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Thumbs Up Kush Gauge Calculator
Posted by: spoRv - 2016-11-09, 03:12 AM - Forum: Restoration guides - Replies (8)

[Image: Kush-Gauge-calculator.jpg]
Want to know the optimal encoding bitrate to achieve good quality?
Want to know if the quality of the source you would use in your project is right?
Wait no more - take a look at the Kush Gauge Calculator!

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  tim_p from UK saying hi
Posted by: tim_p - 2016-11-07, 09:42 PM - Forum: Presentation - Replies (6)

Hi!
Lurker and occasional poster on lddb (not for a while) and OT (likewise) and blu-ray.com. Have always been interested in original soundtracks over revisionist nonsense and the golden/silver age of surround sound technology. Got really brave and bought an M-Audio soundcard last year to attempt some ld captures and never got round to installing it and sold it on! Real life means it'll be more of the low profile from me but I like to offer the occasional opinion, bit of research and so on.

To all those doing - keep up the good work!

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  lossless codecs problem
Posted by: spoRv - 2016-11-06, 02:28 PM - Forum: Converting, encoding, authoring - Replies (7)

I'm "back in business" in the last few days; trying to encode some pending projects, I had a lot of troubles - encoding crashes, stops at different frames etc.

I strongly suspect Lagarith is guilty; in particular, using more than one istance could be the problem... for example, I tried to save a project with it, using two sources encoded with the same codec - so, two Lagarith in, one Lagarith out... and it stops everytime; also, two Lagarith in, one X264 out do the same... trying to solve the problem saving those with other codecs - the LD with Huffyuv, the HD-DVD with MagicYUV, then I will try to encode the final project both in Lagarith and X264, and see what will happen - if Lagarith will fail, the problem lies in the codec itself, if also X264 will fail, problem is somewhere else, but where?

Let's wait until the final encoding...

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  The Thing [spoRv] v2.0
Posted by: spoRv - 2016-11-06, 04:10 AM - Forum: Archived projects - Replies (76)

IMPORTANT UPDATE: Project released under the new [Fundamental Collection] label - please visit https://fanrestore.com/thread-1348.html and post your comments there, thanks!



The Thing (1982) [special preserved or Restored version] v2.0

[Image: The_Thing_spo_Rv_logo.jpg]

Project mission: restore John Carpenter's The Thing video to be closest to the theatrical version as could be possible at the present day, using the best video source chosen from all the various available versions; adding the best original and remastered audio soundtracks in different languages.
Video sources: HD-DVD Scream Factory BD, Laserdisc as color reference.
Audio sources: uncompressed PCM soundtracks captured directly from Laserdiscs; AC3 soundtracks from DVD; DTS soundtracks from BD.
Subtitles sources: from BD.

The Thing [spoRv] v2.0

Source Material

Video:
  • La Cosa (The Thing) - PAL IT DVD - just for color reference where LD has fades
Audio:
  • The Thing (Signature Collection) - NTSC US laserdisc CLV/CAV - English soundtrack PCM 2.0 (original)
  • The Thing (letterbox edition) - NTSC US laserdisc CLV - English soundtrack PCM 2.0 (changed)
  • The Thing - PAL France laserdisc CLV - French soundtrack PCM 2.0
  • The Thing - 1998 US DVD - English commentary AC3 1.0
  • La Cosa (The Thing) - 1998 PAL IT DVD - Italian soundtrack AC3 2.0 (changed)
  • La Cosa (The Thing) - 1998 PAL IT DVD - Spanish soundtrack AC3 1.0 (changed)
  • The Thing - UK BD - English soundtrack DTS-HD MA (new remix)
  • The Thing - UK BD - French soundtrack DTS 5.1 (new remix)
  • The Thing - UK BD - Italian soundtrack DTS 5.1 (new remix)
  • The Thing - UK BD - German soundtrack DTS 5.1 (new remix)
  • The Thing - UK BD - Spanish soundtrack DTS 2.0 mono (new remix)
Subtitles:
english, italian, french, spanish, german from the BD.

