason which apparently are increasingly frequent
I can't really keep re-running captures over and over again until I get one that's synced properly but I also can't monitor the output as it's recording through a CRT or whatever because the player only has 1 set of outputs (unlike my CLD-S350, but that player also has noticeably worse analogue audio and I don't think the picture is quite as good as the CLD-1750 either, though it's very similar). I guess I'll switch to capturing the S350 for a while for anything that I don't need high quality analogue audio from, and see if the problem reappears on that player. I dunno if anybody else on here uses the Decklink Studio 2 for captures but I figure it's worth documenting just in case anyone else is having the same issues all of a sudden.
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Sorry to hear you're having problems. The player shouldn't be out of sync as it's analogue, the audio/video are interwoven with one another (actually they occupy different bandwidth spaces within the RF signal) and the laser can physically only be at one spot on the disc at any given time. If you're using VDub there's a little box to tick which says something like 'resample audio to maintain sync', if I don't tick that the audio and video will drift off slowly as the capture progresses. Likewise if I enable audio playback during capture it drops frames.
A long shot maybe but is your HDD full, or getting full? It may benefit from a defrag. Otherwise it's probably what you suspect, the driver update has broken something. I've had to keep my old Win7 PC purely for LD caps as driver support for the video card stopped after Win7 and I am too lazy to find a different card which works as well.
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2021-03-08, 06:53 PM
(This post was last modified: 2021-03-08, 06:55 PM by pipefan413.)
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