Source: original IPTV KorSub rip
Video: 1080p (1920x800 2.40:1 active image) 23.976fps AVC 6mbps (40mbps max)
Audio: AC-3 448kbps 5.1 English
Subs: hardcoded Korean, soft English
Chapters: no
Runtime: 2h21m23s
Notes on the source: Korean hardcoded subs, half "12" yellow logo appears sometimes for few seconds
Notes on the release: green blanked removed, contrast improved, two missing frames reinserted, brief shot added (2s), few subtitles removed (maybe 5%)
Complete name : Wonder Woman (2017) [spoRv].mkv
Format : Matroska
Format version : Version 4 / Version 2
File size : 6.37 GiB
Duration : 2 h 21 min
Overall bit rate mode : Variable
Overall bit rate : 6 450 kb/s
Encoded date : UTC 2017-07-21 09:55:26
Writing application : mkvmerge v9.6.0 ('Slave To Your Mind') 32bit
Writing library : libebml v1.3.4 + libmatroska v1.4.5
Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 2 h 21 min
Bit rate mode : Variable
Bit rate : 6 000 kb/s
Maximum bit rate : 40.0 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.121
Stream size : 5.93 GiB (93%)
Writing library : x264 core 148 r2744 b97ae06
Encoding settings : cabac=1 / ref=4 / deblock=1:-1:-1 / analyse=0x3:0x133 / me=umh / subme=10 / psy=1 / psy_rd=1.00:0.15 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-3 / threads=12 / lookahead_threads=1 / sliced_threads=0 / slices=4 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=1 / constrained_intra=0 / bframes=3 / b_pyramid=0 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=0 / keyint=24 / keyint_min=1 / scenecut=40 / intra_refresh=0 / rc_lookahead=24 / rc=2pass / mbtree=1 / bitrate=6000 / ratetol=1.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=40000 / vbv_bufsize=40000 / nal_hrd=vbr / filler=0 / ip_ratio=1.40 / aq=1:1.00
Language : English
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709
Audio
ID : 2
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Format settings, Endianness : Big
Codec ID : A_AC3
Duration : 2 h 21 min
Bit rate mode : Constant
Bit rate : 448 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 spf)
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 453 MiB (7%)
Language : English
Default : Yes
Forced : No
Text
ID : 3
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 2 h 9 min
Bit rate : 46 b/s
Count of elements : 1548
Stream size : 44.6 KiB (0%)
Language : English
Default : Yes
Forced : No
Complete name :Michael_Jackson's_Ghosts_[spoRv].mkv
Format : Matroska
Format version : Version 4 / Version 2
File size : 7.08 GiB
Duration : 39 min 51 s
Overall bit rate mode : Variable
Overall bit rate : 25.4 Mb/s
Encoded date : UTC 2017-07-19 13:23:36
Writing application : mkvmerge v9.6.0 ('Slave To Your Mind') 32bit
Writing library : libebml v1.3.4 + libmatroska v1.4.5
Attachments : Michael_Jackson's_Ghosts.jpg
Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 39 min 51 s
Bit rate mode : Variable
Bit rate : 25.0 Mb/s
Maximum bit rate : 40.0 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 23.976 (23976/1000) FPS
Original frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.503
Stream size : 6.96 GiB (98%)
Title : Michael Jackson's Ghost
Language : English
Default : Yes
Forced : Yes
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709
Audio
ID : 2
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Format settings, Endianness : Big
Codec ID : A_AC3
Duration : 39 min 51 s
Bit rate mode : Constant
Bit rate : 448 kb/s
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 spf)
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 128 MiB (2%)
Title : English audio
Language : English
Default : Yes
Forced : Yes
Text #1
ID : 3
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 33 min 2 s
Bit rate : 11 b/s
Count of elements : 116
Stream size : 2.88 KiB (0%)
Title : English subtitles
Language : English
Default : No
Forced : No
Text #2
ID : 4
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 32 min 50 s
Bit rate : 12 b/s
Count of elements : 119
Stream size : 2.95 KiB (0%)
Title : Spanish subtitles
Language : Spanish
Default : No
Forced : No
Text #3
ID : 5
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 33 min 1 s
Bit rate : 13 b/s
Count of elements : 126
Stream size : 3.16 KiB (0%)
Title : Italian subtitles
Language : Italian
Default : No
Forced : No
Text #4
ID : 6
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 33 min 14 s
Bit rate : 40 b/s
Count of elements : 188
Stream size : 9.78 KiB (0%)
Title : Russian subtitles
Language : Russian
Default : No
Forced : No
Menu
00:00:00.000 : :Opening Credits
00:00:11.000 : :MICHAEL JACKSON'S GHOSTS
00:02:28.000 : :Entering The Hall
00:08:26.388 : :"2 Bad"
00:18:19.787 : :"Ghosts"
00:24:31.119 : :"Is It Scary"
00:26:59.130 : :Game Over
00:31:33.714 : :Revelation
00:33:36.022 : :End Credits
Project:
Attain the best possible quality from multiple sources - (generously provided by SilverWook).
Sources:
Spanish PAL Letterbox DVD - main color reference, source for Titles, Spanish Audio.
French PAL Anamorphic DVD - main Source (though colors are completely wrong), French Audio.
US NTSC F/S DVD - secondary color reference, Main English Audio (5.1)
Laserdisc Rip - secondary color reference, English Stereo Audio
Special Features:
Making Of
Theatrical Trailer
Film will be Color Matched Shot by Shot using Dr. Dre's Color Correct tool.
Artifacting from color correction will be fixed temporally in Avisynth
If anyone would like, I have a simple NTSC anamorphic mp4 with the US 5.1 surround track available for download. PM for details. This is meant as a placeholder release until I finish the project.
As Tax-Free Weekend approaches, I'm sensing another opportunity to grab a new computer. As I'm hoping to use it for restoration purposes, I'd like a general idea of what I'm going to need, in terms of CPU processing power, RAM, storage, GPU, display color accuracy, display brightness, etc.
Do any of our German members own this set? I'd like to know more about it please? Special features?? Video/Audio quality?? Is it really Uncut?? Thanks.
I've discovered yesterday that there is a nice version of Silent Hill, found in the French BD as PIP, that shows film before any color timing! Never encountered this thing before, so it would be nice to use it as reference to make a special, non-theatrical color grading!
Got few seconds to test it, and result is quite nice; still don't know how the CGI parts (luckily not too many, it seems) will look like, though...
From top: open matte, non-timed, open matte regraded to non-timed ("de-regraded" or "de-timed")
A few projects I've been following on OT and FE brought me to this fine place.
Currently working on an attempt to do some kind of justice to disastrous The Osterman Weekend Blu-ray, more on that when I put together whole presentation.
Hi, I was wondering if others think current HEVC GPU-assisted encoders are as good or better than H.264 encoders?
I have a feeling the HEVC GPU-assisted encoders are good now. I also think some people say they don't like H.265 because they don't have a good-enough rig to play H.265.