2017-12-27, 10:25 PM
(2017-12-27, 10:11 PM)spoRv Wrote: TomArrow found the workprint; sure, it's cropped, and very dark, but it could be used as color reference; so, I've decided to give it a go, and compare the workprint regrade with the film and DVD ones, and at the end a median of the three - which is the most balanced to me: https://diff.pics/Z_XCpll54XFD/1
WARNING! Only DVD is in sync, while both film and workprint are not, so the automated script failed in many shots; this is just the usual quick'n'dirt version; if there will be any interest, more advanced tests would eventually follow.
Very cool!
Well, you already know what I am going to say [Oracle's voice] ... I think the absolute best out of all worlds would be the 35mm regraded to the workprint, which is my wet dream. If that's a no-no, I'd opt for the BD-to-workprint, because I love the hell out of that intense green in the interrogation scene. Looks "right" to me. It's also less punchy in some places than the 35mm, more filmic imo.
I am tempted to say the Median looks interesting, but I don't want to encourage you to do that too much, because I think preserving the Workprint colors in their purity is something that simply should be done and the Median is more a kind of experimental creative Frankengrade thing, not really faithful to anything.

Edit: Some of the scenes in the real-world also look very blue-ish in both the 35mm and the median whereas they are almost completely neutral in the Workprint regrade, and I love that.

