Project Info:

This project is more of a proof of concept of advancements in Digital Noise Reduction algorithms, and that DNR no longer needs to be considered a wholly destructive process. The algorithm I used for this can by found at https://arxiv.org/pdf/1811.12758.pdf which is a GPU-accelerated neural-network based non-local denoising algorithm.

I chose this movie for a couple reasons:

1. It was given a 4K HDR release relatively recently, meaning the film grain would be essentially losslessly preserved from the scan.
   
2. It's black and white, which reduces the processing power required by 2/3s relative to color film.
   
3. It's my favorite movie.
   

Hi there,

I think the horror fan addicts will know me from other sites, and if you don't, well for 6 years now I make edits mostly from horror and fantasy films
I made more than a hundred fan-edits and I think it would be nice to discuss OR put some of my future work here
At the moment very busy with remakes from older stuff I did, but in the upcoming months there will be also a bunch of new ones
Well, that's it!

Hi everyone! I'm new to this forum. I love Hong Kong cinema and came to this forum after learning that home video releases of many of the classics I love. Hope to be able to watch my favourite HK films as they were originally intended to be seen and make some new friends too! 

I'll be brief, I need help. I'm at my wits' end. I have this film Battletruck (aka 'Warlords of the 21st Century') in its only Blu-Ray release (from Japan!) which is a higher definition than previous VHS and DVD releases but the colors are terrible (Cineteca di Bologna style).
Color correction on Premiere doesn't help at all and I don't seem to get anywhere with Da Vinci Resolve either, I've tried for a long time but being not too familiar with it I didn't get any real result. Does anyone know if the colors "salvageable"? Maybe with the magical DrDre's tool? I have no idea. Anyone wants to take a stab at it? I could really use some help (if it's even possible to "save" it), because I really can't stand watching it with those colors but I don't know what to do. Plus I seem to be the only one who bought this film and it could use some "spreading" (but not in this form).

I compared it with a copy found on YouTube (from DVD or perhaps VHS) so you can see how wrong they are.

BR vs SD copy from YouTube (DVD or VHS)

I am in the process of transferring my rental VHS tapes. Most of them are Swedish releases with subtitles, with the films themselves having the usual PAL speed up and the burnt in subtitles being interlaced. My plan was to just slow down the footage to 24 fps, but I was thinking if there was a way to “deinterlace” the subtitles?

Clint Eastwood vintage films are really all over the place when it comes to audio, with some of them forever destroyed by "modern" (ie 25 years old already) remixes with brand new sound effects.

So I thought similar to my Mad Max original remixes guide, it could be cool to gather all information in one place, and update as it goes.

THIS IS A WORK IN PROGRESS, HENCE SOME PARTS AREN'T DETAILED.

First here's a list of Clint's films where the original mix is included. They are all from the same masters which go back to the DVD era. Recent releases are for most of them the source scan better compressed with some adjustments and some milliseconds delays that will be noted here as I review them:

- Hang 'Em High: 2.0 mono on original releases in addition to nice 5.1 remix (no new sounds). Shout! new disc actually adds a stereo mix (no mono) however you can remux the old tracks to the Shout! as it is in sync with the old version. The LD to get if you really want the original sound is MGM [ML101399] from 1991. It is open matte mono 2.0 and include the mono mix in digital. The stereo tracks from Shout! sounds really great and is my go to, but probably the LD mono surpasses the Blu-ray & DVD mono.

Universal era

- Googan's Bluff: 2.0 mono on all releases. Theres a New Shout! remaster out summer 2021. The difference between the old Universal disc and the Shout! is +1043ms. This was only released on LD with analog audio, in both in the USA MCA/Universal [40867] and Japan CIC [SF078-1513].

- Two Mules for Sister Sara: This is where it get weird. This title was never released on Laserdisc! For unknown reasons. Lucky for us, it's 2.0 mono on all releases worldwide. To mux foreign language tracks from the Universal Blu to the new release, you need to add a 1043ms delay. On a note, the new restored mono sounds different (better EQ) than the old, so keep them both.

- The Beguiled: 2.0 mono on all releases. Only one LD was released, lucky for us with the mono mix in both digital and analog, MCA/Universal [41235]. There is no delay between the old and the new Blu-ray editions.

- Play Misty For Me: 2.0 mono on all releases. There is one LD from 1991 that has the mono track in digital if you're a purist, MCA/Universal [12-024]. There are two other early LDs from the US and Japan but they are analog only. The delay between the old release and the Kino is 1s1ms = 1043ms There is zero delay between the Kino Blu and the UHD.

