2022-05-17, 08:40 PM
Yeah, it's pretty crazy. Insofar as deciding which cut to use for which scene, I more or less followed the Munich Film Museum since I trusted that they did their homework
Funny that you had both versions and didn't even notice it. If you ever rip it, lmk! I used a friend's LD rip of the US cut and the Spanish DVD for the European cut (also probably LD-sourced or at least an LD-era master). I'd be curious if yours surpasses it.
To be honest, the sexier/more political movie that Welles was trying to make probably would have gone over better in the 60s or today. The cast is damn charming despite the censorship.
At the risk of derailing my own thread lol, what other Welles films do you have on VHS or LD @captainsolo ? With the new Kino 4K of TOUCH OF EVIL, I'm curious if we could do better with audio.
Also (more derailing): I also reconstructed the Corinth and Public Domain cuts of MR. ARKADIN with the European restoration of CONFIDENTIAL REPORT (better than the German BD which is just an upscale)
Funny that you had both versions and didn't even notice it. If you ever rip it, lmk! I used a friend's LD rip of the US cut and the Spanish DVD for the European cut (also probably LD-sourced or at least an LD-era master). I'd be curious if yours surpasses it.
To be honest, the sexier/more political movie that Welles was trying to make probably would have gone over better in the 60s or today. The cast is damn charming despite the censorship.
At the risk of derailing my own thread lol, what other Welles films do you have on VHS or LD @captainsolo ? With the new Kino 4K of TOUCH OF EVIL, I'm curious if we could do better with audio.
Also (more derailing): I also reconstructed the Corinth and Public Domain cuts of MR. ARKADIN with the European restoration of CONFIDENTIAL REPORT (better than the German BD which is just an upscale)