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loading a source divided in several files |
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Posted by: spoRv - 2017-06-03, 01:35 AM - Forum: Script snippets
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I wonder if there is a best way to load a 29.97fps (actually a 59.94 fields per seconds) interlaced source, divided in several parts, like a TV recorded program with commercial breaks cut away, or a laserdisc capture of several sides, and ITVC it, or if they are all the same...
Code: # method 1 for MPEG-2
# load all parts on DGindex and save a single d2v file
LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")
film=mpeg2source("001-004.d2v").TFM(d2v = "001-004.d2v").TDecimate
...
Code: # method 2 for MPEG-2
# load every part separately and save a d2v file for each one
# then TFM and TDecimate any part
LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")
part1=mpeg2source("001.d2v").TFM(d2v = "001.d2v").TDecimate
part2=mpeg2source("002.d2v").TFM(d2v = "002.d2v").TDecimate
part3=mpeg2source("003.d2v").TFM(d2v = "003.d2v").TDecimate
part4=mpeg2source("004.d2v").TFM(d2v = "004.d2v").TDecimate
film=part1+part2+part3+part4
...
# method 2 for avi
# TFM and TDecimate any part
part1=avisource("001.d2v").TFM.TDecimate
part2=avisource("002.d2v").TFM.TDecimate
part3=avisource("003.d2v").TFM.TDecimate
part4=avisource("004.d2v").TFM.TDecimate
film=part1+part2+part3+part4
Code: # method 3 for MPEG-2
# load every part separately and save a d2v file for each one
# then TFM any part, and TDecimate the joined result
LoadPlugin("C:\Program Files (x86)\Avisynth\plugins\dgdecode.dll")
part1=mpeg2source("001.d2v").TFM(d2v = "001.d2v")
part2=mpeg2source("002.d2v").TFM(d2v = "002.d2v")
part3=mpeg2source("003.d2v").TFM(d2v = "003.d2v")
part4=mpeg2source("004.d2v").TFM(d2v = "004.d2v")
film=(part1+part2+part3+part4).TDecimate
...
# method 3 for avi
# TFM any part, and TDecimate the joined result
part1=avisource("001.d2v").TFM
part2=avisource("002.d2v").TFM
part3=avisource("003.d2v").TFM
part4=avisource("004.d2v").TFM
film=(part1+part2+part3+part4).TDecimate
Code: # method 4 for avi
# join all the parts, then TFM and TDecimate
part1=avisource("001.d2v")
part2=avisource("002.d2v")
part3=avisource("003.d2v")
part4=avisource("004.d2v")
film=(part1+part2+part3+part4).TFM.TDecimate
I always use method 2 for laserdisc captures; I'm using the same for Harry Potter.
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| hey peeps |
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Posted by: OogieBoogie - 2017-06-01, 02:11 AM - Forum: Presentation
- Replies (5)
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Really interesting site you guys (and gals?) have going on here. I've only known about fanres for the last couple of years, one of my first was jerryshadoe's Last of the Mohicans which I adore, but have grown to love it, not every film, but the concept behind it as it were.
Anyway, just thought I would say hi and thanks to all that are involved with providing/sharing these gems
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| The Umbrellas of Cherbourg (1964): Restored US Master |
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Posted by: The Aluminum Falcon - 2017-05-31, 11:53 PM - Forum: Released
- Replies (3)
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Project Info
The Umbrellas of Cherbourg, shot on Eastman stock, faded from its colorful brilliance soon after release.
In 1992, a restoration was carried out from separation masters, which brought the film back to its full splendor; at this time, the soundtrack was remixed in 5.1 audio. This restoration also suffered from separation misalignment, as can be clearly seen in its sole available HD rendition, the Japanese Blu-Ray.
In preparation for the film's 2013 French Blu-Ray release (whose transfer later carried over to both the UK and US BDs), the film was digitally restored, with the separation misalignment corrected. A newer 5.1 remix was done, which was closer to the original mono. Unfortunately, the new restoration has a blanket yellow tint, and the original mono was not included in the French, UK, or US BD releases.
This preservation, working from an already high-quality restoration, merely removes the yellow tint from the video and restores two title cards to their original color (red instead of white). A reference used was one of the rare pre-restoration sources: the 1984 Japanese LD. Though this was taken from an already somewhat faded 35mm print, it was still evident that the text of the two title cards were incorrect in both restored versions.
Aurally, this has two audio tracks: the theatrical mono ripped from the Japanese LD and the 5.1 DTS-HD from the Studio Canal UK BD.
Note that the mono may also be available on the JP BD, but Moshrom, one of this forum's audio experts, seemed to think otherwise. As the Japanese LD is evidently print-sourced (with 35mm) and it does seem strange that the JP BD would use the 1992 restored video but not the restored audio, the mono here is from the LD. The 5.1 DTS-HD from the Studio Canal UK BD was used rather than the Criterion track, which used noise reduction.
Credit to Moshrom, whose blog post summed up a lot of this film's aural history: http://blah-ray.blogspot.co.uk/search/la...%281964%29
Video
Audio- 2.0 LPCM French Mono Audio (from JP LD)
- 5.1 DTS-HD French 2013 Restoration Remix (from UK BD)
Subtitles
Screenshots
US BD
![[Image: 1.png]](https://s13.postimg.cc/m6gg1ok1j/1.png)
Restored US Master
![[Image: 1_CUSTOM.png]](https://s13.postimg.cc/66xsi4nzr/1_CUSTOM.png)
US BD
![[Image: 2.png]](https://s13.postimg.cc/jrokh93sn/2.png)
Restored US Master
![[Image: 2_CUSTOM.png]](https://s13.postimg.cc/yz4k1lvnb/2_CUSTOM.png)
US BD
![[Image: 3.png]](https://s13.postimg.cc/gamiea4qf/3.png)
Restored US Master
![[Image: 3_CUSTOM.png]](https://s13.postimg.cc/kv8ot7ofr/3_CUSTOM.png)
US BD
![[Image: 4.png]](https://s13.postimg.cc/oit1d0m0n/4.png)
Restored US Master
![[Image: 4_CUSTOM.png]](https://s13.postimg.cc/fmi992vef/4_CUSTOM.png)
Title Card from Restored US Master
![[Image: TITLE_CARD.png]](https://s13.postimg.cc/j8o2lq1rr/TITLE_CARD.png)
Project Status
Seventh project completed and released!
Final Product
1080p BD50.
Though, by design, if you want to fit this on a BD25, you merely need to convert the DTS-HD to DTS, and it should fit perfectly.
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