Decided to sync a few tracks for this movie
1. 2.0 Original Dolby Stereo Mix
Sourced from the 1999 DVD (thx @stwd4nder2), To my knowledge and according to my research this DVD has the highest quality version of this mix. Available in 16-bit 48kHz FLAC 2.0
2. 5.1 & 2.0 Sensurround Mix
Sourced from a bit-perfect capture of the THX AC-3 Laserdisc [8760-85]. There's a sync of this already on Internet Archive however the one review on the page states that the track is not properly synced so I went ahead and resynced it, Available in 16-bit 48kHz FLAC 5.1. Due to the limitations of AC-3 Laserdiscs the 2.0 PCM track has considerably higher frequency detail than the 5.1 AC-3 track, since I use Sony Vegas for my syncing it was as easy as replacing the AC-3 with the stereo track. Available in 16-bit 44.1kHz FLAC 2.0
3. 5.1 Sensurround Mix (Decoded Stereo + AC-3 LFE)
Like my T2 syncs I decided to do a highly experimental audio track for this film. Using my sync of the PCM stereo version of the Sensurround mix as a base I ran the track through foobar2000's FreeSurround plugin to decode back to a 5.1 surround track, from there I added the LFE from the discrete AC-3 5.1 and made the decoded surround channels duped mono. This should be the version of this mix with the most high frequency detail. Of course using a Dolby Hardware Decoder would be much better than a software plugin but as I don't have access to said equipment this is the best I could do to execute this idea and for that it should be noted as highly experimental. Available in 16-bit 44.1kHz FLAC 5.1
Freely available to all forum members new and old
1. 2.0 Original Dolby Stereo Mix
Sourced from the 1999 DVD (thx @stwd4nder2), To my knowledge and according to my research this DVD has the highest quality version of this mix. Available in 16-bit 48kHz FLAC 2.0
2. 5.1 & 2.0 Sensurround Mix
Sourced from a bit-perfect capture of the THX AC-3 Laserdisc [8760-85]. There's a sync of this already on Internet Archive however the one review on the page states that the track is not properly synced so I went ahead and resynced it, Available in 16-bit 48kHz FLAC 5.1. Due to the limitations of AC-3 Laserdiscs the 2.0 PCM track has considerably higher frequency detail than the 5.1 AC-3 track, since I use Sony Vegas for my syncing it was as easy as replacing the AC-3 with the stereo track. Available in 16-bit 44.1kHz FLAC 2.0
3. 5.1 Sensurround Mix (Decoded Stereo + AC-3 LFE)
Like my T2 syncs I decided to do a highly experimental audio track for this film. Using my sync of the PCM stereo version of the Sensurround mix as a base I ran the track through foobar2000's FreeSurround plugin to decode back to a 5.1 surround track, from there I added the LFE from the discrete AC-3 5.1 and made the decoded surround channels duped mono. This should be the version of this mix with the most high frequency detail. Of course using a Dolby Hardware Decoder would be much better than a software plugin but as I don't have access to said equipment this is the best I could do to execute this idea and for that it should be noted as highly experimental. Available in 16-bit 44.1kHz FLAC 5.1
Freely available to all forum members new and old
