I was wondering whether it would make sense to add a nice DTS logo in front of projects that use Cinema DTS audio.

In particular this one: https://www.youtube.com/watch?v=KtzEa62KXBE

The audio is, I think, also on some or all Cinema DTS discs. For the video, I see one of these on German ebay atm, which I could buy and get scanned.

Did cinemas use to play these ahead of movies or nah? Because clearly it only makes sense if it resembles the real cinema experience.

Hello,

since the site moved to the new server I've been running into these bugs:

If I try to insert a video from Vimeo, the BBCode that gets inserted misspells "Vimeo" (I think it appears as "Vemio" or something similar, clearly just a typo) but obviously it doesn't work. No big deal, I just edit it to correct the spelling and then it works, but it's should be a bug that is very easy to fix

Secondly, and I don't know if this is a related issue or a separate one, but when I go to preview my post (usually with videos and images in it), the initial preview works as it should. However, if I make edits and click preview again, all my text disappears from the edit text box. If I click post, it still posts correctly, but I can't edit it at all after that without posting first and then clicking Edit again.

I'm using the Chrome on Windows 10.

Hi All,

I have the commentary tracks for the three bond movies released by Criterion and will be doing blu ray reconstructions of the laserdiscs in the future. However, I don't have any of the other extras from the laserdiscs. 

Dr No:

Dr No dossier - galleries of location photos, publicity stills and movie posters
Original 2.0 Audio
Isolated Music & Effects Audio Track

From Russia With Love:

S.P.E.C.T.R.E. File - galleries of location photo's, publicity stills, covers of rare books, articles, movie posters from FRWL and other 007 films
Original 2.0 Audio

Goldfinger:

The Goldfinger Vault - location photo's, publicity stills, movie posters from Goldfinger and other Bond films
Original 2.0 Audio
Isolated music and effects audio track

Can anyone with the laserdiscs capture these? 

Thanks

Stumbled upon it while searching another thing, have not tried (yet), but maybe it could be useful for someone!

http://teemoon.name/videoid/Default.html

Hi all,

This is a guide I have followed many times. It allows you to take the audio from one source and add it to the video of another source. It takes a bit of getting used to, but I have successfully fandubbed many projects following it and it has always worked flawlessly, even where the frame rates of the two sources are completely off and there are loads of extra frames.

I did not write this guide, but it is posted here with the permission of the author. The only bit I skipped is part of Section 1 (I)- the part about hex calculators, VDub just told me the 1st and 2nd stream values without me having to calculate them.

Hopefully this is of use to some people.

Thanks




Fandubs the Not Completely Hellish Way
by fleabitefred

Here is a method that I have developed for doing fandubs. It will do a good job in just about any situation. Most fandubs can be completed with a couple of days of work. It involves comparing the source videos frame by frame. The trick is to match the frame rates so this will work.

Tools required:
VirtualDub
Audacity
>100GB free disk space

Donor = the file you want to take audio from
Target = the file you want to add audio to



1. Look at a sample to determine what the heck is going on

To determine the correct frame rate conversion settings, start by doing a dry run on a small sample.

A. Open Donor in VDub. Find a handy sequence, around 3000 to 10000 frames in length, that appears to be free from splices or editorial differences compared to the Target. If you later find there were splices or differences you will have to start over.

B. Set resize filter to 50%. Set video and audio compression to uncompressed. Mix out the sequence to DonorTest.avi.

C. Open Target in VDub. Set resize filter to 50%. Set video and audio compression to uncompressed. Mix out the same
approximate sequence to TargetTest.avi.

D. Open DonorTest.avi and TargetTest.avi in two side by side instances of VDub.

E. In each file, find the matching frame that begins the sequence and mark as selection start.

F. In each file, find the matching frame that ends the sequence and mark as selection end.

G. Write down the number of frames in each selection: DonorSampleLength and TargetSampleLength.

H. In the Target VDub, use the crop and resize filters so the frame size will match the DonorTest.avi frame size. Set video and audio compression to uncompressed. Mix out a few dozen frames to TargetBit.avi.

