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Kill Bill The Whole Blood...
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Hi
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Kill Bill Vol. 1 & 2 UNCU...
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Highlander II - European ...
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Hello there!
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Ransom Extended Version
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Crimson Tide Extended Cut...
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Crocodile Dundee - Austra...
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Underworld (2003) theatrical cut open matte |
Posted by: spoRv - 2017-07-13, 11:23 PM - Forum: Requests, proposals, help
- Replies (6)
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Just found the open matte version of Underworld theatrical cut, on BD; never thought it exists! Way better than the HDTV, and with DTS-HD MA English track instead AC-3.
I thought to put my hands on it, sooner or later; the biggest problem is that there are few languages available for the theatical cut, namely Russian (got it along the HDTV), French (available on French BD) and Italian (available only on the UHD-BD, along with French, both DTS-HD MA).
Now, I don't know if it's possible to get audio 1:1 from UHD-BD; if so, at least I'll get my language... if not, I should give up, or restore the unrated extended version using BD to patch missing parts (I've even thought to add few seconds not present in the unrated version, yet in the theatrical one); it would be a PITA to reconstruct it, but at least I'll get all the needed audio (and subs) tracks; it has been made before, using HDTV for open matte TC, but the BD parts were quite off, color wise; eventually, I'll regrade the BD (or the TC to be closer to BD, or better regrade both), and use cropped BD to get a 100% full screen version - yes, I know I'll lose part of the image, but at least it would flow better, maybe...
Opinions?
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Alien: Covenant - extended edition [spoRv] |
Posted by: spoRv - 2017-07-09, 05:08 PM - Forum: Released
- Replies (30)
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Alien: Covenant - extended edition [spoRv]
Original title: Alien: Covenant
Original runtime: 2h02m00s
New runtime: 2h19m30s
Scenes added & sources:- TED speech (Prometheus deleted scene)
- Meet Walter (trimmed, official clip)
- The Last Supper (official clip)
- Crew messages (trimmed, official clips)
- She Won’t Go Quietly (first part, trailer)
- The Crossing (trimmed, official clip)
Scenes cut: none
Video processing: defaded frames, added fades, grain plate
Audio processing: added scenes upmix from 2.0 to 5.1
Video format: x264 1920x1080 23.976fps VAR (main movie open matte 1.78:1, added scenes OAR 2.40:1)
Audio format: Dolby Digital 5.1 448kbps, English only
Notes: hardcoded Korean subtitles in the main movie
Release format: mkv
FAQ
Have you included all the deleted shots/scenes available?
I tried to add as much as I can, but for some I haven't found a viable way to insert them - like Daniels' Xenomorph hunt; but 17m30s aren't that bad, don't you think?
Why have you added a Prometheus deleted scene?
Because I thought it fit better in this movie than in the previous one...
Why this release?
US viewers should wait more than a month for the official release, EU more than two; after that, it will take some time to make an extended edition; so, this is a provisional release waiting for a better one; indeed, probably we should wait many months for the open matte version, hence this could fill the big gap...
Why a video bitrate three times higher than original source?
Because some added shots have very high quality, this will help to preserve it - the extended scene is from Blu-ray, while The Last Supper and Meet Walter are from ProRes versions at very high bitrate; this is the minimum bitrate allowed to retain almost all the added grain intact.
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White, black and blue speckles |
Posted by: Evit - 2017-07-05, 06:35 PM - Forum: General technical discussions
- Replies (19)
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I've been busy doing a digital clean-up of another film lately, removing unwanted speckles from a home video product, and I noticed that, judging by colour alone, there are at least three types of speckles appearing throughout: black, white and blue speckles.
Anybody knows where they come from, at which stage of the film processing they are introduced, what do they tell us about the source used?
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EQ of the X curve |
Posted by: Tomlinson Holman - 2017-07-03, 07:31 PM - Forum: Audio and video editing
- Replies (38)
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Hello!
Cinemas and mixing theaters have a non flat frequency response. The sound systems are allignment to create a torwards higher frequencies falling curve, the so called X curve.
This means that every soundtrack from the cinema is optimised for this reponse and not for a flat response which most hifi / home speakers have.
When cinema sound is remastered for home use, this is mostly equalised by the studios. At the beginning of Laserdisc and DVD this was not the case and THX added a function
called Re-EQ, which did reduce the heights for cinema soundtracks not sounding brighter as it was meant to be.
Some projects here are using soundtracks from cinema, like the DTS cds. My question is therefore, if it is common in most projects to compensate the X curve or not?
Thanks!
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spoiler tag |
Posted by: spoRv - 2017-07-03, 05:35 PM - Forum: Announcements
- Replies (6)
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Added a simple spoiler tag, just use
Code: [spoiler]
hidden text
[/spoiler]
to get the following:
now I hope Feallan can find a way to add a button to the editor...
Please, use it for very long text, like mediainfo for examples.
Oh, and report if it doesn't work on some browser/OSs.
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