Capture setup & processing info
 
Hardware:
  • Pioneer DVL-909 PAL/NTSC laserdisc/DVD player
  • Sony Vaio VGX-XL201 PC CPU Core 2 Duo E6300 1.86Hz, 3GB RAM, 32GB+2TB+4TB HDDs, BD-RE
  • AverMedia BDA A16C internal video card (with Philips SAA713x chipset)
  • Western Digital Elements 1TB external USB HD
  • Microsoft XBOX360 HD-DVD player
  • Monster Cable S-Video 5pin cable (very high quality)
  • SONY optical S/PDIF cable (very high quality)
  • no-brand coaxial cable (very high quality)
Software:
  • VirtualDub as capture software
  • VirtualDub and AviSynth for video editing
  • AviSynth + SoundOut and Foobar2000 for audio conversions
  • tsMuxeR and AVIdemux for muxing/demuxing
Settings:
  • laserdisc video captured at card native resolution 720x576 @25fps (PAL), YUV Lagarith lossless compression
  • PCM digital audio from Laserdisc to PC via S/PDIF bit-perfect 16bit 44.1KHz stereo
Project status: RELEASED on 2017-03-05

Video sources and processing:

HD-DVD VC-1 BD AVC and DVD MPEG2 are converted using the Lagarith lossless compression (YV12); laserdisc video is captured using the Lagarith lossless compression (YUY2).
HD-DVD BD is used as frame reference (so no frames are cut or duplicated); it's simply converted to lossless with not further processing.
PAL UK laserdisc is used as primary color reference: it's captured using AviSynth at its original resolution of 720x576@25fps; then frame rates is changed to 23.976; a rainbow remover is applied to the capture, along with mild noise reduction to get rid of eventual dropouts; at the end, video is upscaled to 1920x816 and frames are cut or duplicated to match the HD-DVD BD video.
PAL IT DVD is used as secondary color reference, just to replace two laserdisc fades: it's converted to lossless; then frame rates is changed to 23.976; at the end, video is upscaled to 1920x816.
 
After a lot (and when I mean a lot, I mean A LOT) of tests, the video will be treated as following:
  • opening credits (up to "Antarctica, winter 1982") are taken untouched from HD-DVD BD video, because there is no need for color regrading, as the flying saucer and earth colors are almost the same of the laserdisc/DVD - for the end credits, from the last image of the movie, BD is used, but with zero saturation, because it has a lilac dominance
  • the rest of the movie is regraded using the HD-DVD BD as source, and laserdisc as color reference; avisynth script ColourMatch is used
  • except the laserdisc side 1 end / side 2 beginning scenes, as they have fade out / fade in, were not possible to be used, so I used the DVD there for color reference, tweaked a little bit to be as close as possible to the laserdisc
Then, the result video is saved as lossless, to be converted to lossy AVC for the final Blu-Ray.
 
Audio sources and processing:
PAL FR LD is captured (thanks to ilovewaterslides); then converted to 48KHz; as LD video frames are cut or duplicated to match the HD-DVD video, audio is adjusted accordingly to be in sync with the HD-DVD video.
NTSC US LDs are captured and processed to be in sync with the HD-DVD video (thanks to Jonno); the letterbox LD is converted to AC3.
PAL IT DVD italian, spanish and english commentary AC3 soundtracks are demuxed, then converted to PCM to be processed; as DVD video frames are cut or duplicated to match the HD-DVD video, all the soundtracks are adjusted accordingly to be in sync with the HD-DVD video; the resulted tracks are then reconverted to AC3 to be BD compliant.
UK BD english DTS-HD MA, french, italian, german DTS 5.1 and spanish DTS 2.0 (mono) are used as they are (thanks to Jonno)

Final format: BD-25

Video:
  • letterbox 2.35:1 1920x816 pixel inside the 16:9 1920x1080 pixel FHD frame, AVC (x264) 23.976fps, average bitrate 18500kbps
Audio:
  • english PCM 2.0 16bit 1536kbps - from NTSC Signature Collection LD
  • english AC3 2.0 16bit 384kbps - from NTSC letterbox LD
  • english DTS-HD MA 5.1 24bit 3900kbps (1536kbps core DTS) - from UK BD
  • french PCM 2.0 16bit 1536kbps - from PAL french LD
  • french DTS 5.1 24bit 768kbps - from UK BD
  • italian AC3 2.0 16bit 192kbps - from PAL IT DVD
  • italian DTS 5.1 24bit 768kbps - from UK BD
  • spanish DTS 2.0 24bit 384kbps (mono) - from UK BD
  • spanish AC3 1.0 16bit 96kbps - from PAL IT DVD
  • german DTS 5.1 24bit 768kbps - from UK BD
  • commentary AC3 16bit 1.0 96kbps - from PAL IT DVD
Subtitles:
english (full and SDH); french, italian, spanish, german (full and forced) from UK BD
 
Special thanks to:
Jonno, for english laserdisc, all BD soundtracks, missing frames, and A LOT OF HELP!!! Without you, this project could not be the same! THANK YOU VERY MUCH!
 