I. In Donor VDub, use Append AVI to import TargetBit.avi. If it succeeds, write down ImportOK. If it complains about the frame rate, it will tell you the frame rate of the first and second stream. Write down these frame rates, calling them FirstStreamRateHex and SecondStreamRateHex. They will each be in the form of a hexadecimal numerator and denominator. Then find a hex to decimal converter online and convert the fractions to the form of a decimal numerator and denominator. Write those down, calling them FirstStreamRateDec and SecondStreamRateDec. Then use a calculator to divide the decimal numerators by the denominators and write down the results FirstStreamRate and SecondStreamRate.

J. If Append AVI complains about the audio format, use Audacity to reprocess the Target audio to a matching format. I'm not going to explain that here, but it means you have to mix out the audio to WAV, convert using Audacity and then use “Audio->Audio from other file” to attach the converted audio to TargetTest.avi.


2. Test sample conversion scenario 1

If DonorSampleLength=TargetSampleLength and ImportOK, you do not have to do any frame rate conversion.


3. Test sample conversion scenario 2


If Import OK but DonorSampleLength and TargetSampleLength are different:

A. In Donor VDub, go into “Video->Frame Rate...”. In the box it will tell you the current frame rate which we will call DonorCurrentFrameRate. Enter DonorCurrentFrameRate into “Convert to fps”. Also select “Change frame rate to (fps):” and enter DonorLengthChangeRate which is calculated from the formula

(DonorSampleLength/TargetSampleLength)*DonorCurrentFrameRate.

B. In Donor VDub, with the frame rate set as described, mix out the sample selection as an uncompressed AVI called DonorSampleFixRate.avi.

C. In Donor VDub, mix out the audio of the sample selection as an uncompressed WAV DonorSampleFixRate.wav.

D. Open DonorSampleFixRate.wav in Audacity. Convert the speed of the entire file using “Effect->Change Speed...”. Set the speed to DonorSpeedChange which is calculated from the formula

((DonorSampleLength/TargetSampleLength) – 1)*100.
Note: this value can be positive or negative.

E. Compare the resulting length of audio in seconds to the length of DonorSampleFixRate.avi. If there is a discrepancy more than a few hundredths of a second, correct it by using “Effect->Change Tempo” and entering the exact length in seconds of DonorSampleFixRate.avi.

F. Mix out the complete audio as uncompressed WAV file called DonorSampleFixSpeed.wav.

G. Open DonorSampleFixRate.avi in VDub. Use “Audio->Audio from other file” to import DonorSampleFixSpeed.wav. Mix out as uncompressed video and audio to DonorSampleFixRatePlusAudio.avi.

H. Play DonorSampleFixRatePlusAudio.avi and make sure the audio is in synch with the picture. Otherwise something went wrong.

I. Open DonorTest.avi and DonorSampleFixRatePlusAudio.avi in two side by side instances of VDub.

J. Select the sample region in DonorTest.avi.
Verify that the first frame of the region matches the first frame of DonorSampleFixRatePlusAudio.avi.
Verify that the last frame of the region matches the last frame of DonorSampleFixRatePlusAudio.avi.
Verify that the number of frames in the sample region equals the number of frames in DonorSampleFixRatePlusAudio.avi.
If it doesn't check out something went wrong.

K. In DonorSampleFixRatePlusAudio.avi VDub, use Append AVI to import TargetBit.avi. If it doesn't succeed, something went wrong. (If an audio format error crops up, fix as explained in section 1-J.)

L. EXAMPLE from Labios Rojos (1960)
opération lèvres Rouges (aka Labios Rojos) [Spain] [1960/DVDRIP/x264]
Both files give the same frame rate but the Donor was recorded from a projector running slow at some random speed, causing excess frames to be captured.

ImportOK = true
DonorSampleLength = 3570 frames
TargetSampleLength = 3429 frames

“Convert to fps” = 25 fps
“Change frame rate to (fps):” = 26.0279965 fps
“Effect->Change Speed” = 4.111986002%


4. Test sample conversion scenario 3


If DonorSampleLength=TargetSampleLength but did not get ImportOK:

A. In Donor VDub, go into Video->Frame Rate... Select “Change frame rate to (fps):” and enter SecondStreamRateDec. Enter it in the form of a decimal numerator/denominator, for example 1000000000/40001663.

