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HYBRID UAR VAR - Master List
#1
Hybrid:

  • 300 (2006)
  • Apollo 13 (1995)
  • Batman v Superman: Dawn of Justice (2016) [IMAX Edition]
  • Bourne Identity, The
  • Broken Arrow (1996) – Cinema Polish
  • Casino - in progress
  • Cell, The
  • Chronicles of Riddick, The
  • Dark Knight, The
  • Departed, The (2006)
  • Fear and Loathing in Las Vegas (1998)
  • Girl with the Dragon Tattoo, The (TV version)
  • Gladiator
  • Good Year, A (2006)
  • In Bruges (2008)
  • Iron Man
  • Jurassic World (2015)
  • Limitless (2011)
  • Martian, The (2015)
  • Oblivion (2013)
  • Pirates of the Caribbean: Dead Men Tell No Tales (2017)
  • Quest, The - in progress
  • Ronin (1998)
  • Showgirls (1995)
  • Siege, The (1998)
  • Taxi 3 - in progress
  • Terminator 2 (1991) - custom open matte, experimental
  • Watchmen (2009) - custom open matte, experimental
  • Waterworld (1995) - in progress

UAR:
  • Alien 3 - 1.78:1+2.35:1 - preliminary test, small image added
  • Alien: Resurrection - 1.78:1+2.35:1 - advanced test, added image also on both sides
  • Arrival, The (1996) - 1.33:1+1.85:1 - advanced test, maybe ends up in a fullscreen hybrid version
  • Creep (2004) - 1.78:1+2.35:1 & custom color grading - in progress
  • Dark Tower, The (2017) - 1.78:1+2.35:1 - preliminary test
  • Deep Rising - 1.78:1+2.35:1 - advanced test
  • Harry Potter and the Order of the Phoenix - preliminary test
  • Iron Man - 1.78:1+2.35:1 - released
  • Jurassic Park III (2001) - 1.33:1+1.78:1 - preliminary test
  • Matrix, The (1999) - 1.33:1+1.78:1+2.40:1 - new color grading, in progress
  • Matrix, The (1999) - 1.33:1+1.78:1+2.40:1 - old color grading, test version released
  • Resident Evil (2002) - 1.33:1+1.78:1 - SD test version released, HD in progress
  • Resident Evil: Afterlife (2004) - 1.33:1+1.78:1 - preliminary test
  • Resident Evil: Apocalypse (2010) - 1.78:1+2.35:1 & custom color grading - in progress
  • Silent Hill (2006) - 1.78:1+2.35:1 & custom color grading - in progress
  • Terminator 2 (1992) - 1.33:1+2.35:1 - preliminary test
  • Terminator 3 (2003) - 1.33:1+1.78:1 - advanced test

VAR:
  • Alien: Covenant — 1.78:1/2.35:1 — [Fundamental Collection]
  • Bad Education (2004) — 1.85:1/2.40:1
  • Biutiful (2010) — 1.78:1/2.40:1
  • Brainstorm (1983) — 1.66:1/2.40:1
  • Brother Bear (2003) — 1.75:1/2.40:1
  • Dark Knight Rises, The (2012) — 2.40:1/1.78:1
  • Dark Knight, The (2008) — 2.40:1/1.78:1
  • Enchanted (2007) — various
  • Galaxy Quest (1999) — 1.33:1/2.40:1
  • Grand Budapest Hotel, The (2014) — various
  • Guardians of the Galaxy (2014) — 2.40:1/1.78:1
  • Horse Whisperer, The (1998) — 1.85:1/2.40:1
  • Hunger Games, The: Catching Fire (2013) — 2.40:1/1.78:1
  • Incredibles, The (2004)
  • JFK (1991)
  • Life of Pi (2012)
  • Mad Max 2: The Road Warrior
  • More American Graffiti (1979) — 1.33:1/1.85:1/2.40:1
  • Oz the Great and Powerful (2013) — 1.33:1/2.40:1
  • Paddington (2014)
  • Prometheus (2012) — 1.78:1/2.35:1 — [Fundamental Collection]
  • Scott Pilgrim vs. the World (2010) — 1.66:1/1.85:1/2.40:1
  • Serious Man, A (2009)
  • Seventh Son (2015)
  • Simpsons Movie, The (2007) — 1.33:1/2.40:1
  • Star Trek Into Darkness (2013) — 2.40:1/1.78:1
  • Star Wars: The Force Awakens (2015) — 2.39:1/1.78:1
  • Superman: The Movie (1978)
  • This Is Cinerama (1952) — 1.33:1/2.60:1
  • This Is the End (2013)
  • THX-1138 (1971)
  • Tombstone (1993)
  • Transformers: Age of Extinction (2014) — various
  • Transformers: Revenge of the Fallen (2009) — 2.40:1/1.78:1
  • Tron: Legacy (2010) — 2.40:1/1.78:1
List updated on: 2018-12-29

Note: hybrid and UAR do not exist as official releases

Hybrid Vs UAR - a simple guide
Making Sense of New Movies That Change Aspect Ratios
THE LETTERBOX HERESIES OR: HOW I LEARNED TO STOP WORRYING AND LOVE PAN & SCAN
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Thanks given by: OogieBoogie
#2
The T2 and Matrix projects are the ones I'm most interested in.
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#3
Are you listing the hybrids as "already created" or "planning to create myself"?
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#4
This is a list that would try to include every hybrid and UAR projects; many hybrids are made by random.next; UAR seems to be intersting only for me... Wink
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#5
any interest in doing The Abyss?

There are three versions in the wild, the 2.35:1 AR, the open matte 1.78:1 HD version and a fullscreen 1.33:1 on DVD
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#6
I can provide DVD ISO's for Apollo 13 fullscreen 1.33:1 and the IMAX cut which was framed at 1.66:1 if needed?

The IMAX cut is missing 24 mins of footage though
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#7
The Abyss: made some quick-n-dirt comparisons, and it seems letterbox has just a tiny fraction more of image on the sides, in comparison to open matte, while fullscreen has quite much more on top and/or bottom; so, I'd go with a "mere" UAR using open matte and fullscreen.

Apollo 13: I thought about this, too. I'm aware of IMAX, another reason to use two sources here too. Actually, I'm stuck with the fullscreen version on myspleen, no seeders since days... Undecided
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#8
Because there is some interest in UAR projects, but many don’t know how they will look like, I thought to compile a list of screenshot comparisons, so everyone will be able to take a look!

EDIT: as the previous links posted on screenshotcomparison.com were all broken, due to problems with the site, I decided to post old and new comparisons here: https://fanrestore.com/thread-2105.html
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#9
Very interesting list, I'd be interested in more than a few of those and just to throw another title that deserves some love in the air, The Postman 1997, though I am not certain if there are different ratio sources.
I've mentioned it to you before sporv, it's a damn decent film, but the bluray image is an abomination, it's as bad as the Ravenous and Secret Window bd's.
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#10
All the screenshots are now offline. I myself love it when you expand the frames to get the most image!
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