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Interesting post about laserdisc and hardware video processors |
Posted by: spoRv - 2016-11-27, 01:14 AM - Forum: General technical discussions
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Posted by substance, original thread: http://originaltrilogy.com/topic/Laserdi...o/id/51519 (can't link to the exact post...)
I think it's really interesting post; verbatim copy (just in case it will be lost in the future):
Quote:hi, just joined.
actually I was the one who recommended antcu the analog devices adv7800 evaluation board to use it as the external comb filter. The ADV7800 chip so far is the best comb filter in the market and I doubt that there will ever be a newer/better one from any hw manufacturer.
I am not well knowledge about the capture part but I can talk about a thing or two on the real time viewing.
I own or have owned pretty much all of the well known video processors including PMS Crystalio II (had 2 at one point), DVDO VP30/50, Algolith Dragonfly, Algolith Mosquito HDMI (still have two), Faroudja NRS, Lumagen HDQ. I currently own the following,
-Algolith Mosquito HDMI
-Lumagen Radiance 2144
-Lumagen Radiance Pro 4449
I own or have owned all of the highly regarded LD players. I won’t list all but only the ones I currently own.
-Pioneer DVL-919 (US version)
-Pioneer DVL-919E (EU version Pal/NTSC)
-Pioneer LD-S1
-Pioneer LD-S2
-Pioneer HLD-X9
-Pioneer HLD-X0
-McIntosh MLD-7020 (Pioneer CLD-97 Clone with factory RF out)
-Theta Voyager V2 (Silver)
-Theta Voyager V2 (Black with Progressive Scan Component upgrade)
If cost is no object below is the best of the best in LD playback, look no further!
Pioneer HLD-X0 -> Lumagen Radiance 2144 (Comb filter + deinterlacing =480p output) -> Algolith Mosquito HDMI (Dynamic Gaussian Filter for noise removal)-> Lumagen Radiance Pro 4449 (Color calibration + Darbe + Geometry = Scaling up to 4K)
Above is a several decathousand setup, let’s look at more conservative ones.
Pioneer CLD-97 and LD-S2(not! HLD-X9) are the closest to the HLD-X0. They have very low chroma noise and very stable video. For the shipping cost of HLD-X0(from Japan), you can perhaps buy 3x CLD-97s(or 4).
For video processing, I will stick with Lumagen gear. The no ringing scaling of Lumagen is really the only suitable processing for its NTSC video. DVDO sucks, Faroudja is OK, Algolith is OK. Only Crystalio II rivals but that is hard to find. Lumagen Radiance 2124 and 2144 are the only models with the good ADV7800 chip. All other Lumagen use 2D comb filters and not good. The very old HDQ model has the very good TI TVP5160 chip for its 3D comb filter. It is a rare machine but very cost effective comparing to 2124 and 2144.
At one point, I had both Crystalio II Pro VPS-3800 and Lumagen Radiance 2144 in my system. ADV chip in Lumagen is excellent with dot crawl(absolutely none) but noticeably softer than TVP chip in Crystalio II (some dot crawl in motion). Crystalio II uses Gennum VXP for upscaling which is second to Lumagen scaling. Let’s make a list:
-Lumagen HDQ $200-500
-Crystalio II $1000-1500
-Lumagen Radiance 2124/44 $2500-3500
If you really have to go low cost and can’t find a HDQ, Faroudja NRS would be my only alternative. These above VPs are so good, even a mediocre player like DVL-919 can look amazing through these. I see a lot of people use DVDO processors. If you have one of these, make sure to disable its scaling and use your TVs. Just set it to output 480p so it only does deinterlacing (which it does excellently). DVDO scaling will murder LD. its too harsh and aggressive.
