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  Alien: Covenant IMAX [Fundamental Collection™ #021]
Posted by: spoRv - 2017-09-07, 03:08 AM - Forum: Released - Replies (24)

Alien: Covenant IMAX [Fundamental Collection]

[Image: Alien_Covenant_Cover_small.jpg]

Original title: Alien: Covenant
Original runtime: 2h02m02s
Source: Blu-ray (for widescreen shots); Korean IPTV and Russian WEB-DL (for open matte & IMAX shots)
Video processing: combined Korean and Russian IMAX and open matte shots to get best quality; 35mm grain plate
Audio processing: none
Video format: x264 1920x1080 23.976fps VAR (widescreen OAR 2.40:1, IMAX and open matte 1.78:1)
Audio format: DTS-HD MA 7.1 English; DTS 5.1 French, German, Italian, Spanish, Russian; DD 2.0 224kbps English commentary
Subtitles: YAO black bars, English, French, German, Italian, Spanish, Russian (movie); French, German, Italian, Spanish, Russian (commentary)
Chapters: 24
Release notes: the amount of IMAX shots is around 12.5m while open matte shots total around 3m
YAO subtitles hack: this kind of subtitle overlay black bars on selected shots; it was tested on MPV and SMPlayer and may work even on hardware Blu-ray players; to have both black bars and another subtitle, you should use SMPlayer with YAO as first subs track, and the selected language as second subs track
Release format: BD-25 folder

Screenshots:

[Image: AC_IMAX_FC_009211.png]

[Image: AC_IMAX_FC_045457.png]

[Image: AC_IMAX_FC_098335.png]

[Image: AC_IMAX_FC_139459.png]

Mediainfo
Complete name : 00000.m2ts
Format : BDAV
Format/Info : Blu-ray Video
File size : 21.3 GiB
Duration : 2 h 2 min
Overall bit rate mode : Variable
Overall bit rate : 25.0 Mb/s
Maximum Overall bit rate : 35.5 Mb/s

Video
ID : 4113 (0x1011)
Menu ID : 1 (0x1)
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : 27
Duration : 2 h 2 min
Bit rate mode : Variable
Maximum bit rate : 40.0 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709

Audio #1
ID : 4352 (0x1100)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Format profile : MA / ES Matrix / Core
Mode : 16
Format settings, Endianness : Big
Muxing mode : Stream extension
Codec ID : 134
Duration : 2 h 2 min
Bit rate mode : Variable / Constant / Constant
Bit rate : Unknown / 1 509 kb/s / 1 509 kb/s
Channel(s) : 8 channels / 7 channels / 6 channels
Channel positions : Front: L C R, Side: L R, Back: L R, LFE / Front: L C R, Side: L R, Back: C, LFE / Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossless / Lossy / Lossy

Audio #2
ID : 4353 (0x1101)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #3
ID : 4354 (0x1102)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #4
ID : 4355 (0x1103)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #5
ID : 4356 (0x1104)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #6
ID : 4357 (0x1105)
Menu ID : 1 (0x1)
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : 130
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 spf)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 670 MiB (3%)

Audio #7
ID : 4358 (0x1106)
Menu ID : 1 (0x1)
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Format settings, Endianness : Big
Codec ID : 129
Duration : 2 h 2 min
Bit rate mode : Constant
Bit rate : 224 kb/s
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 spf)
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 196 MiB (1%)

Text #1
ID : 4608 (0x1200)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #2
ID : 4609 (0x1201)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #3
ID : 4610 (0x1202)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #4
ID : 4611 (0x1203)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #5
ID : 4612 (0x1204)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #6
ID : 4613 (0x1205)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144

Text #7
ID : 4614 (0x1206)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #8
ID : 4615 (0x1207)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #9
ID : 4616 (0x1208)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #10
ID : 4617 (0x1209)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #11
ID : 4618 (0x120A)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Delay relative to video : 3 s 87 ms

Text #12
ID : 4619 (0x120B)
Menu ID : 1 (0x1)
Format : PGS
Codec ID : 144
Duration : 2 h 2 min

RELEASE PLACE: BLUTOPIA

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  Robocop 1:66.1 AR 35mm print for sale on ebay
Posted by: Tylerdurden389 - 2017-09-07, 01:53 AM - Forum: Movies, TV shows and other - No Replies

http://www.ebay.co.uk/itm/35mm-Feature-R...Swhf1ZnQmU

http://originaltrilogy.com/topic/Robocop...o/id/56493

I know for a lot of fans this is a big deal. I've read so many message board threads among various sites that focus on the AR on this film. The guy who posted that thread ain't getting any hits, so I figured this site has fans that'll take notice Wink

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  Scarface background score
Posted by: FrankT - 2017-09-06, 01:04 AM - Forum: Requests, proposals, help - Replies (20)

Is anyone able to extract the background score for Scarface? I tried it, but the result still has some chatter echoing. Would anyone be able to clean it up?

