Here's another ASC article with some interesting stuff on James Cameron's 'lucid night' approach to night photography and some other interesting insights.

link

Whilst i'm posting links I'll post some of the other ASC articles I've found along the way. Starting with this one with Dean Cundey.

link

Here's a link to an article which has James Cameron and his Titanic/True Lies DP Russell Carpenter discussing using the super 35mm format.

link

Hey just found out about this and it's kinda blowing my mind. Can't wait to get a glimpse into this window

Hello everyone, I'm interested in movies and fan edits of movies. I actually joined because I'm interested in a specific person's cut of Cobra, the Stallone flick

Beethoven (1992) Laserdisc [41222] synced to BD

Movie: Beethoven (1992)
Format: Laserdisc [41222]
Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped/Synced by: emunateD
Synced to: Bluray



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Hi everyone!
I'm a big fan of films and I can't wait to see all your restored projects.

Here is the teaser for RoboCop 2 fully restored

MPAA and Date card have been re-created and matched to the original

Wayne's World (1992) Laserdisc [LV 32706-WS] synced to 4K UHD

Movie: Wayne's World (1992)
Format: Laserdisc [LV 32706-WS]
Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped/Synced by: emunateD
Synced to: 4K UHD



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Driving Miss Daisy (1989) Laserdisc [11931] synced to BD

Movie: Driving Miss Daisy (1989)
Format: Laserdisc [11931]
Input Soundtrack: 16-bit, 44.1khz, Stereo (bit perfect)
Output Soundtrack: 16-bit, 44.1khz, Stereo
Ripped/Synced by: emunateD
Synced to: Bluray (Pathé)



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