B. In Donor VDub, with the frame rate set as described, mix out the sample selection as an uncompressed AVI called DonorSampleFixRate.avi.

C. In Donor VDub, mix out the audio of the sample selection as an uncompressed WAV DonorSampleFixRate.wav.

D. Open DonorSampleFixRate.wav in Audacity. Convert the speed of the entire file using “Effect->Change Speed...” Set the speed to DonorSpeedChange which is calculated from the formula

((SecondStreamRate/FirstStreamRate) – 1)*100.
Note, this value can be positive or negative.

E. Compare the resulting length of audio in seconds to the length of DonorSampleFixRate.avi. If there is a discrepancy more than a few hundredths of a second, correct it by using “Effect->Change Tempo” and entering the exact length in seconds of DonorSampleFixRate.avi.

F. Mix out the complete audio as uncompressed WAV file called DonorSampleFixSpeed.wav.

G. Open DonorSampleFixRate.avi in VDub. Use “Audio->Audio from other file” to import DonorSampleFixSpeed.wav.
Mix out as uncompressed video and audio to DonorSampleFixRatePlusAudio.avi.

H. Play DonorSampleFixRatePlusAudio.avi and make sure the audio is in synch with the picture. Otherwise something went wrong.

I. Open DonorTest.avi and DonorSampleFixRatePlusAudio.avi in two side by side instances of VDub.

J. Select the sample region in DonorTest.avi.
Verify that the first frame of the region matches the first frame of DonorSampleFixRatePlusAudio.avi.
Verify that the last frame of the region matches the last frame of DonorSampleFixRatePlusAudio.avi.
Verify that the number of frames in the sample region equals the number of frames in DonorSampleFixRatePlusAudio.avi.
If it doesn't check out something went wrong.

K. In DonorSampleFixRatePlusAudio.avi VDub, use Append AVI to import TargetBit.avi. If it doesn't succeed, something went wrong. (If an audio format error crops up, fix as explained in section 1-J.)

L. EXAMPLE from The Brain (1962)
The Brain [UK/West Germany] [1962/DVDRIP/x264]
Same number of frames in matching scenes but the Donor was running at a slower frame rate so the audio needed to be sped up to match the Target.

DonorSampleLength=TargetSampleLength
FirstStreamRateHex = 00989680/00065d3b
FirstStreamRateDec = 10000000/417083
FirstStreamRate = 23.97604314 fps
SecondStreamRateHex = 3b9aca00/0262607f
SecondStreamRateDec = 1000000000/40001663
SecondStreamRate = 24.99896067 fps

“Convert to fps” = leave blank
“Change frame rate to (fps):” = 1000000000/40001663
“Effect->Change Speed” = 4.266415121%


5. Test sample conversion scenario 4

If DonorSampleLength doesn't match TargetSampleLength and did not get ImportOK:

A. In Donor VDub, go into “Video->Frame Rate...”. Enter SecondStreamRate into “Convert to fps”. Also select “Change frame rate to (fps):” and enter DonorLengthChangeRate which is calculated from the formula

(DonorSampleLength/TargetSampleLength)* SecondStreamRate.

B. In Donor VDub, with the frame rate set as described, mix out the sample selection as an uncompressed AVI called DonorSampleFixRate.avi.

C. In Donor VDub, mix out the audio of the sample selection as an uncompressed WAV DonorSampleFixRate.wav.

D. Open DonorSampleFixRate.wav in Audacity. Convert the speed of the entire file using “Effect->Change Speed...” Set the speed to DonorSpeedChange which is calculated from the formula

((DonorLengthChangeRate/FirstStreamRate) – 1)*100.
Note, this value can be positive or negative.

E. Compare the resulting length of audio in seconds to the length of DonorSampleFixRate.avi. If there is a discrepancy more than a few hundredths of a second, correct it by using “Effect->Change Tempo “and entering the exact length in seconds of DonorSampleFixRate.avi.

F. Mix out the complete audio as uncompressed WAV file called DonorSampleFixSpeed.wav.

G.. Open DonorSampleFixRate.avi in VDub. Use “Audio->Audio from other file” to import DonorSampleFixSpeed.wav. Mix out as uncompressed video and audio to DonorSampleFixRatePlusAudio.avi.

