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(2017-11-24, 08:08 PM)Turisu Wrote: I don't have anything to contribute to the argument as to whether the teal grading is more theatrically accurate or not. Suffice to say that opinion seems to be very strongly divided. So, until some concrete and irrefutable evidence surfaces, I'm going to say that this blanket of teal that Cameron keeps throwing over his movies is just a very acquired taste that I have not yet been blessed with the gift of enjoying.
I think that's the point. Like companies don't keep their logos because the logos are objectively good. They keep them for consistency and creating a symbol in your mind. Not a fan of it, but I'm thinking that's the reason.
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35mm print is on sale:
https://www.ebay.com/itm/35mm-Feature-TE...Sw1YRZnQuQ
Has 3 photographed frames. Of interest perhaps?
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There are 70mm screenings all through January in London, I'm hoping to go as are a couple of other forum members. It should give a more than fair representation of how it looked and sounded theatrically.
Truth be told T1 would probably look the same 'under' the regrain as it was a degrain/cleanup/regrain. Pause and you'll see the DNR.
Anyone else got the new blu yet?
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Some parts of the new master look like the original. In other parts they deviate. Like the desert scene, or the hospital review scene.
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What sound mix did they use Stamper?