Some fun project:
SO I bought these DVL and Theta units for a Frankenstein player. Theta Voyager is basically a DVL-919 with an upgraded power section and video opamp/output section. It’s discete components and toroidal transformers really help lower the noise floor for both sound and video. There is really not a decent PAL capable LD player in existence. I looked into CLD-d925, 2950 and D515 but the best is DVL-919E. It’s the only one with a digital TBC. So my project is to swap come boards inside a Theta unit and make it PAL capable. I still don’t expect CLD-97 type performance but with its amazing power section, I expect much lower noise than the 919. It will mostlikely be the best PAl player in existence.
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Small header change |
Posted by: spoRv - 2016-11-24, 01:09 PM - Forum: Announcements
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I made small change to the header; I removed "Buddy List" link, and replaced it with "Subscribed Threads" link; also, removed "View" from "New Posts" and "Today's Post" links (just to make room for the new link).
Why? I think the most used links should be placed there, and "Subscribed Threads" seems more used than "Buddy List"...
Of course, if you think I should revert to the previous status, just post here!
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RESTORATION FOR DUMMIES |
Posted by: spoRv - 2016-11-24, 01:24 AM - Forum: Official and unofficial releases
- Replies (1)
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Many people would like to start a fan restoration project - some have good ideas, I must admit - but almost no one has patience, time and skill to do one in person; they keep asking someone else to do it for them.
So, it's time to reveal an hidden truth, feared by all of us, fan restoration project makers... the truth is...
EVERYONE COULD MAKE A RESTORATION WITHOUT EXPERIENCE!
you just need few things - no computer, fancy software, 4k monitors, steep learning curves... only a bit (just a bit) of time and patience, and you could start your project right now! REALLY! Of course, not every kind of restoration is possible, but following this guide, anybody - yes, even you! - will be able to do his/her own project, and finally say "I did it!"
Let's start!!!
***
Things you need - without them, you can't do anything, sorry...
- Time. Not too much, but you can't do it in ten minutes... let's say, few hours for each project
- Patience. Not a lot, because everyone could follow this guide easily, with zero trials & errors
- Source. Of course... you would restore a movie, right? You need one!
- Player. A DVD, BD, even a VHS player. A TV broadcast could be used, but you need more skills.
- Display. A TV set. Better if it's a LED/plasma/OLED, but an old CRT could still be used.
- Camcorder. Or a phone which could record long video. Don't forget tapes/disks/memories!
- Stand. To put your camcorder, or phone
- Other small things you usually have at home; project dependent, more on these later
OK. If you have all this things, you are ready to start. First, check your connections (is your player connected to the display?), your camcorder (is the battery full charged? is the tape/disk/memory inserted? is there enough space to record the movie?), your watch (have you enough time to do it right now?)
If everything is OK, we could start! First, let's prepare the "studio"
- Take the source (movie, usually, but a documentary, concert, TV episodes etc. will do) you want to restore
- Note the source duration; read the techniques you want to use to calculate the time needed for your project
- Put the source in the player, press "Play" and let it play - don't forget to turn on the display!
- Put the camcorder on a stand, in front of the display, at the right distance, so you are able to cover the whole display, and not anything else
- Record a minute, watch the result, adjust settings and repeat until you reach the desired quality
- You are ready to go! Don't forget to turn off the lights to achieve a better result.
Now, you can record your movie "as is"; but you want to do a restoration, right? Then, now it's time to discover the secret truth... each point teaches you how to make a certain effect; more kinds could be combined for each project; sky's the limit! Don't forget to record the movie AFTER you have applied the effect(s)!
***
Don't you think sometime a contemporary movie would look better in black and white? It's quite simple! Take your display remote, go to the image menu, find the color setting (sometimes called saturation) and put it to zero (or lowest level); magically, the image now is black and white!
Sometimes, especially with old movies, details are not so clear, and seems out of focus. Just take the remote, search for sharpness setting, and raise it high, until you could see more details.
Why, when you go to any electronic shop, you see TV sets with brilliant colors that "pop" out of the screen, bright images, that seems almost alive, and when you are back home, your almost-brand new TV shows pale colors and dull images? Want a particular movie to be more alive? Just find a setting like "image mode" or something similar, and turn it to "dynamic" (or vivid, or the like); is it enough? If not, turn up color and brightness, and eventually contrast, too!
