Here it comes. For more information, see here: https://fanrestore.com/thread-6390.html



... with a trailer I recreated for the occasion, or at least a look-alike with some liberties I had to take:



Video: 2009 Warner Blu-ray plus one shot taken from the UHD, the whole thing regraded to emulate the look of an original 35mm film print from 1995.
Audio: English Dolby TrueHD 5.1, English dts HDMA 5.1, English Dolby 5.1, French Dolby 5.1, French dts 5.1, German Dolby 5.1, Spanish Dolby 5.1, Portuguese Dolby 2.0 surround, commentary by Michael Mann.
Subtitles: French (rearranged), English SDH, Danish, Dutch, Finnish, German, Norwegian, Portuguese, Spanish #1, Spanish #2, Swedish, English and French for the commentary.







Available on demand to regular members, meaning no newbies who need to get involved before asking for stuff.

I never thought enough people cared about preservation like this so I had to sign up.

Hi everyone, glad to be a part of these forums now! If anyone recognizes my user, I'm also an active member of The Star Wars Trilogy forum and Original Trilogy.com. I'm looking forward to checking out these forums as I'm particularly interested in Halloween (1978) (the movie that got me into movies). Please say hello!

I've been a lurker for a while and am finally saying hello, but more importantly "thank you" to the editors who are selflessly creating these works for all of us fans to enjoy.

It's inspiring me to learn some of theses things myself.

Hi, I already have a PC with a Sound Blaster HiFi Platinum THX graphics card with optical and coaxial input connections. The problem is that I can't find the Windows XP drivers. Do you know of any other external audio cards?

I also have a small card with an optical input on another laptop, but it only records the AC3 signal in stereo. Thanks for your help.

So with the new UHD out, I'm wondering if anyone had synced the superior DTS track from the "DC" DVD R1, to the UHD director's cut. If not, I may give it a go.

Also, syncing all the past Blu-ray discs soundtracks to the regular cut, could be a blessing, as I believe for example the first Blu-ray 5.1 was the 70mm mix with mono surrounds.

I like the new UHD version (way better than the Dirty Harry botched UHD with wonky colors and lack of colors), so it's probably going to be by go by version from now on.

Hi! I've been progressively learning more and more about this community through various YT history videos and deepdives and figured it was time to join! Can't wait to learn all I can!

Hi everyone. I'm a london based film restoration tech.

Looking forward to learning more about movie restoration and coloring!

Hey, guys.

Back in 2015, during a Michael Mann retrospective, I saw a 35mm print of Heat. I was shocked to realize how warm and colorful Dante Spinotti's original cinematography actually was, something we never had on home video. It has since then become a desaturated, bland, dull, almost steel grey monochromatic mess. Actually that's why I didn't understand at the time, in 2008, when The Dark Knight came out, those claims that Heat was a major influence to it, except for the masked bank robbery, which is very classic in heist films and not exclusive to Heat anyway. Following that, the bad Blu-ray of The Dark Knight was released with wrong color grading. But then, at the same period, in 2015, I saw both Heat 35mm print and The Dark Knight DCP (which looks about the same as the remastered UHD), and then it hit me: their cinematographies are very much alike, with warm colors, lovely blues, cyans and orangy browns, etc.





So, 10 years ago, I made my own saturation correction on the 2009 Warner Blu-ray of Heat to revive those colors. And now, I just revisited that in DaVinci Resolve, with a few separate corrections, and this is what I'm proposing to you today. It's mostly a saturation correction and a bit of contrast tweaking while at it. As I remember reading in these premises, @TheAluminumFalcon and @Setzer also attended a 35mm screening in a not-too-distant past and I'm sure it will ring a bell:






Now there's the case of these 2 shots:



These two shots, ever since the DVD era, share the same affliction, as they switch in color grading near the end of each. These are actually the clues that have convinced me that there never was a remaster, as when I saw the 35mm print, I was already very aware of that issue and made a point not to blink at those two moments to see what's what. And you know what? There is no such problem on those two shots on 35mm film. Meaning it's certainly not on the original elements that would be used to create a remaster. Since the Fox "remaster", they tweaked these two shots to soften the grading switches, but you can still see them if you pay attention. As it turns out, I was able to do just as good as Fox on the Pacino shot to make it almost unnoticeable, but I failed with the Amy Brenneman shot, so I swapped it with the UHD shot and colormatched it. I wish I didn't have to do that because the Fox "remaster" is quite a bit zoomed in, but hey, it's just one shot and I'll have to live with that.

And here's for the full overview:



I would very much like to do the same with the theatrical cut, but I don't have the skills to upscale in a satisfactory way the "detritus" shot from my PAL DVDs. If somebody still has the Alleycat project and is willing to share it with me, please contact me by PM and I'll gladly use that as basis as I remember Alleycat made that upscaled shot already.