H. Play DonorSampleFixRatePlusAudio.avi and make sure the audio is in synch with the picture. Otherwise something went wrong.

I. Open DonorTest.avi and DonorSampleFixRatePlusAudio.avi in two side by side instances of VDub.

J. Select the sample region in DonorTest.avi.
Verify that the first frame of the region matches the first frame of DonorSampleFixRatePlusAudio.avi.
Verify that the last frame of the region matches the last frame of DonorSampleFixRatePlusAudio.avi.
Verify that the number of frames in the sample region equals the number of frames in DonorSampleFixRatePlusAudio.avi.
If it doesn't check out something went wrong.

K In DonorSampleFixRatePlusAudio.avi VDub, use Append AVI to import TargetBit.avi. If it doesn't succeed, something went wrong. (If an audio format error crops up, fix as explained in section 1-J.)

L. EXAMPLE from Muz z prvniho stoletti (1961)
Man from the First Century (Fandub) [Czechoslovakia] [1961/DVDRIP/XViD]
Converting from 29.97 fps to 25 fps, which seems like a typical NTSC to PAL conversion. But the Donor has somehow picked up extra frames. The typical number of frames for the Donor sample would be 3413 * (29.97/25) = 4092 but instead we are getting 4263.

DonorSampleLength = 4263
TargetSampleLength = 3413
FirstStreamRateHex = bb5/64
FirstStreamRateDec = 2997/100
FirstStreamRate = 29.970 fps
SecondStreamRateHex = 19/1
SecondStreamRateDec = 25/1
SecondStreamRate = 25 fps

“Convert to fps” = 25.0 fps
“Change frame rate to (fps):” = (4263*25)/3413 = 106575/3413
“Effect->Change Speed” = 4.191504719%


5. Test sample conversion scenario 4


If DonorSampleLength doesn't match TargetSampleLength and did not get ImportOK:

A. In Donor VDub, go into “Video->Frame Rate...”. Enter SecondStreamRate into “Convert to fps”. Also select “Change frame rate to (fps):” and enter DonorLengthChangeRate which is calculated from the formula

(DonorSampleLength/TargetSampleLength)* SecondStreamRate.

B. In Donor VDub, with the frame rate set as described, mix out the sample selection as an uncompressed AVI called DonorSampleFixRate.avi.

C. In Donor VDub, mix out the audio of the sample selection as an uncompressed WAV DonorSampleFixRate.wav.

D. Open DonorSampleFixRate.wav in Audacity. Convert the speed of the entire file using “Effect->Change Speed...” Set the speed to DonorSpeedChange which is calculated from the formula

((DonorLengthChangeRate/FirstStreamRate) – 1)*100.
Note, this value can be positive or negative.

E. Compare the resulting length of audio in seconds to the length of DonorSampleFixRate.avi. If there is a discrepancy more than a few hundredths of a second, correct it by using “Effect->Change Tempo “and entering the exact length in seconds of DonorSampleFixRate.avi.

F. Mix out the complete audio as uncompressed WAV file called DonorSampleFixSpeed.wav.

G.. Open DonorSampleFixRate.avi in VDub. Use “Audio->Audio from other file” to import DonorSampleFixSpeed.wav. Mix out as uncompressed video and audio to DonorSampleFixRatePlusAudio.avi.

H. Play DonorSampleFixRatePlusAudio.avi and make sure the audio is in synch with the picture. Otherwise something went wrong.

I. Open DonorTest.avi and DonorSampleFixRatePlusAudio.avi in two side by side instances of VDub.

J. Select the sample region in DonorTest.avi.
Verify that the first frame of the region matches the first frame of DonorSampleFixRatePlusAudio.avi.
Verify that the last frame of the region matches the last frame of DonorSampleFixRatePlusAudio.avi.
Verify that the number of frames in the sample region equals the number of frames in DonorSampleFixRatePlusAudio.avi.
If it doesn't check out something went wrong.

