Hi Guys, I’ve been a lurker here for a while and found some great stuff on here. I‘m really to be a member now!

Just found out about this page since another one isn't working anymore.

MacArthur (1977) Laserdisc [15003] synced to BD

Movie: MacArthur (1977)
Format: Laserdisc [15003]
Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped/Synced by: emunateD
Synced to: Bluray



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Hi all,

I'm looking for a program to convert to a .hevc format - I've got some Web-DL's with HDR10+ in mkv format tht I'm looking to extract the metadata from to sync with the relevant UHD's. The hdr10plus program needs the file in HEVC but I can not seem to find a converter with an HEVC output. If anyone knows one (ideally free!) please let me know.



Thanks

I'm trying to apply a delay on the UHD of Die Hard to sync it to a 35mm print I have, and I've been following this guide to help me sync the mkv of the UHD, but when running it in eac3to, it causes a error - unknown file output format, anything in the code I did incorrectly or missed?

Code I used for the first try:
eac3to input.mkv output.mkv +208ms

Patton (1970) Laserdisc [1005-85] synced to 4K WEB-DL

Movie: Patton (1970)
Format: Laserdisc [1005-85]
Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped/Synced by: emunateD
Synced to: 4K WEB-DL (SiGLA)



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I've read alternating opinions about whether Hondo should be presented in full frame as it was shot, or cropped and enlarged to widescreen, as intended. Apparently, it was early days for wide aspect ratios and Hondo gets a poor rocky grain when presented that way as a result.

Today I opened my Blu-ray that I bought a while back on clearance at Big Lots for about $1 (yup, new and sealed) and was surprised by how poor it looks.

Has anyone considered merging it with the 4x3 DVD version?

I was considering doing it myself, but I never have time anymore and software has changed and improved.

I guess I'm curious if anyone is considering this, and if not, what is recommended to upscale a DVD to 1080p and the best way to merge these.

In the past I would have just used avisynth to resize and cut them together.
Of course there is always the color matching issue (I'm partially color blind).

I just found this site today and I loved it, it has lots of interesting things and lots of great releases, and several good preservations!

The Time Machine (1960) Laserdisc [ML102566] synced to BD

Movie: The Time Machine (1960)
Format: Laserdisc [ML102566]
Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped/Synced by: emunateD
Synced to: Bluray



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This might have the most noticeable difference in AQ among the tracks I've synced so far.

The new BFI Blu-ray sounds dreadfully muffled. Funnily enough, after viewing the film, I noticed one of the on-disc extras featured a clip which sounded significantly hissier and clearer!

So I've tracked down these four releases for comparison:

• 2003 Paramount US DVD
  
• R2 DVD, likely 2004 Paramount UK release
  
• ~2020 1080p WEB-DL
  
• 2023 BFI BD
  

• Criterion also released a BD featuring the same restoration in 2023. However its PQ is noticeably worse than BFI's, plus FiM encoded the BFI BD. Both are 23.976 fps, so re-syncing to Criterion should be a simple delay adjustment.
  
• The WEB-DL and BFI BD are frame accurate save for a delay adjustment, whereas the US DVD and the BFI BD are not. The WEB-DL and BFI BD do not feature the same restoration though (different color grading and blemishes): WEB-DL looks more like the old DVD master.
  
• I also compared Bogdanovich's commentary on the BFI BD vs the Paramount US DVD. Spectrograms look the same.