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How to use eac3to to edit...
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Introduction
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Kill Bill The Whole Blood...
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Hi
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No Time To Die (IMAX/Open...
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Highlander II - European ...
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Alien 40th Anniversary Shorts |
Posted by: spoRv - 2020-11-02, 10:53 PM - Forum: Requests, proposals, help
- Replies (5)
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It just happen that I have all the Alien 40th Anniversary Shorts in ProRes 4:2:2 HQ - one 1080p, two 1152p, one 1800p and two 2160p - much better than the versions found online at low bitrate.
Is someone interested to get them in a single project, eventually cleaned up (and upscaled when needed to 3840x2160) released as H.264 (or H.265)?
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Bond 50 Blu-ray set - original audio mixes |
Posted by: NeonBible - 2020-11-02, 05:35 PM - Forum: Movies, TV shows and other
- Replies (3)
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So the Region A / US "Bond 50" Blu-ray set contains "original mixes" on the older movies as Dolby Digital tracks.
Now I know there are few which are actually fold-downs of 5.1 remixes. Moonraker comes to mind.
Can anyone confirm exactly which of the earlier movies contain true original mono/stereo mixes?
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[WARNING] DTS-HD MA 7.1 wrongly converted with eac3to |
Posted by: spoRv - 2020-11-01, 06:29 PM - Forum: Converting, encoding, authoring
- Replies (15)
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Just discovered today that eac3to wrongly assign channels when converting DTS-HD MA 7.1 to another format - I tried WAV and FLAC; used eac3to 3.31.0.0 and 3.34.0.0 with UsEac3To and AudioMixer GUIs, so I guess the problem is not in the GUI itself.
What it basically does is to swap side and rear surround channels;
so the original DTS-HD MA 7.1
L R C LFE Lss Rss Lsr Rsr
after convertion became
L R C LFE Lsr Rsr Lss Rss
If someone could confirm or deny this, it would be useful!
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Why a mild color regrading is useless... |
Posted by: spoRv - 2020-11-01, 06:20 PM - Forum: General technical discussions
- Replies (4)
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I learnt that a mild color regrading project - I mean, that the only thing done is not a huge color regrade - is useless.
Why? Well, our brain is amazing, and operate also as a good white balance device; sure, it's not instantaneous, it takes some time (I guess few minutes), but at the end ANY movie, even the ones with a strong color blanket would end as perfectly color balanced (for our brain).
Proof? Just take any movie that you know has altered colors - possibly with clear blue sky, white clouds, and snow in daylight - and watch it from the beginning to the end. Then, after it is finished, think about those shots with white clouds or snow, and get back to watch them again... you will be amazed to discover that the white is everything but white! (hint: Titanic) - note: even the most expert project maker with a perfect color vision and calibrated display works in the same way as the average Joe!
So, what's the point to mildly correct an almost right movie, whenever even the worse grading is "automatically corrected"? Sure, for the peace of mind and/or to make the things right, but if it's the only thing you are going to do, better to spare your time and do something else - I know that often is just a matter of tweaking some settings and let the PC do the rest, but it could takes hours, then you have to encode, upload etc... to me, it's just futile. Exception is when you do something else to video - like AR, cleaning, adding scenes etc. - or you tweak not lightly the contrast.
Just my looong two cents!
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