Other credits:
  • The Aluminum Falcon for the HD-DVD video
  • zeropc for DVD english soundtrack and commentary
  • ilovewaterslides for the PCM french soundtrack
  • Namtar for the isolated score
  • Jetrell Fo for general supporting and encouragement
  • MrBrown for German and Spanish tracks
  • everyone who showed interest and appreciation
Cover:
Blu-ray custom cover
[Image: The_Thing_spo_Rv_BD_25_mini.jpg]

Full resolution, ready to print: outside cover - inside cover - disc label

Screenshot comparisons (top spoRv 2.0, middle LD, bottom BD):

[Image: 1mini.png]

[Image: 2mini.png]

[Image: 3mini.png]

Notes:
  • v2.0 will use the new Scream Factory BD, due to its higher resolution and visible film grain in comparison to the HD-DVD used for the previous version; the upgrading aiming to improve the color regrading quality, and of course will benefit of the superior source resolution; audio and subtitles are the same.
  • updated project info accordingly

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  Prometheus (Deleted and Alternate Scenes) Version
Posted by: Jetrell Fo - 2016-11-05, 05:04 AM - Forum: Requests, proposals, help - Replies (7)

I know there is a small 4GB file out there of this but I would love to see a full blown custom BD release of this. Has anybody seen one or willing to do one?

I love the movie and I really enjoyed watching the alternate version.

Maybe there would be a way to make one big custom extended edition?

Thanks for listening.

Smile

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Star Why laserdisc soundtracks are better…
Posted by: spoRv - 2016-11-03, 07:24 PM - Forum: General technical discussions - Replies (7)

...than most of the DVDs - and few BDs, as I read also in some forums. I don't want to talk about MUSE laserdisc audio now, because I'm not expert in that branch, but whoever wants to talk about it, is welcome!
OK, let's start!

NTSC laserdiscs
could contain a different combination of soundtracks:

  • two mono analog
  • one stereo analog
  • two mono analog + two mono PCM
  • two mono analog + one stereo PCM
  • one stereo analog + two mono PCM
  • one stereo analog + one stereo PCM
  • AC3 + one mono analog + one stereo PCM
  • DTS + one stereo analog
I'm pretty sure there is no AC3 laserdisc with two mono digital soundtracks, as PCM is used for stereo (surround) soundtrack, and there are almost no DTS laserdisc with two mono analog soundtracks (Mortal Kombat is an exception), as analog is used for stereo (surround) soundtrack, but I'm sure there are NO laserdiscs that contain both DTS and AC3 soundtracks!

Things are easier for PAL laserdiscs:
  • two mono analog (on laservision)
  • one stereo analog (on laservision)
  • two mono digital
  • one stereo digital
  • DTS (well, only one title ever released!)
The PAL laservision is practically another standard, as PAL laserdisc video could be watched on old laservision player, but digital soundtracks could not be heard! The contrary is usually not true, as the most part of the PAL laserdisc players could also play analog soundtracks. There are NO AC3 PAL laserdiscs!

Now, let's take a closer look at the different soundtrack types:

ANALOG


Albeit analog soundtrack on laserdisc is the worst of the possible ones that could be found on it, the quality is pretty good - here you are some numbers:
  • Frequency response: 20-20000hz (±3dB)
  • Signal-to-noise ratio (CX off): >50dB (up to 58dB)
  • Signal-to-noise ratio (CX on): >62dB (up to 74dB)
  • Channel separation: >50dB
Not that bad, uh? Better than vynil, audio cassette, second only to VHS HiFi Stereo. It could contains also surround sound; some concerts could be found only on analog laserdiscs, as they are never released with digital audio; the most part of japanese bilingual laserdiscs have the japanese language recorded onto the analog soundtrack... why? Maybe because it sounds better? The answer is yours...