Ever wanted to turn a boring movie into something like Blair Witch Project? You need to stay behind the camera the whole time... can you? If so, just tilt gently the camera every twenty/thirty seconds, for a second, no more, so that the camera record the display just few inches off the center; change direction every time. Also, defocus helps - you can manually do it, if your camera has a manual focus, or just slide the camera/phone slightly towards the display, and back - best results is to make it not more than ten times for the whole movie, let's say once every ten minutes.
This depends from the source and display aspect ratio. If you have a 4:3 source, and a 16:9 display, you have just to find out, in your display menu, the size setting, and set it to zoom (or letterbox). If you have a 4:3 source and a 4:3 display, procedure is slightly complicated, but not too much! Just decide how big you want your black borders; done? Well, you need black cardboard, wide as TV - just cut it to cover top and bottom part of the image, tape them to the TV, and voilà! you have letterboxed image! If you haven't black cardboard, you could use some kind of tissue, or just the black adesive tape - use it ONLY on glass-covered display, at your risk! Also, this last technique could be used if you have a 16:9 source and a 16:9 display, and want to obtain an higher aspect ratio - like 2.35:1 for example.
Sometimes you find that old TV show, that is impossible to find on any format, but you hate that little logo in the corner? Well, just remove it! The best way to do it is to cover it with a piece of paper, or, better, cardboard, shaped as the logo that should cover, and tape it to the screen; you could leave it blank, or write something on it, just your own logo for example! For better result, I suggest just to cover the logo only with transparent adesive tape; logo will not be recognizable, and image seems more "professional"! Of course, same risk of display damage, so keep in mind the previous point!
This could be obtained in different manners. If you have a DVD/BD source, just switch on the subtitles - remember to do it in the menu, not during the movie, or you will record menu as well! If you have a laserdisc source, probably it has a Closed Caption track; just find the setting on your display menu - or you need a Closed Caption decoder. If you plan to record a TV broadcast, often subtitles are available, just find the setting on your display menu as well.
But, what if no subtitles are available on the source, like, for example, in a VHS tape? This requires A LOT of patience, time, and some skill, but could be done by anybody. You need also a lot of paper, a pen or better a big colored marker. A friend is really useful in this task... Ready? Take the paper and the marker, start watching the movie (DO NOT RECORD YET!), listen to the dialog, pause the movie, write down the dialog - literal transcription is better, but it's up to you - in the top half of the paper sheet. You could use different colors for different actors. Write down in the bottom half of the paper the movie time when the dialog is placed - if you have a player that shows time, or just a progressive number. Repeat the steps until you have written down all the dialogs of the movie. Now you have some hundred paper sheets, ordered from the first to the last dialog, right? OK, now start to record, and be ready to place the top half of each paper in front of the display, so the camcorder will take just the written dialogs, and not your hand holding the paper; you could share this task with a friend, one places the odd numbered papers, the other the even numbered ones. Just do it well, fast, and don't forget to remove the paper when there is no dialogs... and you have your homemade subtitles!
(this requires good timing skill) Ever wanted to include deleted scenes back into your favourite movie? Is it possible, but this technique requires also patience and time. First, play the movie (DO NOT RECORD YET!) possibly with friends or relatives (the more, the merrier - they will help you to remember) to have it "fresh" in mind. Then play the deleted scenes, and try to understand where, more or less, should be inserted. Play again the movie (DO NOT RECORD YET!) and find the exact place where each deleted scene should be inserted. Write down time for each scene. Ready! Play the movie and record it. Wait until the time when the first deleted scene should be, and suddenly PAUSE the camcorder. Now go to the first deleted scene, press PLAY on the player and PAUSE again (or record) on your camcorder. Be prepared to PAUSE again the camcorder when the deleted scene is over. Go back to the movie, at the scene that will ideally follow the first deleted scene, press PAUSE on the player. Now be ready to press PLAY on the player, and PAUSE again (or record) on your camcorder. Repeat the steps until the last deleted scene, and let the movie play until the end. A remote for player and/or camcorder is really welcome!