- Breezy: 2.0 mono on all releases. This is another Clint film that never appeared on LD. I recommend the Kino Lorber 2020 release. The mono is DTS-HD with foreign dubs DTS on all releases. To adjust the foreign Blu-ray discs tracks to the Kino, you need a delay of +918ms.

- Joe Kidd: 2.0 mono on all releases. The go get is the Kino 2020 release which is the same master as the Universal, just sightly improved (VC1 vs AVC). To mux the Universal disc tracks to the Kino, you need a delay of 918ms. The LD version with digital track is the MCA/Universal [14004].

- High Plains Drifter: you can find the 2.0 mono on the DVD. The go to Blu-ray is the recent Oct. 2020 Kino edition which sports the best PQ. The stereo track on the new BR however is stereo but apparently with the original sound effects intact. So you need to remux either the DVD mono track, or the LD track, to have the original release mix. There was a LD version with digital track, MCA/Universal [14002]. Like other Clint movies from the Warner era, however, it looks like the mono version was just a folddown of a stereo mixed master. So the Kino stereo is either a fold down of the 5.1, or a straight stereo rip of the stems. There is a 917ms delay between old editions and the new Kino remaster.

- The Eiger Sanction: 2.0 mono on all releases. This is a weird one, because no release is acceptable. There is a recent November 2020 Kino Blu-ray with nice PQ using the same old scan from the source, but it as wonky colors, faces are salmon red in many shots. The old Blu-ray is over sharpened as it is an old DVD master, unwatchable. The NTSC DVD actually looks fine despite the lack of definition but it has some weird flickering on the top of the image. There were two LD releases in P&S analog. The Widescreen LD with the digital track in 2.0 from 1992 is MCA/Universal [41262]. There is a 42ms delay between the old editions and the new master. There is zero delay between the Kino Blu-ray and the new Kino UHD.

United Artists era

- Thunderbolt & Lightfoot: 2.0 mono on all releases. There were 2 CED releases and 3 LD releases all in mono 1 channel, and the one with the digital track in widescreen from 1991 is MGM/UA [ML102232]. This film is Clint only film for United Artists (now MGM/Disney) due to the poor box office due to the poor release, Eastwood never made the second film he was contracted to do for them. As such, it somehow exists on it's own and is released all over the world by small labels. Prefered version is Kino (the most recent release), with Twilight Time having done an old Blu. Capelight in Germany, and Carlotta in France. To mux the french tracks to the Kino, you need a delay of 7049ms.

Paramount / MGM

- Escape From Alcatraz: The Blu-ray presents a remixed 5.1 english track. Other dubs are mono. However the DVD escaped this and had the original track, especially the first one in 4/3 widescreen which was a port of the LD.


Warner era

Universal, went cheap on Clint as they only scanned the films once over 25 years ago when DVD started, but they did not play with the soundtracks. Warner, which his Clint home, has however destroyed all his filmmaking legacy by remixing most of his films for DVD and Blu-ray and releasing most of them in the outdated VC1 encoding format. Only 5 films escaped the slaughter, the ones not considered commercial, which is completely crazy as they have better treatment than the classics! They are available either as Web-DL of low quality from Amazon, or Warner Archive recent releases:

- Bronco Billy: The film is 2.0 surround on DVD, + Warner Archive 2019 Blu-ray is mono. If you check out the old releases, there was a Warner Home Video CED in analog mono and a LD Warner Home Video [11104] from 1989 in reprocessed stereo. So it means the Blu-ray has the CED mix, while the DVD is probably the reprocessed Stereo remix from the stems from 1989.

- Honkytonk Man: 5.1 (remix) on DVD. There is no Blu-ray, other dub tracks are mono. The only LD was reprocessed stereo (it means the original mix was mono). It's Warner Home Video [11305]. There's an AMAZON WEB-DL IN 2.0.

- Bird: 5.1 (remix) on DVD, other dub tracks are Dolby Surround. AMAZON WEB-DL IN 2.0
- Pink Cadillac: 5.1 (remix) on DVD, other dub tracks are mono or stereo or surround. AMAZON WEB-DL IN 2.0
- White Hunter Black Heart: 5.1 (remix) on DVD, other dub tracks are surround. AMAZON WEB-DL IN 2.0


Now here are the ones that were destroyed by remixing with new foley sounds, changed gunshots sounds etc.:
Those two I'm not sure sounds were changed as they probably had 70mm releases in multi-channel, but they are nonetheless remixed:

1. Where Eagles Dare: 5.1 (remix) other dub tracks are surround or mono. The surround tracks are actually fold down of the 5.1 with the dialogues swapped ie not true original dub mixes. Only the spanish mono track 1.0 is a true original mix. There is Stereo mix on LD that one can find on the internal organ. A 131mn shorter version that ran in theaters during the film second run is missing in all formats. VC1 encode.