PCM (Pulse Code Modulation)

The first (and most used) digital soundtrack that appeared on the laserdisc format was PCM, stereo or dual mono, 16bit 44.1KHz 1441kbps - it has the same technical specifications and quality of the CD-audio.
  • Frequency response: 4-20000hz (±0.1dB)
  • Signal-to-noise ratio: 96dB - up to 117db (EIAJ)
  • Dynamic range: 96dB - up to 99dB (EIAJ)
  • Channel separation: 80dB - up to 90dB (EIAJ)
  • Wow & Flutter: <0.001% (EIAJ)
All the PAL laserdiscs after the end of 1980s have digital audio; NTSC continued to have both analog and digital soundtracks, as the standard allowed it; several surround types could be found on laserdisc, not only the famous Dolby Surround, but also DTS Surround, UltraStereo, CHACE surround.

AC3 (Dolby Digital)

The first AC3 laserdisc was "Clear and Present Danger" and was released in 1995; the AC3 soundtrack is stored in the right analog channel, and is RF modulated; to be decoded, a laserdisc player with the AC3 RF output is needed, and must be connected to an RF demodulator and a Dolby Digital decoder, or to an amplifier with built-in RF demodulator and DD decoder.

The AC3 soundtrack has always the 384kbps bitrate at 48KHz, almost always 20bit 5.1 channels, but in some (rare) cases the number of channels could vary - usually during extra material like making of, documentary etc.

I found no proof (until now), but there are clues that the theatrical mixes are used for AC3 laserdisc soundtracks "as is"; in fact, many argue that laserdisc Dolby Digital sounds better than the DVD counterpart, also if the latter has an higher bitrate; indeed, most DVD DD soundtracks are mixed taking in account home users, and they should sound good with any kind of audio configuration, and hence it's a sort of compromise - that's why, to avoid this, some titles offered both multichannel and stereo Dolby Surround encoded tracks. At the contrary of DVD that almost always use near field mix, laserdisc usually use the same DTS theatrical far field mix, and has that "in your face" sound typical of theaters.

Someone could think that is not possible, as the theatrical AC3 soundtrack is 320kbps, while laserdisc has 384kbps... think that the LD AC3 is stored on analog form, and surely the signal contains some sort of stronger error correction, due to the fact that analog reading is not perfect; also, it is possible that the signal is simply padded from 320kbps to 384kbps, as it was more economic to take the theatrical mix and copy to laserdisc than remake a home version...

DTS (Digital Theater System)

The first DTS laserdisc was "Jurassic Park" and was released in 1997; DTS soundtrack takes the place of the PCM soundtrack, leaving free two analog tracks, (almost) always used for the movie soundtrack, allowing the owner of an old analog-only player, or who has not a DTS decoder, to listen to it. To be decoded, a laserdisc player with digital output is needed, and a DTS decoder, or an amplifier with built-in DTS decoder.

As the DTS soundtrack is in place of the PCM one, it has the same technical data, 16bit 44.1KHz 1441kbps but, at the contrary of the PCM two channels, it has 5.1 discrete channels.

The laserdisc DTS soundtrack IS NOT the same of the theatrical one: in fact, in theaters, DTS uses a different codec, APT-X, encoded as ADPCM at 882kbps and recorded on CD-ROMs, with a compression of 4:1, while DTS on laserdisc uses Coherent Acoustics perceptual coding compression scheme, encoded at 44.1KHz with a bitrate of 1235kbps (incapsulated at 14bit 44.1KHz, padded to 16bit, to lower the white noise, when playing the track without a decoder, by 12dB) and a compression of 3:1. Hence, the DTS laserdiscs should be better than the theatrical DTS, as the home codec is newer and better, and bitrate higher with less compression.

As almost all DTS DVD have the so-called "half bitrate" soundtracks (754kbps padded to 768kbps) instead of full bitrate (1509kbps padded to 1536kbps), the laserdisc DTS soundtracks is always better than "half bitrate" DTS DVD; in some cases, could be preferable to full-bitrate DTS DVD due to different mixes used.

[added on 2016/11/03]According to many posts written by Disclord (R.I.P.) on LDDB forum, very often the DTS LD used a 18 bit masters (and sometimes 20 bit), while the AC3 LD often used 16 bit masters (but 18 bit too; dunno about 20 bit, though); also, surround channels on the first year or two after the introduction of DTS laserdiscs are mixed +3dB louder.[end]

CONCLUSIONS

Using a laserdisc soundtrack for preservation purposes is often a good choice; when the DVD or BD soundtracks are of low quality, or technically inferior, or "improved";  when the DVD or BD soundtracks have different formats; when the DVD or BD have no soundtrack in a certain language; or, simply, when there are no DVD or BD of a certain title or version at all!

