So it's been a little while since I gave a proper update on here. Sorry things have been a bit quiet but I assure you this project has still been progressing.
I've carried out most of the 35mm restoration needed to bring Reel 2 into full HD. I hope to be able to show it off sometime within the next few months to give you an idea of what direction the project is taking.
I started playing around with the colour balancing of the scan recently and just by adjusting the white balance and the colour curves I've managed to reduce the blown out look while bringing in a little more detail and colour to the picture. I'm very happy with the reel 2 settings, reel 1 is looking good but not quite 100% there yet. Here's an example from reel 1:
Before:
After:
So I think once I've finished the restoration work on reel 2 I'll put out a new release of the Grindhouse cut. It'll still be dirty, scratchy and splicey, but I think the colours and detail would be a nice improvement. I've also learned a lot about encoding since I put together version 1.
There has also been an exciting development over the last few days, I posted about this over on the SWT forums, but I've had limited internet access the last few days so sorry for not posting about it here sooner.
A reel of Highlander 2 came up for sale with a letter of authenticity signed by Peter Davis of Davis/Panzer Productions! I managed to buy it and it will soon be in the mail on it's way to the scanner (and then on to me). My friend at Davis/Panzer isn't sure what could be on it, but they reckon it looks legit, including the signature of their boss Peter. The box the reel comes in got me excited as I thought it looked like it could have been editing material, and when I showed the pictures to the scanner they said that it looked like a reel of negative!
Now as far as I know Lionsgate have the assembled negative (in whatever form that's in these days), so I don't think I've found a reel of assembled footage, but this could be trims, outtakes, effects elements, a super cut of every removed Zeist reference, or even just 10 - 20 minutes of an Argentinian extra flubbing his lines. If it is a negative and if it does contain interesting footage then I'll look into the best ways of preserving it, after all with a negative it would be possible to get a 4K+ HDR transfer.
If anyone wants to help contribute towards scanning this reel then feel free to get in touch.
Whatever the reel is and whatever is on it's we're going to find out and I'll be sure to make it available for everyone. Even if it is just boring footage I think it will be a fascinating glimpse into how a film is put together, and at the end of the day it will at least make an interesting piece for my collection.
Exciting times!
Program material is recorded on the other side of this disc...