Basically, it requires the same skills and technique used in the extended edition, but this time you have to eventually cut scenes, replace them with deleted or extended scenes, or even a scene from a different movie - in that case, you obviously need the other movie, too. First, think of what kind of fan edit you want to make - which scenes to cut, move, replace etc. and write down them in a paper. Now play the movie (DO NOT RECORD YET!) and keep track of every scene you need, and write down begin and end time. Do the same for the eventual second movie. Now you have a kind of beat sheet. At this moment, you should know what you have to do... if not, just read again the previous point!
***
Always thought that your favourite movie has a wrong soundtrack, or, simply, one or more tracks should be replaced with better ones? Now you could do it! For this technique, you need an audio player, with the desired soundtrack, or songs. Also, you need to be fast and have good timing. First, play the movie (DO NOT RECORD YET!) and write down begin and end time of the track(s) you want to replace. Keep the CD/audio tape/record ready. Play the movie and start to record. Keep attention at the time, because you must press the MUTE button on your remote AND press start to play the music you want to use at the same time. Also, don't forget to stop the music AND press MUTE again, to listen back to the original source track.
Sometimes there are great movies on BD, which has the wrong mix, or is redubbed... the only way to listen to original audio track is to obtain an old VHS or laserdisc, but obviously the quality of video is inferior... so, you thought to use the video from the BD and audio from the VHS (or laserdisc)? Pronto, it's quite easy! For this, you need a second TV set, or an audio system, and a second player. Put the BD in the player connected to the main display. Mute the main display. Put the VHS (laserdisc) in the second player. Turn on the second TV, or connect the player to the audio system, and use the main display to check the VHS (laserdisc). Take both sources at the beginning of the movie. Put them in sync using, for example, the first frame of the logo, and pause them at the same time. If you have one display only, just switch the input to the BD source. Start record, and press AT THE SAME TIME the PLAY buttons in both players. Now you will see images from BD, and hear sound from VHS (laserdisc)... it's kind of magic, don't you think?
(best result obtained when combined with the old cinema technique) Simple version is done just settings the camcorder, or display, volume to zero. Advanced version requires subtitles, and soundtrack replacement - as the mute movies usually has someone who play a piano song, it will be the best solution to have a piano player ready to help with your project!
***
OK, it's time to decide which movie will be treated in your restoration project, and which technique(s) to use to improve it in some way. Have fun, and post your project on Youtube - instant fame!
Hint: before your mom/granny/relative decides to call a technician, because the TV doesn't work well anymore, don't forget to put the image and/or audio settings back to their original status!
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Advice needed for a new PC |
Posted by: spoRv - 2016-11-23, 08:52 PM - Forum: Everything else...
- Replies (47)
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As problaby you all know, I need a new PC, and I think it's time to buy one, because, if I will not decide, I will never buy one! 
Frankly, the "revenant" actual PC works quite well, but I can't stand to spend another week just to encode lossless a "simple" project like Waterworld - I can't think how much will take to encode other, more heavy, projects...