There is only a price to pay: capturing and converting laserdisc soundtracks is an HARD task... but really rewarding! - just finished JP2 AC3 and DTS, I know what I'm talking about... (^^,)



EDIT 2018-04-24:

Found this interesting webpage, and this paragraph in particular:

Quote:This paper presented listeners with a choice between high-rate DVD-A/SACD content, chosen by high-definition audio advocates to show off high-def's superiority, and that same content resampled on the spot down to 16-bit / 44.1kHz Compact Disc rate. The listeners were challenged to identify any difference whatsoever between the two using an ABX methodology. BAS conducted the test using high-end professional equipment in noise-isolated studio listening environments with both amateur and trained professional listeners.

In 554 trials, listeners chose correctly 49.8% of the time. In other words, they were guessing. Not one listener throughout the entire test was able to identify which was 16/44.1 and which was high rate [15], and the 16-bit signal wasn't even dithered!

That's why we all love so much laserdisc PCM soundtracks...



EDIT 2018-04-27:

I think this info could be useful:

disclord Wrote:NEVER listen to a non-encoded disc with CX on - its not been properly encoded for the CX noise reduction and will not sound right.  It's not there to be used on non-CX'd discs. However, an analog CX disc can be listened to without CX decoding - that was one of the design goals, that it not sound noticably weird when not decoded - it will just have more background/disc noise.  Every digital title that has the analog soundtrack duplicating the digital has CX - discs with commentary/bilingual/AC-3 discs do not have CX (some are improperly auto encoded with it though, sadly).  DTS discs with analog stereo tracks are all CX.  CX requires that the two encoded channels be related, i.e. stereo or mono, to decode correctly, thus incorrectly encoded commentary/bilingual are not in CX compliance.
(found here: http://forum.lddb.com/viewtopic.php?f=12&t=1148)

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Exclamation Preservation/restoration ideas - need help and opinions!
Posted by: spoRv - 2016-11-02, 02:30 PM - Forum: Official and unofficial releases - Replies (55)

Updated: 2017-07-13

Hello to everyone; I'm still alive and kicking - more or less Big Grin

Finally I managed to fix one of my three PCs, and I found a lot of unfinished projects... they range from just video files, to almost finished... now I need some help from you: I'd like to know if there are actually blu-ray releases of these, or restoration projects done by someone else and, if not, if there is some interest in a particular title.

EDIT: as you all know, I'd like to release my project in five languages audio and subtitles (when available); English, French, German, Italian and Spanish - sort of "pan european edition"; with just these languages, my projects will cover a great percenteage of the entire world population - albeit would be effectively seen only by few dozen people! Big Grin

Possible projects (unfinished - work in progress - who knows when will be ready):
(with "completion ratings" from * = very early stage - to ***** = nearly completed)

