I haven't found any comments using the word 'Blue' so I'll ask.
OP mentions using a 2015 cut for a scene because removing 'the ridiculous amount of blue' from the 2017 scene was impossible. Was removing the blue tint known from the 35mm a goal for this project or was the 2017 version over-blued beyond the 35mm? Is the intention of this project to 're-create the 35mm in HD' or something else?
OP mentions using a 2015 cut for a scene because removing 'the ridiculous amount of blue' from the 2017 scene was impossible. Was removing the blue tint known from the 35mm a goal for this project or was the 2017 version over-blued beyond the 35mm? Is the intention of this project to 're-create the 35mm in HD' or something else?


Keep in mind, they're both over 60gb each. If file size is an issue, you can always shave off a fair bit by removing whatever audio tracks you don't want. I also made some lighter encodes of each version too.