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  Am I crazy for using HDCRT still?
Posted by: captainsolo - 2017-09-05, 10:58 PM - Forum: General technical discussions - Replies (21)

I use a beautiful Sony XBR960 HDCRT which is somewhere around 1450x1080i. It can't do 24p nor 1080p. Everything else autoscales to 1080i, but the SD comb filter is truly amazing and all SD looks wonderful. The blacks are absolutely pitch due to the SFP tube. Color is deep and wonderful. It does have annoying phosphor trails from phosphor lag.

So am I nuts for still using this as my main monitor? I've never found anything affordable to beat it despite the age and its downsides. I'd love a high end plasma but they are hard to come by still in good shape.

I'd like to have something to do 1080p 24p to get the absolute best out of BD but have no idea what really compares.

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  New Member Threads ... PLZ check in here.
Posted by: Jetrell Fo - 2017-08-31, 09:25 PM - Forum: Presentation - No Replies

Hello,

For all our new members, welcome to Fanres, we hope you enjoy your stay.

This thread is designed for you to ask questions before you start posting. One thing I highly recommend is reading the rules first. It should be able to answer most queries. That being said there are still nuances with what we do here that well might need some clarification and this would be the place to get it. We have a great bunch of people here and a lot of good honest work goes in to the projects that are taken on by our members. Please respect each other. There is more than enough room for all to participate in and donate to projects if needed. Thanks to all my fellow site members, you all rock!!!

Okay ... time for questions. Bring it on.

Smile

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  [proposal/request] 35mm scan of German animated movie "Felidae"
Posted by: deleted user - 2017-08-31, 07:23 AM - Forum: Requests, proposals, help - Replies (18)

This is one of my favorite animated movies but it was only ever released on DVD.

It's kind of a very adult and bloody thriller thing, but the protagonist is a cat.

Doesn't look like the company that produced it is still in business either, so a Blu Ray release at any point is rather improbable. I think there may be some 35mm prints out there, at least for rental. Would be nice to have this movie in HD. 

I don't really have any money nor scanning equipment, but maybe someone else can and wants to look into this.

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  Dragon Ball Z US DVD Restoration
Posted by: killthad - 2017-08-31, 06:44 AM - Forum: Requests, proposals, help - Replies (10)

If I were to restore the original DVD Singles release of Dragon Ball Z, would you people be interested? Let me know.

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  Showgirls - Remastered Open Matte - Cinema Polish
Posted by: Colek - 2017-08-31, 01:12 AM - Forum: Released - Replies (40)

Showgirls - Remastered Open Matte - Cinema Polish

[Image: showgirls.jpg]

Video sourced from both HDTV (1080i - thanks maksnew!) and original US Bluray - BD video was overlaid HDTV where it was possible (99% of the movie), HDTV was filtered, deinterlaced and deblocked as much as source allowed (there are still some MPEG2 compression blocks in some places). Afterwards, video was color corrected by spoRv (thank you!) - slightly demagenta'd.

Audio tracks were sourced from various sources and are as follows:
- English 5.1 (DTS-HD @ 1536 kbps)
- English 2.0 (AC3 @ 224 kbps)
- Spanish 2.0 (AC3 @ 224 kbps)
- French 2.0 (AC3 @ 224kbps)
- German 5.1 (DTS @ 1536 kbps)
- Italian 5.1 (AC3 @ 448 kbps)
- Portuguese 2.0 (AC3 @ 192 kbps)
- Polish 5.1 (AC3 @ 448 kbps)
- Russian 5.1 (DTS-HD @ 1536 kbps)
- Japanese 2.0 (AC3 @ 384 kbps)
- English Commentary by David Schmader 2.0 (AC3 @ 224 kbps)

Subtitles were sourced from various sources and are as follows:
- English
- Spanish
- French
- Finnish
- Swedish
- Dutch
- Danish
- Polish
- Russian
- Portuguese

Screenshots:
[Image: image.jpg]
[Image: image.jpg]
[Image: image.jpg]
[Image: image.jpg]
[Image: image.jpg]
[Image: image.jpg]
[Image: image.jpg]
[Image: image.jpg]

Original thread

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  Duel (1971) - The Hybrid Cut
Posted by: iguanaclerk - 2017-08-30, 07:35 PM - Forum: Released - Replies (7)

This is a cross-post from OT.com (where I am ElectricTriangle).

Duel was originally released on TV with a 70-minute runtime. For its European theatrical premiere, Spielberg added more footage to get it to a required 90 minute runtime. Some of this is new car scenes and some of it is more obvious padding (the opening credits and the conversation with Mann’s wife.) In addition to the new footage, additional directorial changes were made, including a new, dynamic mono sound mix and the removal of much of David Mann’s redundant inner monologue to great effect.
This fan edit mostly follows the original, tighter TV edit of the film, while also using the theatrical sound mix and removing the inner monologues. It also includes the further edits made to the film for the DVD and Bluray release (which removes more inner thoughts). I also created some new opening and closing title cards to match the TV edit.
I used a 4:3 HDTV copy as the base because the Blu ray is unfortunately only available in cropped 1.85:1. Special thanks to DrDre’s ColorMatch tool tool which was incredibly useful to help match the different sources and make the older scan look a little nicer.