  • 2012 - HDTV Open Matte *
  • 20,000 Leagues Under The Sea - HDTV (not on Blu-ray) **
    (audio tracks OK, subs to be found)
  • 8mm - WEB (not on Blu-ray) *
  • A. I. Artificial Intelligence - HDTV different color grading *
  • Abyss, The - HDTV Extended Edition, LD audio available (not on Blu-ray) **
  • Abyss, The - HDTV Extended Edition, Open Matte 16:9, LD audio available (not on Blu-ray) **
  • Abyss, The - HDTV Theatrical Edition, LD audio available (not on Blu-ray) **
    (audio tracks OK, LD audio to be captured, subs to be found)
  • Alien Resurrection - BD color matched to DTS LD ***** RELEASED
  • Alien Resurrection - OAR but with bigger frames than BD; color matched to DTS LD *
  • Alien Resurrection - HDTV Open Matte 16:9, BD color matched to DTS LD ***
  • Alien Vs. Predator: Requiem - HDTV Open Matte 16:9, probably brightness a bit increased ****
  • Aliens - HDTV Open Matte 16:9 YAO hack, BD color matched to PAL LD but magenta blanket removed ****
    (thread: https://fanrestore.com/thread-1567.html)
  • Apollo 13 - HDTV Open Matte 16:9
  • AVP Alien Vs. Predator - BD color matched to HDTV ***** RELEASED
  • AVP Alien Vs. Predator - Open Matte 16:9, BD color matched to HDTV, Cinema DTS audio *****
  • Aristocats - HDTV, LD audio available **
    (just Italian audio track available, LD to be captured)
  • Arrival, The - DVD Open Matte 4:3, AC3 LD audio available ***** COMPLETED, TO BE RELEASED
  • Arrival, The - BD/DVD 50/50 color grading ***** RELEASED
  • Battlefield Earth - HDTV **
    (audio tracks OK, subs to be found)
  • Bicentennial Man - HDTV (not on Blu-ray) ****
    (video to be encoded, audio tracks OK, soundtrack-only available too, subs to be found)
  • Black Cauldron, The - HDTV ***
    (English, German, Italian available; *maybe* a deleted shot could be reinserted)
  • Chronicles of Riddick, The (Theatrical Cut) - HDTV Open Matte ***** COMPLETED, TO BE RELEASED
  • Coneheads - HDTV (not on Blu-ray) *
    (just Italian available)
  • Day After Tomorrow, The - WEBdl + HDTV Open Matte 16:9 *
  • Day The Earth Stood Still, The - HDTV Open Matte 16:9 *
  • Deep Blue Sea - HDTV bigger frame size and different color grading
  • Deep Rising - HDTV Open Matte 16:9 *
  • Deja Vu - HDTV Open Matte 16:9 *
  • Doctor Strange - WEB Open Matte 16:9 + BD IMAX *
  • Down Periscope - HDTV (not on Blu-ray) *
    (just English available, second source needed for logo removal)
  • Eragon - BD + DVD deleted scenes ***
    (English, Italian, Spanish tracks available for the theatrical cut, only English and Italian for deleted scenes)
  • Event Horizon - BD color matched to non-SE DVD, PCM LD + Cinema DTS Audio ***
  • Evolution - DVHS (not on Blu-ray) ****
    (audio tracks OK, subs to be found)
  • Fan, The - HDTV (not on Blu-ray) *
  • Fifth Element, The - WEBdl Open Matte 16:9 regraded *
    (second source needed for logo removal)
  • Final Cut, The - HDTV (not on Blu-ray) *
  • Freejack - HDTV, LD audio available (not on Blu-ray) *
    (WEBdl could be used to improve quality)
  • Fur - An Imaginary Portrait of Diane Arbus - HDTV (not on Blu-ray) *
    (second source needed for logo removal)
  • Game, The - HDTV Open Matte 16:9 *
  • Ghostbusters 1 - HDTV, color grading different from BD, LD audio available ***
    (just English available, LD to be captured)
  • Ghostbusters 2 - HDTV, color grading different from BD, LD audio available ***
    (audio tracks OK, LD audio to be captured, subs to be found)
  • Gladiator - HDTV Open Matte 16:9, color grading different from BD *
    (audio tracks OK, subs to be found, is Cinema DTS available?)
  • Godzilla (1998) - HDTV Open Matte 16:9 ***
    (English, Italian, Spanish tracks available)
  • Harry Potter saga - Open Matte 16:9 ***** ALMOST FINISHED
    (thread: https://fanrestore.com/thread-1481.html)
  • Hidden, The - WEB (not on Blu-ray) *
  • Hobbit Trilogy - HDTV & WEB Open Matte 16:9 *
  • Independence Day - HDTV Theatrical Edition, Open Matte 16:9, DTS LD audio available **
    (English, Italian, Spanish tracks available)
  • Johnny Mnemonic - DVD Extended Edition *
    (just English available)
  • Last Action Hero - HDTV different color grading *
  • Mad City - HDTV (not on Blu-ray) *
    (just Italian available)
  • Matrix Trilogy - HDTV Open Matte 16:9 ***
    (audio tracks OK, subs supposedly too)
  • Minority Report - HDTV Open Matte 16:9 **