K In DonorSampleFixRatePlusAudio.avi VDub, use Append AVI to import TargetBit.avi. If it doesn't succeed, something went wrong. (If an audio format error crops up, fix as explained in section 1-J.)

L. EXAMPLE from Muz z prvniho stoletti (1961)
Man from the First Century (Fandub) [Czechoslovakia] [1961/DVDRIP/XViD]
Converting from 29.97 fps to 25 fps, which seems like a typical NTSC to PAL conversion. But the Donor has somehow picked up extra frames. The typical number of frames for the Donor sample would be 3413 * (29.97/25) = 4092 but instead we are getting 4263.

DonorSampleLength = 4263
TargetSampleLength = 3413
FirstStreamRateHex = bb5/64
FirstStreamRateDec = 2997/100
FirstStreamRate = 29.970 fps
SecondStreamRateHex = 19/1
SecondStreamRateDec = 25/1
SecondStreamRate = 25 fps

“Convert to fps” = 25.0 fps
“Change frame rate to (fps):” = (4263*25)/3413 = 106575/3413
“Effect->Change Speed” = 4.191504719%


6. Main Conversion


When all verifications are satisfactory, proceed to convert and uncompress your Target and Donor files. This will hog up your memory and take some computing time:

A. Open Target in VDub. If you had to convert the Target Audio per section 1-J, perform the same operation on the entire Target Audio and import it back into VDub. Set resize filter to 50%. Set video and audio compression to uncompressed. Mix out the entire video to TargetUNC.avi.

B. Open Donor in VDub. Set resize filter to 50%. Set video and audio to uncompressed. If needed, set “Convert to fps” and “Change frame rate to (fps):” the same way that worked for the sample. Mix out the entire video to DonorUNC.avi.

C. If “Change frame rate to (fps):” was not used, skip ahead to section 7.

D. Mix out the entire audio from Donor as an uncompressed WAV file DonorUNC.wav. Open in Audacity and apply “Effect->Change Speed...” using the value that worked for the sample.

E. Compare the resulting length of audio in seconds to the length of DonorUNC.avi. If there is a discrepancy more than a few hundredths of a second, correct it by using “Effect->Change Tempo” and entering the exact length in seconds of DonorUNC.avi.

F. Mix out the complete audio as uncompressed WAV file called DonorUNCFixSpeed.wav.

G. Open DonorUNC.avi in VDub. Use “Audio->Audio from other file” to import DonorUNCFixSpeed.wav. Mix out as Direct Stream Copy video and uncompressed audio to DonorUNCPlusAudio.avi.

H. Spot check the beginning, middle and end of DonorUNCPlusAudio.avi in a video player and make sure the audio is in synch with the picture. Otherwise something went wrong.


7. Proceed with the fandub!


A. Open TargetUNC.avi and DonorUNC.avi (or DonorUNCPlusAudio) in two side by side instances of VDub.

B. Starting from the beginning, Edit DonorUNC.avi to match TargetUNC.avi frame for frame.

C. Remove excess frames from DonorUNC.avi as needed. That audio will be lost.

D. If you need to add frames to DonorUNC.avi you have a choice. If there is dialogue or music from the other language version that you think should be incorporated, mix out the needed frames from TargetUNC.avi. Use Append AVI to bring them into DonorUNC.avi and then position into the timeline accordingly. Use the resize and crop filters when mixing out from TargetUNC.avi so the format will match. Don't worry about video quality because we are not going to keep the video.

E. Your second choice when adding frames is take them from elsewhere in DonorUNC.avi. For example suppose a “silent” part between scenes is 10 frames long in DonorUNC.avi but 15 frames in TargetUNC.avi. It might sound better to use copy/paste to replicate 5 frames from the existing “silent” part in DonorUNC.avi, rather than import them from TargetUNC.avi which probably has a different sounding noise floor.

F. If you find yourself regularly needing to put in or take out a frame every few hundred or few thousand frames, that is a sign that your rate conversion was not perfectly accurate. You can either keep hand editing the frames or try to redo the rate conversion using larger sample. In any case, if you let the frame matching go off by more than a couple of frames, you will have a noticeable synch error in the result.