I would choose between two interesting models, and I need an advice - even know if prices are good, as I think:
Workstation - 420€ (maybe shipping included) (reached this price from 550€)
CPU: Intel Xeon E52620 6 Core 12 Thread 2.0 GHz, 2.5 Ghz Turbo, TDP 95 W
Mother board: Gigabyte X79 UD3, Quad channel
Memory: 4x8 (32) GB DD3 1333 GHZ
Video card: AMD Radeon HD 6850 2 GB GDDR5
HDDs: 2 HDD Seagate 1 TB 7200 rpm +1 SSD Samsug 850 EVO 256 GB +1 SSD 110 GB
OS: Windows 10 pro 64bit
Mini Desktop - 360€ + shipping (maybe 20€)
CPU: Intel Core i7 3770 (should be 3.4GHz)
Motherboard: Intel Mini DH61BL
Memory: 8GB (2 x 4GB ddr3)
Video card: none - Intel 4000
HDDs: SSD 120GB
OS: Windows 7 pro 64bit
Workstation PROs:
Great CPU, great motherboard, plenty of RAM, very good video card, a LOT of HDDs (even if small)
Desktop PROs:
Higher CPU clock than the workstation, price is a bit lower, has 6 months warranty
I searched a lot on the net about the two CPUs, and even if the i7 has an higher clock, the Xeon should have quad channel memory Vs dual, more cache, higher bus speed); plus, the workstation has more memory, has more HDDs, has a good video card, has a better (I think) motherboard... this lead me to think to buy the workstation, that has a very good price, and, eventually, in the future, upgrade the CPU,
Last thing: of course, they should work perfectly with VirtualDub and AviSynth, and MUST be a lot faster (I'd like to be 5x fast) than my actual Core 2 Duo E6300 1.86GHz, both with AviSynth, and also with x264. Other speed improvements are not that important, apart 4K fluid play, even if with those video card, no more than a "mere" 1920x1080 resolution is possible, that is good for now with my plasma HDTV set, and for the near future, where I would like to find a bigger, used, HDTV plasma set, waiting for a great UHDTV technology at good price...
Sadly, according to this page https://openbenchmarking.org/showdown/pts/ffmpeg-2.5.0 it seems that the speed increase will not be so high, as one could think following benchmarks score... indeed, the Xeon (with benchmark almost 8x the Core 2 Duo E6300) is "only" 3x faster, while the i7 3770 (benchmark almost 10x) is "only" 4.5x faster... still, faster than Xeon!
HELP!!!
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[proposal] Lord Of The Rings trilogy |
Posted by: spoRv - 2016-11-23, 01:45 PM - Forum: Requests, proposals, help
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Finally, after two weeks of downloading - yep, 14 days, more or less - I grabbed the famous HDTV versions of the whole trilogy! (I searched those files for the last two or three years, by the way...)
Fellowship Of The Ring.mkv - (3:28:18) 1920x1088 (active 1893x782) 27634067KB
The Two Towers.mkv -(3:44:06) 1920x1088 (active 1893x782) 26044590KB
The Return Of The King.mkv -(4:12:26) 1920x1080 (1920x798) 33587604KB (C more HD logo in the black bar)
Quality is really good; I’m often surprised to discover how good these MPEG-2 broadcasts were (are, like the latest WOWOW Star Wars). But now, I’m aware of the existence of open matte 16:9 versions… and the mission to find’em all begins! 
OK, back on track: it is still interesting the idea of using those HDTV versions to make a project? IIRC the EE BD of FOTR has of course different colors than this (and the EE DVD), while TTT and ROTK seems to suffer less of color problems; can't remember the DNR "affaire", though...
It comes to my mind some shots found in the theatrical version are not included (or are different) in the extended edition; also, I discovered there are some snippets of deleted scenes in trailers and documentaries - I have seen them, and many are ready to be inserted, while others have bad quality, or unfinished... but Frodo as a sort of Gollum is nice!
I wonder if an "Extra Extended Edition" could be feasible, and interesting.
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Hello there! |
Posted by: Colson - 2016-11-23, 04:15 AM - Forum: Presentation
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I registered a while back, but never introduced myself. I'll be around these parts a bit more now, so I thought I should say hello! I am a regular over at OT and have been directed here for a few projects. This place is awesome!
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Ultra HD or not Ultra HD, this is the problem… |
Posted by: spoRv - 2016-11-22, 07:46 PM - Forum: Official and unofficial releases
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Let's face it: even little blind bugs found in the most remote cave in a forgotten land know that, maybe, it's time to upgrade our video system to Ultra HD (I will not use 4K, as, to me, it's the DCP 17:9 version).
