On Monday Apple dropped Logic Pro 10.7 and it included a major feature: Create Dolby Atmos mixes.

For pros and hobbiest this is huge, as the feature comes at no extra costs. If you know how to mix a 5.1 mix, then moving to Dolby Atmos wont be hard. You can mix up to 7.1.4. Though I couldn't find an option to export to Dolby TrueHD. At this point you export to something that works with Apple Music and probably Apple TV. But it might be also a lossless version that you need the official Dolby Encoder for. Only time will tell if you can go full fledged movie mixes in Dolby Atmos. I don't see a reason why you shouldn't

Regardless, this is pretty awesome news

(2021-10-12, 12:48 PM)spoRv Wrote: A "35mm Dolby Surround Vs 70mm 6-track" debate should worth its own thread... who will start it?

https://www.in70mm.com/library/engagemen.../index.htm Wrote:
The audio was Six-Track Dolby Stereo (“A” encoded “baby boom” format).

https://www.in70mm.com/library/engagemen.../index.htm Wrote:
The audio was Six-Track Dolby Stereo (“A” encoded).

Typo the heading should say doesn’t make it clear. With 4k versions of classics and I don’t know how to talk to him about his ghostbusters fix. because there’s a new uhd coming out using a 100gb disc instead the original 66gb and it’s using Dolby vision instead of regular hdr and it includes the original theatrical audio. this his YouTube video https://www.youtube.com/watch?v=dqM4y8-IkNE&t=2s

I have the latest 1.21 firmware for Pioneer BDP-LX54 blu-ray player. As i pointed out before: i am not very much satisfied with the picture and sound quality. Do you think it's a good idea to install some of the previous firmwares? Do you think the quality will improve ? By the way, give me your thoughts for what is the best stuff for video and audio.

So I've released a few Cinema DTS to UHD syncs and the feedback to what I've put out so far has been very positive. Unfortunately I don't have any more source files for movies that I'd like to sync.

If anybody has any of the following raw Cinema DTS tracks and would like to see them synced then please let me know.

Mortal Kombat
Congo
Casino Royale
Arthur Christmas
In The Mouth Of Madness


Rest assured that anything shared will be put to good use and the resulting projects shared with contributing members.


Much appreciated.

Hello. Although I've been a member for a few months and have made a few posts, I have never made a proper introduction. I'm CloakedDragon97 and like many people, I joined OriginalTrilogy.com before joining this site. I initially joined for the reason most other people did. I wanted an HD version of the original unaltered Star Wars trilogy. I eventually branched out to other projects though. There I became familiar with Andrea's work and that inspired me to make a few projects of my own. Then a few months later I joined this site due to the amount of projects exclusive to here. I post significantly less on here but I'm still an active member. I'm glad to be a part of this site.

Trailer D

I made an updated version with the following changes to Trailer D

• MPAA Green Card replaced with a newly created one
  
• MPAA Green Card scope version replaced with proper 4:3 version as shown in the scope version of 35mm print
  
• Opening Documentary Video Sequence replaced with a higher quality version***
  
• added two missing shots in the theatrical cut that are included in the extended cut*
  
• title animation replaced with a higher quality version***
  
• added a newly created end credit card
  
• added 35mm fine grain layer on top of the video
  
• added LD PCM of the trailer**
  

MediaInfo is a convenient unified display of the most relevant technical and tag data for video and audio files.

https://mediaarea.net/pt/MediaInfo

Tagged this one as 'help', as it's in the very early stages and I'm very new to software I'll probably have to use.

First, thanks to gameboy and maksnew for making me aware of this.

This one is essentially The Film Whisperer's project, but as he's working on other projects concurrently I'd like to help with as much of it (or at least roadmap it) as I can.

The goal here is to use the Chinese HDTV capture (screens below) WEB-DL and the upscaled Towa DVD (screens coming soon) to reconstruct the HK version with as much picture information as possible. The blu-rays available of the international version are slightly cropped, so might not be as useful for the project.

The Chinese HDTV capture has its drawbacks, namely:

• Embedded subtitles and sidetitles (including an overlay over the title card)
  
• Broadcast channel logo
  
• Some damaged frames
  
• Censorship in one scene
  
• The ending credits aren't complete, so we'd miss some of the outtakes.