Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Sourced by: BDgeek / alinskey

Please thanks and PM for access

NOTE: While exacting bit-perfect accuracy is typically preferred for LD syncs, I prefer to use speed adjustments to keep synchronization. I also insert BD audio to cover reel changes or side breaks when necessary. As well as minor filtering in the form of DC Offset correction, de-humming, and manual declicking (when necessary). 2.0 mono tracks are processed with Voxengo MSED to remove stereo information unless stated otherwise.

Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Sourced by: BDgeek / Soundman

Please thanks and PM for access

NOTE: While exacting bit-perfect accuracy is typically preferred for LD syncs, I prefer to use speed adjustments to keep synchronization. I also insert BD audio to cover reel changes or side breaks when necessary. As well as minor filtering in the form of DC Offset correction, de-humming, and manual declicking (when necessary). 2.0 mono tracks are processed with Voxengo MSED to remove stereo information unless stated otherwise.

Hi

Does anyone have a PCM Rip Of The American U.S Cut Of Blade Runner?

Looking to sync it to a 35mm scan d if I can.

Thanks

Hi,

Does anyone have a PCM rip of the Stereo LD for Wayne's World?

Looking to sync it to the UHD if I can.

Thanx.

Another movie that is lacking an official blu ray release, just in time for Christmas. I looked at a few different digital versions but went with an Amazon webrip due to quality and framing. I then did some processing in Avisynth, dehaloing, cleaning, slight sharpening etc. A 3D LUT was then applied to reduce the amount of red, due to the CRT nature of the master. Finally the grain pattern was matched from Alien Ressurection in After Effects, which according to imdb was shot on the same negative stock.

In terms of audio there is the English Cinema DTS Track and the Laserdisc PCM (thanks to AC3). The Cinema DTS levels have been adjusted correctly, the 27ms delay has been baked in and all processing was done in Izotope with selective dithering.

Massive thanks to @MrBrown for sourcing the Dutch DVD for me, which has a bunch of exclusive extra features. Also thanks to @Inq81 for testing the audio.

• BD25 with animated menus, background video, pop up menus and resume function
  
• 1080P AVC Video
  
• English 5.1 Cinema DTS (DTS-HD)
  
• English 2.0 Laserdisc PCM (Thanks AC3)
  
• English Subtitles
  
• Featurette
  
• B Roll Footage
  
• Interviews with Ray Liotta, Lauren Holly, Hector Elizondo, Robert Butler, David Valdes & Richard Edlund
  
• Bobbie Wygant Interview
  
• Conan O'Brien Interview
  
• Theatrical Trailer
  

Hello there,

I've been following blah-ray's blog for a long time now. I suppose that's where I learned that neither Criterion nor Arrow's Dekalog Blu-ray was good. Luckily I was able to find a DVD track and the difference was just clear cut.

Anyways, glad to have finally found a forum sharing that same spirit.

Cheers!

I got a 65" Hisense 4K TV at Walmart and hooked it up and i was noticed backlight during dark parts and it looks pretty horrible,
What's the best way to minimize the issue?

Hello everyone!
I am very glad that I discovered this forum. Many great projects

Input Soundtrack: 16-bit, 44.1khz, 2.0 Mono (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Mono
Sourced by: BDgeek / alinskey

Please thanks and PM for access

NOTE: While exacting bit-perfect accuracy is typically preferred for LD syncs, I prefer to use speed adjustments to keep synchronization. I also insert BD audio to cover reel changes or side breaks when necessary. As well as minor filtering in the form of DC Offset correction, de-humming, and manual declicking (when necessary). 2.0 mono tracks are processed with Voxengo MSED to remove stereo information unless stated otherwise.

Input Soundtrack: 16-bit, 44.1khz, 2.0 Mono (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Mono
Sourced by: BDgeek / alinskey

Please thanks and PM for access

NOTE: While exacting bit-perfect accuracy is typically preferred for LD syncs, I prefer to use speed adjustments to keep synchronization. I also insert BD audio to cover reel changes or side breaks when necessary. As well as minor filtering in the form of DC Offset correction, de-humming, and manual declicking (when necessary). 2.0 mono tracks are processed with Voxengo MSED to remove stereo information unless stated otherwise.