2. Kelly's Heroes: 5.1 (remix) other dub tracks are surround or mono. Stereo mix on LD. I'm very curious to hear the LD, as out of all the remixes of Clint's Warner films, this one actually is very impressive and improve the movie immersion, compared to the anemic foreign mono dubs mixes included. VC1 encode.

Malpaso productions, mono era (except Firefox).
This is the cheap Malpaso phase, before Clint establishes himself as an icon, so all films are mono well into the 80's, with the exception of Firefox for obvious reasons. However, in the LD / VHS era, these films begins to be remixed from the stems in stereo, as the stems were stereo before being collapsed to mono for 35mm release. Then in the DVD era, the soundtracks are all redone in 5.1 with changed foley.

3. Dirty Harry: 5.1 (remix) other dub tracks are mono. Original mix was mono, folded down from stereo stems. Transfers from the stems were made in stereo in 1990 and 1992. The first 1990 release was Pan & Scan and the 1992 release widescreen, but I can't tell if the stereo mix differs until I buy them both. Also the 1994 version from the LD box set may, or may not be another different from the widescreen stereo remaster. Many sounds are changed on this remix, like the other ones from the series. VC1 encode on Blu-ray, looking antique.

Mono mix:
There are two sources, with the JP LD apparently being digital.
- Warner Home Video [1019 LV] 1983 USA LD Analog one channel. Pan & Scan (Green sleeve)
- Warner Home Video [NJEL-01019] 1989 JP LD Digital two channels Pan & Scan (Brown sleeve).

Stereo mix:
I assume there are two different Stereo versions, the first being the Pan & Scan one, then a redo for the widescreen version, but maybe the audio is the same. I also think the single LD widescreen and the box set version are the same mix as they are only 2 years apart.
- Warner Home Video [1019] 1990 USA LD Pan & Scan listed on lddb as analog  but it's an error, the sleeve says digital.
- Warner Home Video [12483] 1992 USA LD digital Widescreen
- Warner Home Video The Dirty Harry Collection [13613] 1994 LD digital Widescreen

Dolby Surround Mix:
- Warner Home Video [16746] 1999 LD  has both the 5.1 remix in AC3 and a Dolby Surround version of the same. probably useless now, but a curiosity.


4. Magnum Force: 5.1 (remix) other dub tracks are mono. Original mix was mono, folded down from stereo stems. Transfers from the stems were made in stereo in 1989 and 1994, however the 1994 version has one missing cue. Nothing we can't fix using the 1989 to patch it up. VC1 encode.

Mono mix:
- Warner Home Video [1039 LV] US LD Analog Pan & Scan
- Warner Home Video [NJEL-01039] 1989 JP LD Analog Pan & Scan (blue sleeve)

Stereo mix:
- Warner Home Video [1039 A/B] 1989 US LD Digital Pan & Scan
- Warner Home Video The Dirty Harry Collection [13613] 1994 LD digital Widescreen (2nd stereo mix, one missing cue).

5. The Enforcer: 5.1 (remix) other dub tracks are mono. 3 other mixes exists, mono, Stereo 87 and Stereo 94. VC1 encode.
6. The Outlaw Josey Wales: 5.1 (remix) other dub tracks are mono. Others mixes : Mono JP LD, Stereo 1987, Stereo 1995. 5.1 remix 1999 with DS.
7. The Gauntlet: 5.1 (remix) other dub tracks are mono. 3 other mixes exists, Mono JP LD, Stereo 1989 and Dolby Surround 1995. VC1 encode.
8. Every Which Way But Loose: 5.1 (remix) other dub tracks are mono. 2 other mixes exists, Mono JP LD, and Stereo 1989. VC1 encode.
9. Any Which Way You Can: 5.1 (remix) other dub tracks are mono. The LDs are mono. No Stereo remix ever made.
11. Firefox: 5.1 (remix) other dub tracks are stereo. Stereo LD + 1995 Dolby Surround (remix from the stems)
12. Sudden Impact: 5.1 (remix) other dub tracks are mono. 2 mixes exists mono and Stereo 94. VC1 encode.
13. Tightrope: 5.1 (remix) other dub tracks are mono except Port. & Spa. in surround (derived). LD was mono. This was the last Malpaso production released in mono.