  • Nirvana - DVD upscale (not on Blu-ray) **
    (audio tracks OK, subs to be found)
  • No Escape - HDTV, LD audio available (not on Blu-ray) ***
    (audio tracks OK, subs supposedly too, second source needed for logo removal)
  • Oblivion - HDTV Open Matte 16:9 ****
    (bad English audio available, third source found, this time seems perfect!)
  • Panic Room - HDTV Open Matte 16:9 **
    (audio tracks OK, subs to be found)
  • Pirates of the Caribbean quadrilogy - HDTV Open Matte 16:9 *
    (thread: https://fanrestore.com/thread-1487.html)
  • Predator - HDTV Open Matte 16:9 with bigger frame size than BD *
  • Predator 2 - HDTV Open Matte 16:9 with bigger frame size than BD *
  • Predators - HDTV Open Matte 16:9 *
  • Prometheus - HDTV Open Matte 16:9 ***
    (thread: https://fanrestore.com/thread-1593.html)
  • Resident Evil 1, 2, 3, 5 Open Matte 16:9 *
  • Resident Evil 3, 4 regraded using a direct color reference *
  • Resident Evil 6 regraded using a non-direct color reference *
  • Ring, The - DVHS Open Matte 16:9, color grading different from BD ****
    (audio tracks OK, subs to be found)
  • Ring 2, The - HDTV Open Matte 16:9 ***
  • Robin Hood: Prince of Thieves - HDTV Theatrical Cut, color grading different from BD, LD audio available ****
    (audio tracks OK, some subs to be found)
  • Robocop (2014) - HDTV Open Matte 16:9 *
  • Saint, The - HDTV (not on Blu-ray) *
  • S1M0NE - HDTV (not on Blu-ray) ***
    (English, German, Italian available)
  • Screamers - HDTV Open Matte 16:9 (not on Blu-ray) ***
    (audio tracks OK, subs supposedly too)
  • Sphere - HDTV Open Matte 16:9 regraded *
  • Supernova (2000) - HDTV Open Matte 16:9 **
    (all audio and subs tracks ready; second source needed for logo removal)
  • Terminator 3 - HDTV Open Matte 16:9 ***
    (English and Italian tracks)
  • Thirteenth Floor, The - HDTV Open Matte 1.87:1 (OAR 2.35:1) *
  • Timeline (2003) - HDTV Open Matte 16:9 ***** RELEASED
    (a remastered edition with improved video quality and bigger frame in progress)
  • Time Machine, The (2002) - DVHS (not on Blu-ray) ****
    (audio tracks OK, subs supposedly too)
  • Titan A.E. - HDTV (not on Blu-ray) ***
    (English and German available; color grading different from web, which is the "right" one?)
  • Total Recall (1990) - BD regraded using LD as reference *
    (English and Italian tracks OK, LD to be captured)
  • True Lies - DVHS, DTS LD audio available (not on Blu-ray) **
  • True Lies - HDTV + WEBdl Open Matte 16:9, DTS LD audio available (not on Blu-ray) **
    (English and Italian tracks OK, LD to be captured)
  • Village, The - HDTV (not on Blu-ray) **
    (just English available)
  • Waterworld - DVD Extended Edition, HD-DVD may be used to replace theatrical parts *
    (all audio and subs available for the theatrical cut; as far as I know, the extended cut is available only in English)
  • X-Files, The - Fight The Future - HDTV Open Matte 16:9 regraded *
  • X-Files, The - I Want To Believe - HDTV Open Matte 16:9 *
Strange ideas... Big Grin :
  • 2010 - BD + add few shots from BD trailer
  • Men In Black 3 - BD + add the "Flaco" shot from BD trailer
Just preservation/restoration ideas:
  • The 13th Warrior - HDTV Open Matte 16:9
  • Alien Hunter - WEB
  • Armageddon - regraded to DVD/HDTV
  • Beach, The - HDTV Open Matte 16:9
  • Bewitched (2005) - HDTV
  • Demolition Man - regraded to DVD/HDTV
  • Fantastic Four - HDTV Open Matte 16:9
  • Fight Club - HDTV Open Matte 16:9
  • Flushed Away - HDTV
  • Ghost Rider - HDTV Open Matte 16:9
  • Indiana Jones trilogy - HDTV
  • King Kong (2005) - HDTV Open Matte 16:9
  • Percy Jackson & the Olympians 1 & 2- HDTV Open Matte 16:9
  • Pianist, The - HDTV
  • Robin Hood (2010) - HDTV Open Matte 16:9
  • Tron Legacy - HDTV + BD Open Matte 16:9
  • Troy - HDTV Theatrical Cut, Open Matte 16:9
  • Underworld 1 & 2 - BD Open Matte 16:9 regraded
  • Underworld 3 & 4 - HDTV Open Matte 16:9
Abandoned projects (due to BD or WEB releases):
  • Alien Raiders
  • Blind Fury
  • Cube 2
  • Harley Davidson and the Marlboro Man (HDTV still got open matte version, though)
  • Ice Pirates
  • Independence Day
  • Innerspace
  • Lawnmower Man
  • Split Second
  • Solaris (2002)
Abandoned projects (due to other restoration projects):
  • Terminator 2 - DVD Full Screen
  • Total Recall - DVD Open Matte

