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Beber could you compare that Dark Knight shot from the Helicopter with the police cars approaching the burning truck? That one had some tricky intense reds that I couldn't match from the UHD with a LUT, they turned out too orange. I wonder if that's better in the RipBot one. For example the car rear lights and the fire. The UHD has it as an IMAX shot, but you can still overlap them pretty well, it's just a slightly different area of the image.
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Ok, so the problem still exists to a degree, but perhaps it's a tad better now. Maybe one could tune the settings further to get there, but it would probably have to be the actual tone mapping settings... hmmm
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Yeah the saturation is not so much the problem as the highlight compression (at least for strongly saturated areas) that is stronger in iTunes.
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Have to agree with you, Beber, the following settings seem to give the overall best results:
Ripbot 264 (hue 0, sat 1, bright -2, contr 0.9):
The default setting is a little on the bright side (Grease and The Mummy especially). Just re-doing Grease with above settings and it looks lovely, although Die Hard may come out a little on the dark side so may stick with my already done default setting two pass 30mbs on that one. Looking forward to Mission Impossible 1 and seeing how that one comes out.