So, what do I think about this? Frankly, after the demise of my beloved full LED 55' HDTV (sigh!) I thought to buy a new UHD TV, but prices were quite high at that moment, and I grabbed an used, nice "small" 42' plasma HDTV... and I was surprised how good it is! Really, anybody could think plasma technology is obsolete, and maybe it is, but hey, quality wise, it's still to be beaten in many fields, even by newest OLED TVs...
Possible solutions:
- Buy now an UHDTV, spending more money that I want to
- Stick with my old 42' plasma HDTV for a while
- Upgrade to a bigger plasma HDTV now (read: 60' or 65'), used, at a great price, waiting for affordable (and improved) OLED or full LED UHDTV
Until few days ago, I thought that UHDTV resolution would be not that important, given the fact that our eyes could not see the difference when is not enough near to the display... but I wanted to prove myself I was right, and I made some tests.
You know what? I was wrong... and happy to discover it! What I understood is that even 4K mastered BD has not the same quality of a real UHD downscaled source - it should be not the case, but it is, sometimes... not all UHD sources are really UHD - do you remember the first HD clips, and the fact many were mere upscales?
Math doesn't lie (usually); it's simply not possible to get a better quality, with an image four times larger, using the same encoder, with an UHD file that has a size only a bit bigger than its HD equivalent; I mean, if the BD of an AVC 1080p encoded movie is, let's say 30GB, IT... IS... NOT... POSSIBLE... to get a better quality AVC 2160p version with a 40GB file...
At the contrary, a well encoded UHD AVC 2160p that has "only" twice the filesize of an HD AVC 1080p (with a 4K master) could squeeze some more details, visible also with a simple HDTV set.
How can I discover if an UHD source could be really better than its HD counterpart?
- size doesn't lie! Just make a comparison of the filesize of the HD and UHD files; the UHD, encoded in AVC, should be at least twice the size of the HD, and, if encoded in HEVC, should be at least the same size - of course, the bigger the better (usually...); also, always check the Kush Gage calculator to discover if its bitrate is good enough.
- master is everything! If the UHD source use a 2K master, it will be simply not possible to have a definition given by a 4K one... if you have a good quality BD version, stick with it.
- read reviews. More than one; read what magazines think of a given title, what forum posts say about it, and, if all say it's great, it *should* be great! But use always your own mind, so, before shell out some cash, just...
- compare, compare, compare! Even if the previous advices are valid, sometimes the best things to do is to watch screenshots from both versions, and compare them - possibly in full screen, using the display where you watch movies... because when you see them zoomed in your 15' laptop screen, and the UHD seems vastly superior, maybe you will discover later that, when watched in your big brand new 55' UHD, sit four meters (about 13ft) away, the difference is not that great...
Well, a picture is worth a thousand words, so here you are some comparison to think about:
Star Wars UHD (fake!) Vs. BD upscaled:
http://screenshotcomparison.com/comparison/191357
http://screenshotcomparison.com/comparison/191359
Godzilla UHD (real!) Vs. 4K mastered BD upscaled:
http://screenshotcomparison.com/comparison/191389
Godzilla 4K mastered BD Vs. UHD downscaled:
http://screenshotcomparison.com/comparison/191391
Conclusions: given the fact that an UHD source has at least a 4K master, and is properly encoded, it *should* be always better even watched on a simple HD TV; so, this is what I think is the best options, from best to worst:
- UHD source, UHD display - not only for resolution, but also for HDR
- UHD source, HD display - difference with HD sources could be quite evident
- HD source, HD display - no need to uspcale (with a 1:1 pixel mapping)
- HD source, UHD display - upscaling "could* degrade the quality
I think I could start to collect UHD movies right now, stick for a while with this old TV of mine, upgrade in the next few weeks to a BIIIG used plasma HDTV, and wait for a great UHD TV, with a new, or vastly improved, technology, at a decent price... I wonder how good could be a laserdisc watched with one of these sets!
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Poit |
Posted by: poita - 2016-11-22, 01:28 AM - Forum: Presentation
- Replies (11)
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G'day all,
Poita here, just registered as requested on OT.COM
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