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Premiere and Expanding Frame. |
Posted by: X5gb - 2018-02-18, 03:26 PM - Forum: General technical discussions
- Replies (17)
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Just started using Premiere and was hoping someone could help with a full how to (idiot's guide) on a short sequence (MIGP Burg window scene from the frame it goes fully Open Matte, Ethan looking down at the buildings) with which I would like to add an expanding frame from 2.35:1 (off center so bars are slightly different top and bottom as the framing on the Open Matte source is slightly higher) to Open Matte over a duration of 2 / 3 seconds.
Now I get how to add a crop top and bottom (transform and crop and then add percentages) but can't work out how to get it to expand to Open Matte over a set duration. I have looked at a youtube video and it mentions nesting the sequence but even after nesting the full scene (again can't work out how to nest only a set section) I still can't work out how to get the bars to expand.
Any help would be greatly appreciated.
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Cast a Deadly Spell (1991) |
Posted by: Doctor M - 2018-02-17, 08:59 AM - Forum: Requests, proposals, help
- Replies (5)
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Cast A Deadly Spell is a fun, noir, Lovecraftian mash-up made for HBO television in the early 90's.
For the longest time the last best version available was a laserdisc to DVD preservation that I'm not even sure is in circulation anymore.
But that doesn't matter anymore, because Amazon has a 1080p stream that's also been circulating elsewhere... right?
Unfortunately, no.
This was shot explicitly for HBO as part of a set of 4 genre films written by Joseph Dougherty during that period.
Dougherty is known almost exclusively for writing TV episodes. These films comprise nearly his entire feature length filmography and shot when TV was square NTSC.
The other films are 'Steel & Lace' (1991), a 1993 remake of 'Attack of the 50 Ft. Woman' starring Daryl Hannah, and a sequel to CaDS called 'Witch Hunt' (1994) with Dennis Hopper replacing Fred Ward.
So the OAR is 4x3. Amazon has cropped the top and bottom to make this 16x9. That's nearly forgivable, but HBO has aired an HD version that has been available in their On Demand list for a long time now. HBO's version is correctly 4x3.
Watching that version recently I found something even worse... it's been censored. Swear words have been over dubbed or muted. Yup, HBO censored their own made for HBO movie. I'm not even sure they know it. But going back, the same edits are in the Amazon stream.
So while I have been considering putting together a new version using an HD source, the laserdisc2DVD audio (or at least patches from it) and some corrected closed captions from HBO, I have reservations.
First, I really need to watch both versions side by side and make sure that nothing visually has been cut or cropped/zoomed, etc.
Also, while the beautiful Amazon rip is floating around, I'm not sure I want to go to this trouble for a cropped image. I have no ability to cap the HD version from HBO beyond crappy 480i.
Anyone have any thoughts?
![[Image: vlcsnap-2571-04-17-08h52m41s513.png]](https://s9.postimg.cc/eaz9o7uvv/vlcsnap-2571-04-17-08h52m41s513.png)
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HDTV jagged "step" artifacts |
Posted by: deleted user - 2018-02-16, 11:58 PM - Forum: Audio and video editing
- Replies (9)
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I hinted at this in another thread, thinking it was due to interlacing in the footage. After looking at the normal interlaced footage, I think I can somewhat safely exclude this possibility.
Maybe it's more like some kind of aliasing.
Here's a comparison screenshot. Left is the HDTV, right is a WEB-DL (including some DeHaloing):
(Click to enlarge)
You can see how the lines of the font are clear on the right, but "jagged" on the left.
Any idea what might be causing this and what a good solution would be, if there is any? I'm already combining the two sources, which mildens the effect, but it's still visible.
I get the same problem with finer textures in a few shots, like finer lining on a shirt, resulting in a form of aliasing, whereas the image is rather clear in the WEB-DL.
I doubt it's simple blocking, as it is too ... predictable and constant for it, and the bitrate of the source is also acceptable, in fact it's a bit better than the WEB-DL (although MPEG-2)
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HDTV recordings color blankets |
Posted by: spoRv - 2018-02-15, 02:50 PM - Forum: General technical discussions
- Replies (3)
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Surely you have noted that often HDTV (and SDTV as well) recordings have a slight color blanket applied to them; even if the master is the same of the DVD or BD, you can see they are a bit different, color wise - and often also got different brightness and/or contrast.
I have noted that the same channel have the same blanket - for example the Russian HD1 has more green, and TV1000 has more magenta etc. - so I suspect this blanket is introduced when the broadcaster overlay its logo.
What do you think?
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Good method for reverse telecine pulldown or whatever? |
Posted by: deleted user - 2018-02-10, 09:44 PM - Forum: General technical discussions
- Replies (4)
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I have an HDTV stream (29,97 fps, interlaced).
To sync it to the 23.976 stream, I do this:
Code: src2=DoubleWeave(src2)
src2=Pulldown(src2,0,3)
I got this off the AviSynth wiki. It works, but it doesn't look very good. I get jagged edges, as if it had simply duplicated one field.
There must be a better solution for this, but I don't know it. What do you guys use in these cases?