Malpaso productions, Stereo era.
In the VHS & LD explosion era, Malpaso transitions it's productions to Stereo and Dolby Surround.

14. City Heat: 5.1 (remix) other dub tracks are mono except Spanish stereo. (derived?) LD is Stereo. I'm pretty sure most foreign dubs were stereo.
15. Pale Rider: 5.1 (remix) other dub tracks are mono except Spanish surround. (derived?) Dolby Surround LDs 86 & 95. I'm pretty sure most foreign dubs were stereo. VC1 encode.
16. Heartbreak Ridge: 5.1 (remix) other dub tracks are mono or stereo. LD is Stereo. VC1 encode.
17. The Dead Pool: 5.1 (remix) other dub tracks are mono or surround depending the release. 2 french mixes m+s. LD is Dolby Surround. VC1 encode.
18. The Rookie: the 5.1 is from 70mm release, other dub tracks are surround. They have similar foley so this one is good. VC1 encode.
18. Unforgiven: 5.1 (remix) other dub tracks are surround. LD is Dolby Surround.
19. A Perfect World: 5.1 (remix) other dub tracks are surround. LD is Dolby Surround
20. In the Line Of Fire: 5.1 (remix), LD is Dolby Surround. Anemic surround track on the UHD.

Malpaso productions, 5.1 era.
In the mid-nineties, Clint transitions to 5.1 for all his productions, probably after he gets a home-cinema THX set-up installed and discover the marvels of stereo in the surround channels at home. The following productions were mixed and released in both 5.1 and Dolby Surround.

21. The Bridges of Madison County was released in 5.1. LD has both 5.1 & DS. Need to check if the sounds were changed for DVD.
22. Absolute Power was released in 5.1. LD has both 5.1 & DS. This was 1997 so probably never remixed. VC1 encode.
23. Midnight in the Garden of Good and Evil was released in 5.1. LD has both 5.1 & DS. This was 1997 so probably never remixed. This only exist as a Warner Archives Blu-ray release and on DVD.
24. True Crime was released in 5.1. LD has both 5.1 & DS. Last Clint film released on LD.

That make about 20 of his films where the original english mixes are gone from home-video.

Greetings, all!

I've been venturing myself into resyncing subs, and most of what I do is move the lines around on the audio track waveform, using freewares like Aegisub and Subtitle Edit.

I'm very meticulous about having it all playing in sync but I do it all by the naked eye (and ear). Although I've had good results with playback, I wonder if I'm not overlooking something or if my subtitles would hold up to professional standards that I'm ignorant of. 

I've seen experienced users mentioning "frame-accurate" subtitles and I would like to be advised on how to make sure, from a technical standpoint, that the subs are properly synced to video.

Thanks!

According to imdb on Woody Allen's Husbands and Wives 1986:

Sound Mix: Dolby SR (Mono)

We can see this logo at the end of the movie:



So, is Dolby SR (Mono) 4 channels or 1 channel?

Just wondering if anyone knows (or even owns) a HD copy of the theatrical cut of Spawn (1997). I've seen one DVD in the wild that is the theatrical cut but everything else is the R rated version.

Was going to watch it with my boys so would prefer the tamer PG-13 version.

I'll capture my 98 DTS laserdiscs:

1. … 12 Monkeys (1995)  43208
   
2. … Alien Resurrection (1997)  0032584
   
3. … Apollo 13 (1995) 43119
   
4. … Armageddon (1998) 16066 AS
   
5. … Austin Powers: International Man of Mystery: Special Edition (1997) ID4402LI
   
