I know for a lot of fans this is a big deal. I've read so many message board threads among various sites that focus on the AR on this film. The guy who posted that thread ain't getting any hits, so I figured this site has fans that'll take notice
Is anyone able to extract the background score for Scarface? I tried it, but the result still has some chatter echoing. Would anyone be able to clean it up?
I use a beautiful Sony XBR960 HDCRT which is somewhere around 1450x1080i. It can't do 24p nor 1080p. Everything else autoscales to 1080i, but the SD comb filter is truly amazing and all SD looks wonderful. The blacks are absolutely pitch due to the SFP tube. Color is deep and wonderful. It does have annoying phosphor trails from phosphor lag.
So am I nuts for still using this as my main monitor? I've never found anything affordable to beat it despite the age and its downsides. I'd love a high end plasma but they are hard to come by still in good shape.
I'd like to have something to do 1080p 24p to get the absolute best out of BD but have no idea what really compares.
For all our new members, welcome to Fanres, we hope you enjoy your stay.
This thread is designed for you to ask questions before you start posting. One thing I highly recommend is reading the rules first. It should be able to answer most queries. That being said there are still nuances with what we do here that well might need some clarification and this would be the place to get it. We have a great bunch of people here and a lot of good honest work goes in to the projects that are taken on by our members. Please respect each other. There is more than enough room for all to participate in and donate to projects if needed. Thanks to all my fellow site members, you all rock!!!
This is one of my favorite animated movies but it was only ever released on DVD.
It's kind of a very adult and bloody thriller thing, but the protagonist is a cat.
Doesn't look like the company that produced it is still in business either, so a Blu Ray release at any point is rather improbable. I think there may be some 35mm prints out there, at least for rental. Would be nice to have this movie in HD.
I don't really have any money nor scanning equipment, but maybe someone else can and wants to look into this.
Video sourced from both HDTV (1080i - thanks maksnew!) and original US Bluray - BD video was overlaid HDTV where it was possible (99% of the movie), HDTV was filtered, deinterlaced and deblocked as much as source allowed (there are still some MPEG2 compression blocks in some places). Afterwards, video was color corrected by spoRv (thank you!) - slightly demagenta'd.
Audio tracks were sourced from various sources and are as follows:
- English 5.1 (DTS-HD @ 1536 kbps)
- English 2.0 (AC3 @ 224 kbps)
- Spanish 2.0 (AC3 @ 224 kbps)
- French 2.0 (AC3 @ 224kbps)
- German 5.1 (DTS @ 1536 kbps)
- Italian 5.1 (AC3 @ 448 kbps)
- Portuguese 2.0 (AC3 @ 192 kbps)
- Polish 5.1 (AC3 @ 448 kbps)
- Russian 5.1 (DTS-HD @ 1536 kbps)
- Japanese 2.0 (AC3 @ 384 kbps)
- English Commentary by David Schmader 2.0 (AC3 @ 224 kbps)
Subtitles were sourced from various sources and are as follows:
- English
- Spanish
- French
- Finnish
- Swedish
- Dutch
- Danish
- Polish
- Russian
- Portuguese
This is a cross-post from OT.com (where I am ElectricTriangle).
Duel was originally released on TV with a 70-minute runtime. For its European theatrical premiere, Spielberg added more footage to get it to a required 90 minute runtime. Some of this is new car scenes and some of it is more obvious padding (the opening credits and the conversation with Mann’s wife.) In addition to the new footage, additional directorial changes were made, including a new, dynamic mono sound mix and the removal of much of David Mann’s redundant inner monologue to great effect.
This fan edit mostly follows the original, tighter TV edit of the film, while also using the theatrical sound mix and removing the inner monologues. It also includes the further edits made to the film for the DVD and Bluray release (which removes more inner thoughts). I also created some new opening and closing title cards to match the TV edit.
I used a 4:3 HDTV copy as the base because the Blu ray is unfortunately only available in cropped 1.85:1. Special thanks to DrDre’s ColorMatch tool tool which was incredibly useful to help match the different sources and make the older scan look a little nicer.
Sources used:
Duel 4:3 HDTV (primary video)
Duel Blu ray (primary mono audio and color reference)
Duel NSTC DVD (used to patch out logos in the HDTV)
Duel 16:9 Cropped French Digital SD TV airing (two brief shots)
Duel TV VHS Recording (some audio)
Duel SD extras documentary (partial opening shot which was blended with the French Digital source and the Bluray)
Columbo Blu ray (pilot episodes) (opening and closing Universal logo)
Version 2 changes:
-No more VHS footage (Footage from the TV cut is now sourced from a cropped French digital airing, with a custom matte to “uncrop” the opening shot.)
-A different, more balanced color grade.
-patched out the HDNet logos with DVD footage.
-English Subtitles
This project series is probably done with. Future project using 35 elements will just their own beasts.
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Couldn't find a better title for this project so bear with the name.