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  The Devil's Advocate "Uncensored" Edition + Extended Edition 1080p BD project
Posted by: jerryshadoe - 2016-11-01, 07:41 PM - Forum: In progress - Replies (9)

So, this is an idea I have been toying with for the last couple of years, started at one point, and am now finally coming around to getting back to it...

As some of you know, due to some copyright BS, after the theatrical run of the film and the initial rental VHS/DVD release in the US, the sculpture has been CGIed... more info here for those that don't know what I'm talking about...

Anyway, I posses a copy of that first DVD and a nice HD version from the BD that came out a few years back, so this project is very doable. I intend on "patching" in only the sculpture back onto the HD footage, after I have upscaled the DVD, and given it some "TLC" to match as closely as possible to the HD footage.

I already have most of the footage processed and it's now just a matter of finishing assembling it all, rendering the project and... well, that's it for that part, LOL Tongue

However, I do have some issues with the BD release. So, yes, it's a decent release. The picture is pretty sharp and detailed, most film grain is retained, and the picture is artifact-free (no scratches, film specs, etc.) BUT, I believe that the color timing is just slightly off and that the contrast is also slightly off and some of the blacks look too dark as a result, to the point of being unnatural. I have an old 1080i HDTV broadcast from before the BD was released, that uses the old HD transfer directly from film (still has scratches, dirt and other film specs) which has the original color timing (and perfectly matched the first DVD release, which is why I know it's the old master) and would make blending the "patched" footage seamless, BUT there is some massive macroblocking here and there in the footage and the image is a little softer than the BD. Not because it's an upscale, or because it could have used a higher bitrate, but because I think the print was softer due to generational loss or something... anyway, I digress...

I've been going through all of it and am testing to see if I can easily match the color-timing of the BD to the original as that would be the best outcome in terms of PQ. Am still kinda busy with life, but slowly getting to all of this within the last few days. Got all my sources together, the sculpture part of frames ready to be patched in, and now just need to do some tests to make sure it all looks right in motion so time to start some test rendersSmile

Now, this covers the "uncensored" part, but there is also the "extended edition" that I've really wanted to do over the years... BUT, I NEED HELP WITH A SOURCE HERE PRETTY PLEASE... I have all of the extended/deleted scenes, as they were included on the DVD (albeit, the DVD only had a commentary track with it) and on the BD... The ones on the DVD are already on my computer, along with the film. However, I managed to rip the film off my BD, but NOT the extended/deleted scenes because the disc is scratched there thanks to my kidsSad

Is there anyone here that could demux the extended/deleted scenes from the BD and share them with me? The length is 47 minutes and 4 seconds and it's an SD source, so it's not a huge file. There are TWO reasons that I need it (for those of you wondering):

- first, I will get much better PQ results if I upscale the footage using two different sources, as they will help "fill each other in"

- second, and MOST important, the DVD only contains a director's commentary track during these scenes. On the BD they fixed this and included the original audio as a first audio track and the commentary track as a secondary track. I need the audio to be able to do a true extended edition.

For the extended edition, I plan on using the HDTV footage exclusively, because I think the overall softer image will blend better with the upscaled extended/deleted scenes, which are rather rough in quality and I believe that if I used the BD as the main source, the transitions would be too jarring...

I will post some screenshots comparing the HDTV vs BD soon...



SIDE-NOTE: To "my" people's in the community, it's good to finally be able to resume working on these kinds of things. I really missed it these last few months, missed a lot of you, and am looking forward to getting back into the "groove" of things... Will be catching up on stuff that some of you are waiting on to be completed, as well... so... yeah. Peace

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  Hello! I'm Davicroquette from France!
Posted by: Davicroquette - 2016-10-29, 12:28 PM - Forum: Presentation - Replies (5)

Hi! I'm Davicroquette, i'm almost 28, i hope my fans projects are interested you!

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  It's A Mad, Mad, Mad, Mad World - 1991 "Partial Restoration" Laserdisc
Posted by: JessicaFaith84 - 2016-10-27, 12:53 AM - Forum: Requests, proposals, help - Replies (2)

Hi,

I was wondering, has anyone here considered converting the 1991 "Partial Restoration" laserdisc of "It's a Mad, Mad, Mad, Mad World" onto DVD's? 

I realize this version has since been superseded by the criterion "Restoration"; but the 1991 "partial restoration" is the cut of the film I grew up with, and is the cut of the film I prefer, for a number of reasons.

So, I just was wondering if anyone here has ever considered this, and, if anyone would be willing to do such a project.

Thanks!

Jessica.

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