Sources used:
Duel 4:3 HDTV (primary video)
Duel Blu ray (primary mono audio and color reference)
Duel NSTC DVD (used to patch out logos in the HDTV)
Duel 16:9 Cropped French Digital SD TV airing (two brief shots)
Duel TV VHS Recording (some audio)
Duel SD extras documentary (partial opening shot which was blended with the French Digital source and the Bluray)
Columbo Blu ray (pilot episodes) (opening and closing Universal logo)

Sample Images: https://imgur.com/a/lwopT

Video: 7.05 GB 1080p HD MKV
Audio: 2.0 Mono FLAC
01:13:08

Version 2 changes:
-No more VHS footage (Footage from the TV cut is now sourced from a cropped French digital airing, with a custom matte to “uncrop” the opening shot.)
-A different, more balanced color grade.
-patched out the HDNet logos with DVD footage.
-English Subtitles

Available via the 'spleen or PM.

[Image: FSMjeXw.png]

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  [Discontinued for Now] The 35 Project (aka Project 35)
Posted by: PDB - 2017-08-29, 07:57 PM - Forum: Archived projects - Replies (48)

This project series is probably done with. Future project using 35 elements will just their own beasts.

---------------------------------------
Couldn't find a better title for this project so bear with the name.

The overall goal of this project is to take existing HD masters and change the colors to look more like a 35mm print using 35mm materials. This originally started out as a sister project to my upscale project here:

https://fanrestore.com/thread-1071.html

In the upscale project I took the final video and tried to color grade it to match picture of 35mm frames. I wanted to take that idea and apply it to HD masters but go one step further. I have bought several trailers from movies and scanned them myself. It's often said that a trailer might not be fully color timed but that doesn't mean that they are wrong, all the time. In fact most of the 35mm trailer scans I have seen match prints pretty well. I then took the scanned color information, generated a LUT(s) and applied it to the existing HD master to color grade it. It's not without it's fault but creates a fun alternative to the existing HD masters and is an easier way of trying to get closer to the look of a film without the expense of tracking down an actual 35mm print.

So this thread is like my upscale thread, to test ideas and concepts for this project and get opinions from fellow fanres-ers.

A little bit of note. While I do try to even out colors to reflect projection and what current video standards are, you should still expect high contrast, occasional blow-out and saturated colors as you would see in a 35mm print. If you hate that look you may not like these project.
---------------------------------------------------------------------------------------------------------------------------------
1. Temple Of Doom (35 Project #1 v1.0)

See More Here:
https://fanrestore.com/thread-1840.html

Status:
Done

Video:
The BD image color corrected using a LUT to match the 35mm trailer scans, 35mm frames and other 35mm sources

Audio:
1. PCM 2.0 from the US Widescreen laserdisc

2. DTS-HD MA 5.1 from the US BD

3. PCM 5.1 (TomArrow's Dolby Surround upmix of the Paramount Widescreen Laserdisc PCM 2.0)

Pics:

MKV Pics
[Image: zU2XMhx.jpg]

BD/Regrade - Out of Date
[Image: oaUtq1I.jpg]
---------------------------------------------------------------------------------------------------------------------------------

---------------------------------------------------------------------------------------------------------------------------------
2. Die Hard with A Vengeance (35 Project #2 v1.3)

See More Here:
https://fanrestore.com/thread-1814.html

Status:
Done

Video:
The BD image color corrected using a LUT(s) to match a 35mm print showing.

Audio: (Tentative)
1. DD/AC3 5.1 from the THX DVD

2. PCM 2.0 from the THX LD (depends on space)

3. DTS 5.1  or full DTS- HD MA from the BD (depends on space)

Pics:
MKV Pics
[Image: UkOCBbj.jpg]

BD/BD Regrade (Updated 5/23/18- Out of Date)
[Image: v2yMFhY.jpg]
---------------------------------------------------------------------------------------------------------------------------------
3. Dawn of the Dead Regrade (35 Project #3 v1.11)

See More Here:
https://fanrestore.com/thread-2132.html

Status:
Done

Video:
US Anchor Bay Blu-Ray regraded to various 35mm trailers

Audio:
1. PCM 2.0 Mono (from the Full Screen/Open Matte Laserdisc)
2. DD/AC-3 2.0 Mono (from the AB BD)

Pics:

MKV Pics
[Image: AGY6v5w.jpg]


BD/BD regraded to trailer (Updated 5/23/18- Out of Date)
[Image: 9ImaOs6.jpg]
---------------------------------------------------------------------------------------------------------------------------------


ON HOLD

4. Die Hard 2 (35 Project #4 v1.6)

See More Here:
https://fanrestore.com/thread-1711.html

Status:
Syncing Audio

Video:
The BD image color corrected using a LUT to match the 35mm trailer scans, random LDs, HDTV briadcast and 35mm print examples.

Audio:
1. PCM 2.0 from the Japanese P&S LD

2. PCM 2.0 from the THX LD

3. DTS 5.1 from the US BD

4. DD 5.1 from the THX LD


Pics:

BD/BD Regrade (Updated 5/23/18)
[Image: RixHWte.jpg]
---------------------------------------------------------------------------------------------------------------------------------

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