The overall goal of this project is to take existing HD masters and change the colors to look more like a 35mm print using 35mm materials. This originally started out as a sister project to my upscale project here:
In the upscale project I took the final video and tried to color grade it to match picture of 35mm frames. I wanted to take that idea and apply it to HD masters but go one step further. I have bought several trailers from movies and scanned them myself. It's often said that a trailer might not be fully color timed but that doesn't mean that they are wrong, all the time. In fact most of the 35mm trailer scans I have seen match prints pretty well. I then took the scanned color information, generated a LUT(s) and applied it to the existing HD master to color grade it. It's not without it's fault but creates a fun alternative to the existing HD masters and is an easier way of trying to get closer to the look of a film without the expense of tracking down an actual 35mm print.
So this thread is like my upscale thread, to test ideas and concepts for this project and get opinions from fellow fanres-ers.
A little bit of note. While I do try to even out colors to reflect projection and what current video standards are, you should still expect high contrast, occasional blow-out and saturated colors as you would see in a 35mm print. If you hate that look you may not like these project.
--------------------------------------------------------------------------------------------------------------------------------- 1. Temple Of Doom (35 Project #1 v1.0)
Video:
The BD image color corrected using a LUT to match the 35mm trailer scans, 35mm frames and other 35mm sources
Audio:
1. PCM 2.0 from the US Widescreen laserdisc
2. DTS-HD MA 5.1 from the US BD
3. PCM 5.1 (TomArrow's Dolby Surround upmix of the Paramount Widescreen Laserdisc PCM 2.0)
Pics:
MKV Pics
BD/Regrade - Out of Date
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--------------------------------------------------------------------------------------------------------------------------------- 2. Die Hard with A Vengeance (35 Project #2 v1.3)
Video:
The BD image color corrected using a LUT(s) to match a 35mm print showing.
Audio: (Tentative)
1. DD/AC3 5.1 from the THX DVD
2. PCM 2.0 from the THX LD (depends on space)
3. DTS 5.1 or full DTS- HD MA from the BD (depends on space)
Pics:
MKV Pics
BD/BD Regrade (Updated 5/23/18- Out of Date)
--------------------------------------------------------------------------------------------------------------------------------- 3. Dawn of the Dead Regrade (35 Project #3 v1.11)
Video:
US Anchor Bay Blu-Ray regraded to various 35mm trailers
Audio:
1. PCM 2.0 Mono (from the Full Screen/Open Matte Laserdisc)
2. DD/AC-3 2.0 Mono (from the AB BD)
Pics:
MKV Pics
BD/BD regraded to trailer (Updated 5/23/18- Out of Date)
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Hi, I put this up on OT.com earlier (I'm ElectricTriangle over there) and I thought I might put it up over here if anyone's interested.
This is an HD recreation of the director’s cut of Star Trek: The Motion Picture, which was completed at SD resolution and only released on DVD. It’s primarily sourced from the HDTV, which uses the same transfer as the director’s cut DVD. The HDTV is low detail and has lots of compression, but it does have more grain and much better contrast than the Blu-ray. The unique footage from the director’s cut DVD is upscaled. Color-corrected Blu-ray footage is used for some shots with alien subtitles. I have also recreated some of the director’s cut changes in HD by combining SD and HD footage.
Code:
This edit is available in two versions:
The main version uses the new DVD effects when appropriate, but also uses the original theatrical unaltered effects to preserve HD quality (for this reason I’m calling it a fan edit; I mostly prefer the original effects when they were fully realized).
This image gallery shows which unique DC effects were included as well as a general overview of the picture quality: https://imgur.com/a/K0EhF
README: https://pastebin.com/rRKujtPa
The purist edition includes most all of the shots altered for the director’s cut DVD. For many of these changes I’ve combined HD and SD footage while others were simply upscaled from the DVD. The purist edition currently also has four foreign dubs (Italian, French, Russian and German) and a host of subtitles from two different European dvd releases. (The main project will be updated with these at a later date).
Sample frames: https://imgur.com/a/ALontqP
README: https://pastebin.com/JXcJRYts
Now available on myspleen or pm me (click my user name and then select “create a private topic”) for a link.
Video: 1080p MKV - 12 GB
Both the video and audio are BD-compliant if you want to remux this for a Blu-ray.
Audio:
Track 1: AC3 Dolby Digital - This is the same 5.1 as the DVD, but I replaced the end credits music that was looped for the director’s cut and replaced it with the original cue from the remastered CD. The file is not re-encoded, and cuts to the different end credits at the end seamlessly.
Track 2: AC3 2.0 Dolby Surround from the DVD.
Track 3: AC3 The commentary from the DVD.
Track 4: AC3 This is a commentary originally released as a podcast for startrek.com with visual effects supervisor Daren R. Dochterman, restoration supervisor Michael Matessino, and producer David C. Fein.
(For included subtitles read the read me file)