Pardon about the title, I have no idea how this is properly called.
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Family Guy 4K Rip + Encoding |
Posted by: ThePlayer - 2018-02-10, 07:24 PM - Forum: Audio and video editing
- Replies (2)
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Hi guys,
I opened this thread because I need your help. I'm starting to rip from Netflix the Family Guy's episodes of the first seasons that were on 480p. My resolution is 4K (3840x2160). In each episode, for the true first 4-5 seconds, shows up the Netflix "play/sound bar". What I ask, is there a way, through "delogo" or similar, to make the frames clean?
I have no experience with avisynth so I hope I could get some help from you guys about it. To make it short, I need a full guided list of possible and concrete solutions.
Attached you will find some screens of the episode.
https://ibb.co/eM8twS
https://ibb.co/ktg2qn
https://ibb.co/fftyVn
https://ibb.co/mgFRi7
Looking forward to a prompt reply, hoping to get some help, I thank you very much.
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Resident Evil saga AAP-AR & color regrade |
Posted by: spoRv - 2018-02-07, 11:41 AM - Forum: In progress
- Replies (9)
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(continue from this thread: https://fanrestore.com/thread-1627.html)
I thought that a "mere" open matte edition is too easy... so it's time for an AAP-AR treatment, and eventual color regrade.
Resident Evil
Aspect ratio: AAP-AR 1.78:1 + 1.33:1 — using 1.78:1 OM BD and 1.33:1 FS various sources - one DTV which is quite similar, color wise, to BD, another a bit different, and the DVD which is quite different, in particular the contrast
Color grading: untouched (for the moment)
Audio & sub tracks: BD
Progress: video almost ready
![[Image: output_SMv_TFq.gif]](https://s14.postimg.cc/btj5uaeox/output_SMv_TFq.gif)
comparison: http://screenshotcomparison.com/comparison/131166
Resident Evil: Apocalypse
Aspect ratio: AAP-AR 1.78:1 + 1.33:1 (+ 2.35:1, to be tested) — sadly the 1.78:1 OM BD has inherent problems that can't be solved, so an HDTV version would be used instead, using a second source to wipe out logo and eventually the OM DVD; 1.33:1 FS DVD; 2.35:1 OAR BD
Color grading: untouched (for the moment)
Audio & sub tracks: BD
Progress: preliminary test
![[Image: RE2_AAPAR_009313.jpg]](https://s14.postimg.cc/3uhgwa1m9/RE2_AAPAR_009313.jpg)
![[Image: RE2_AAPAR_009895.jpg]](https://s14.postimg.cc/hbeff4osh/RE2_AAPAR_009895.jpg)
![[Image: RE2_AAPAR_011171.jpg]](https://s14.postimg.cc/idolxnzw1/RE2_AAPAR_011171.jpg)
![[Image: RE2_AAPAR_012285.jpg]](https://s14.postimg.cc/d29pcyt8x/RE2_AAPAR_012285.jpg)
![[Image: RE2_AAPAR_020299.jpg]](https://s14.postimg.cc/oemaur9nl/RE2_AAPAR_020299.jpg)
open matte VS AAP-AR of previous images: http://screenshotcomparison.com/comparison/129953
Resident Evil: Extinction
Aspect ratio: AAP-AR 2.35:1 + 1.78:1 — 2.35:1 BD, 1.78:1 OM HDTV - 1.33:1 seems to have no further image
Color grading: DVD, probably "gritty" contrast
Audio & sub tracks: BD
Progress: advanced test, need another source to get rid of the logo
Resident Evil: Afterlife
Aspect ratio: AAP-AR 2.35:1 + 1.78:1 — 2.35:1 BD, 1.78:1 OM WEB & HDTV - 1.33:1 seems to have no further image
Color grading: BD regraded — magenta blanket removed & "gritty contrast"
Audio & sub tracks: BD
Progress: video ready
Note: only few minutes are available in OM, so the movie would be mainly OAR; still hope to find out an HDTV recording with the first five minutes OM
![[Image: output_OKujrx.gif]](https://s14.postimg.cc/hx0qdz7gx/output_OKujrx.gif)
comparison: http://screenshotcomparison.com/comparison/130440
Resident Evil: Retribution
Aspect ratio: AAP-AR 2.35:1 + 1.78:1 — 2.35:1 BD, 1.78:1 OM WEB & HDTV - 1.33:1 seems to have no further image
Color grading: untouched (for the moment)
Audio & sub tracks: BD
Progress: preliminary test
Resident Evil: The Final Chapter
Aspect ratio: OAR 2.35:1 — 2.35:1 BD
Color grading: regraded using camrips as inspiration, "gritty" contrast
Audio & sub tracks: BD
Progress: preliminary test
Note: although this was release in IMAX, I have not found an OM source (yet); *maybe* an HDTV broadcasting could use this ratio
![[Image: output_t5c_Fy9.gif]](https://s14.postimg.cc/mk6sfipm9/output_t5c_Fy9.gif)
comparison: http://screenshotcomparison.com/comparison/129906
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