6. … Blade (1998) ID5423LI
   
7. … Blown Away (1994)  ML106171
   
8. … Boogie Nights (1997)  ID4415LI
   
9. … Born on the Fourth of July (1989) ID4482MC
   
10. … Broken Arrow (1996)  0896384
    
11. … Carlito’s Way (1993)  ID4425MC
    
12. … Casino (1995)  43117
    
13. … Casper (1995)  43120
    
14. … Con Air (1997)  12881 AS
    
15. … Crimson Tide (1995)  12156 AS
    
16. … Crow, The (1994)  12157 AS
    
17. … Dante’s Peak (1997) 43364
    
18. … Dark City (1998)  ID4643LI
    
19. … Daylight (1996) 43271
    
20. … Deep Rising (1998)  15066 AS
    
21. … Die Hard 2: Die Harder (1990) 0890684
    
22. … Die Hard 3: With A Vengeance (1995) 0885884
    
23. … Dragon: The Bruce Lee Story (1993)  ID4426MC
    
24. … Dragonheart (1996) 43207
    
25. … English Patient, The (1996)  12356 AS
    
26. … Evita (1996) 12096 AS
    
27. … Firestorm (1997)  0277384
    
28. … Flubber (1997)  14687 AS
    
29. … Frighteners, The (1996)  43274
    
30. … From Dusk Till Dawn (1996)  12160 AS
    
31. … Game, The (1997)  ID4386PG
    
32. … Gate to the Mind’s Eye, The (1994)  ID4068MM
    
33. … Get Shorty (1995)  ML107093
    
34. … Getaway, The (1994)  ID4471MC
    
35. … Goldeneye: Special Edition (1995)  ML105987
    
36. … Good Will Hunting (1997)  15112 AS
    
37. … Great Expectations (1998)  0449284
    
38. … Halloween: H20 (1998)  16070 AS
    
39. … Hard Target (1993)  43276
    
40. … Heart and Souls (1993)  ID4483MC
    
41. … Hercules (1997)  15067 AS
    
42. … Hunchback of Notre Dame, The (1996)  12354 AS
    
43. … In the Mouth of Madness: Special Edition (1994) ID3751LI
    
44. … In the Name of the Father (1993)  ID4484MC
    
45. … Independence Day: ID4 (1996)  0411884
    
46. … Jackal, The (1997) ID4424MC
    
47. … Jackie Brown (1997)  15065 AS
    
48. … Jackie Chan’s First Strike (1996)  ID4713LI
    
49. … Jurassic Park (1993)  43115
    
50. … Kingpin (1996)  ML107092
    
51. … Kull the Conqueror (1997)  ID4422MC
    
52. … Last Man Standing (1996)  ID3735LI
    
53. … Liar Liar (1997) 43365
    
54. … Long Kiss Goodnight, The (1996)  ID3738LI
    
55. … Lost in Space (1998)  ID4712LI
    
56. … Lost World, The: Jurassic Park (1997)  43366
    
57. … Man in the Iron Mask, The: Special Edition (1998)  ML107203
    
58. … Mask, The (1994)  ID3752LI
    
59. … Mimic (1997)  14343 AS
    
60. … Mortal Kombat: Annihilation (1997)  ID4421LI
    
61. … Mortal Kombat: Special Edition (1995)  ID3753LI
    
62. … Most Wanted (1997)  ID4716LI
    
63. … Mr. Holland’s Opus (1995)  12161 AS
    
64. … Mr. Nice Guy (1997)  ID4715LI
    
65. … Nightmare Before Christmas, The (1993)  12162 AS
    
66. … Nutty Professor, The (1996) 43272
    
67. … Phenomenon (1996)  12159 AS
    
68. … Pocahontas (1995)  12158 AS
    
69. … Pulp Fiction (1994)  12154 AS
    
70. … Quest, The (1996)  43367
    
71. … Red Corner (1997)  ML107096
    
72. … River Wild, The (1994) 43275
    
73. … Rob Roy (1995)  ML107090
    
74. … Rock, The (1996)  12155 AS
    
75. … Ronin: Special Edition (1998)  ML107602
    
76. … Rush Hour (1998)  ID5477LI
    
77. … Scream 2 (1997)  14607 AS
    
78. … Scream: Director’s Edition (1996)  14797 AS
    
79. … Seven (1995)  ID3750LI
    
80. … Shadow, The (1994) 43116
    
81. … Shine (1996)  ID3957LI
    
82. … Spawn: The Movie: Special Edition (1997)  ID4236LI
    
83. … Species (1995)  ML105760
    
84. … Strange Days (1995)  0893984
    
85. … Street Fighter (1994) 43368
    
86. … Sudden Death (1995)  43210
    
87. … Super Speedway: IMAX (1997)  ID4717OW
    
88. … Timecop (1994)  43211
    
89. … Titanic (1997)  LV334812-WSDTS
    
90. … Tomorrow Never Dies (1997)  ML107148
    
91. … Toy Story (1995)  12153 AS
    
92. … True Lies (1994)  0864084
    
93. … Village of the Damned (1995)  43278
    
94. … Volcano (1997)  0603984
    
95. … Wag the Dog (1997)  ID4646LI
    
96. … Waterworld (1995) 43118
    
97. … Wedding Singer, The (1998)  ID4686LI
    
98. … X-Files: The Movie (1998)  0044884