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There's been enough discussion about this in what's mostly an unrelated thread that I feel like we should probably have been discussing it elsewhere, so here's a place to do it.

The basic gist is that there seems to be some consensus that the Blu-ray Disc is inaccurate in a number of ways and I find this annoying. So far I think this is the basic rundown of what's potentially up with it:


Problem 1: PAL speedup and changed music.

The mono audio track (which is only included as lossy Dolby Digital) has the wrong instrumental music at the end of the end credits. The US DVD has the right music here, but it (and the music before that, also in the end credits) are pitch shifted upwards, presumably indicating that they were sourced from a PAL master but slowed down without also fixing the pitch, for some bloody stupid reason. This seems to be a recurring theme with a lot of DVDs and Blu-rays (I first saw it on NEAR DARK).

Proposed solution: I have just captured the German LaserDisc, which is lossless 44.1 kHz PCM, and will be able to accurately resample it to simultaneously fix the pitch shift and speed without any noticeable degradation. (EDIT: But that won't help much because it's stereo, even though I phase-flipped and combined it earlier on to test for this and it tested as mono at the time. I dunno what happened earlier but Audacity must've crapped its pants without me realising: it rendered a flat line as waveform and played as silence, but I just checked it again and now it's got audio in the file. Damn.) I would also ideally like to capture the UK anniversary LaserDisc released a little later, but unfortunately it seems this is quite unlikely to appear for sale because only very few copies were manufactured in the first place. I will probably just take only the end song from the UK DVD and PAL->NTSC speed correct it, sticking it onto the end of the Blu-ray or NTSC DVD audio.


Problem 2: colour tints removed or not correctly reproduced.

At least two scenes seem to have inconsistent colour grading across different releases. Firstly, there are two visually similar, er... bedroom encouters. We see one with one character, which has very warm red grading, then another one with another character almost immediately afterwards. The trouble is, the second one seems like it should be graded blue, but on the Blu-ray it's a balanced white. I was very curious to see what it looked like on LaserDisc, and was somewhat surprised to find that the LD is the same as the Blu-ray in this respect:



By contrast, the early 2000s US DVD does have the blue tint on that scene:



The other one that's seemingly wrong is a flashback sequence around the 1.5h mark which should reportedly also have a blue tint, but it seems that it has never been blue on any home video release (only in cinemas) for some reason:



It seems that there is a tendency to grade out photochemical blues in a lot of these films, for whatever reason...

Proposed solution: It seems relatively trivial to apply a blue tint across the sequences that need it, but doing so accurately is not going to be possible without a reliable reference. Since the only reference I have is the 2001 US DVD, I'll take that as a guide, but I'd just be eyeballing the flashback scene later in the film since it's balanced and not blue on all home releases. (Chapter 32 on the DVD, but it's only a few short shots that should supposedly be tinted.)


Problem 3: Incorrect cropping.

(2020-11-21, 06:56 AM)crampedmisfit1990 Wrote: The BD opening credits also need fixed since they have black bars cutting off the top and bottom for no apparent reason. No other scene is cut off like that and the HD copies on various sites like Vudu aren't cut off, I believe it is the DVD master in HD as you mentioned previously is why.

Anyone have the original uncompressed audio for this trailer?

EDIT: Got what I needed, guys. Thanks!

R2 DVD has less noise reduction and sounds better IMO. Synced to Criterion Blu-ray

PAL to NTSC done in UsEac3To

Will Criterion ever stop with their no-noise nonsense?

I just stumbled on this website while looking to replace a Blu-ray soundtrack of a favorite movie of mine back to its Laser Disc state (a music rights issue as always) just for my own enjoyment, I shouldn't have been surprised to see there is an entire community of people who do similar things. Keep up the good fight, comrades.

NTSC 2.0 DVD release synced to UHD. PM if interested

If anyone has the LD synced, I'd love that as well.

Hello,

For my Stanley Kubrick's "Barry Lyndon" restoration project (for German localized version), I would love to include the English mono audio track.
This is contained on the Criterion Blu-Ray. Alas, I only have the Warner BR with the 5.1 audio.

I would be grateful if anyone could share it with me.


Edit: Got it.

Hello everyone, this full version of the film is most likely not when it will not be released in full HD quality, and the DVDs that are on the network are just awful, I apparently have captured from the Hong Kong Mei Ah Laserdisc but it has Chinese and English subtitles that cannot be turned off right away. Perhaps someone has good copying from LD without such non-disabled subtitles?

I plan to make an upscale with LD 1080p using the neural networks of the Topaz program and its successful Gaia processing algorithm - CG 5

Citizen Kane (1941) PCM audio Spanish Blu-ray (Resen) synced to US Blu-ray

More noise. More details.
The sound of US Blu-ray is muffled.

More info:
https://blah-ray.blogspot.com/search/lab...%281941%29

Just something I was working on:

https://github.com/TomArrow/ColorMatch3D/releases



Give it an input and output image. Hit the red button, wait, then click the export button.

Benefits over DrDre's colormatch:
- Blazing fast. Depending on image size and your CPU, it can be less than a second
- Should be able to deal with more complex changes in theory due to a completely different algorithm

Downsides over DrDre:
- Doesn't generalize well. It will only match the colors in the image and no others, so applying the LUT to any other image will result in garbage. It might not even generalize well across an entire scene, so its use currently is to match single frames and maybe very similar frames.

Todo for the future:
- Try to integrate some interpolation option to make the 3D LUTS generalize better.
- Create an AVISynth plugin

The algorithm is childishly simple: Create an RGB cube in the size of the output LUT (32x32x32 atm). Take each color in the source image and create a vector to the color in the output image. Average all these vectors and place them in the RGB cube. Export RGB cube as LUT. Profit.

As you can see, the algorithm explains both the downsides and upsides. If I manage to do some interpolation (or maybe extrapolation is a better word), it would probably slow it down quite a bit, but maybe it could be made optional and controlled somehow, aka you could choose how much interpolation is to be done. We'll see.

Important note: Most of the options in the tool don't actually do anything, so don't bother with them. They are stuff I wanted to implement or might implement some day. The only option that really does anything currently is the "Aggregation Variable" being set to Absolute or Vector. Absolute is the old algorithm I had for months but it wasn't precise enough. Instead of averaging vectors, it was averaging absolute values, which gave decent results but in some situations the results were disappointing. The Vector algorithm is default now and solves that issue.

Edit: Since this is open source, feel free to contribute if you want to ofc.