G. I recommend you write down your edits as you go. This helps with remembering the numbers. Plus it is invaluable for later clean up in Audacity (discussed later), and its good to have a record in any case. Example:
@0000 removed 210 frames
@1763 added 4 frames
@2998 removed 412 frames...

H. Get around by using “Go To Frame” (control-G) and typing in the frame number. I know it sounds tedious but it will take forever otherwise. Use a binary search algorithm to find the next non-matching frame. Example:
Jump forward 1000 frames in each window– still matches
Jump forward 2000 frames in each window– still matches
Jump forward 4000 frames in each window– still matches
Jump forward 8000 frames in each window– oh crap it doesn't match
Jump back 4000 frames in each window– still no match
Jump back 2000 frames in each window– still no match
Jump back 1000 frames in each window– match!
Jump forward 500 frames in each window– no match
Jump back 250 frames in each window– match
Now you are close enough to zero in on the mismatch, using Alt-right arrow/Alt-left arrow to jump 50 frames at a time, and right arrow/left arrow to jump 1 frame at a time.

I. If you don't finish all in one sitting, you can quickly save your work for later using the following method in DonorUNC VDub: “Select File->Queue batch operation-> Save as AVI...”. Choose a dummy name for your file and click save. Now you may exit VDub. Later, reopen VDub and choose “File->Job control”. Highlight the desired job and click “Reload”. That will put you right back where you left off.


8. Finishing up

When DonorUNC.avi is a frame for frame match of TargetUNC.avi the fandub is ready!

A. In DonorUNC.avi, simply mix out your fandub in WAV format.

B. For best results, open the WAV in Audacity for some clean up.

C. At the bottom of the Audacity window you can check “Snap To” and click the arrow thingies to set common frame rates of 24, 25 and NTSC (30000/1001 = 29.97003 fps). Then you can enter frame numbers from your notes into the little boxes and quickly navigate to your edits.

D. You can mix out your complete Target audio as a WAV from VDub and import it into the Audacity session where it will appear properly synchronized. It can provide handy source material to help patch up the fandub track.

E. When everything is perfect, use VDub to mix out your fandub audio with the desired compression. (FWIW I like to use AC-3 ACM codec @192 kBit/s.) Then you will typically add it as a second audio track to the Donor. It is better not to touch the original Donor video or audio track without a good reason. I use VirtualDubMod for adding a second audio stream to XVID and MKVToolNix GUI for adding to mkv.

F. Break out the popcorn and enjoy the first run through of your fandub!

G. Now don't forget to SHARE!!!

I was Wondering, does anyone have a Laserdisc rip of the 1992 Walt Disney Classics Sorcerer Mickey Logo that was used on Aladdin, Beauty And The Beast and The Little Mermaid Laserdiscs? preferably with Bit perfect LPCM?

Hello,

Concurrent with my revision of my previous 'Supercop' project, I'm lending some support to colour correcting a restoration that a friend is working on. I'm curious to know if when working  with a composite of sources (HD and SD source), is it possible to match the lighting using a program or script? Each source is coloured and filtered differently, including lighting. I can provide screenshots if necessary.

I'm using Davinci Resolve, but am happy to try other programs.

Thanks!

Hi All,

I have so many projects in mind for the future, below is a list of things that I'm looking for to help me on these projects, if anyone can assist it would be much appreciated. 

• Blair Witch 2 Book Of Shadows 2000 - any language other than Eng/Fre/Spa
  
• Extreme Measures 1996 - any language other than Eng
  
• Metro 1997 - any language other than Eng/Fre
  
• Nick Of Time 1995 - any language other than Eng
  
  

• Saw R Rated Japanese or Dutch Blu Ray
  
• Saw II R Rated Japanese or Dutch Blu Ray
  
• Saw III R Rated Italian Blu Ray
  
• Saw III Director's Cut French Blu Ray
  
• Saw IV R Rated Dutch Blu Ray
  
• Saw IV R Rated US DVD
  
• Saw V R Rated German Blu Ray
  
• Saw VI R Rated Italian Blu Ray
  

Just wondering if anyone uses one of these for watching VHS through an HDTV?

I've tried watching videos via Scart on a 2017 Sony TV compared to 2007 Samsung of a similar size and the quality seems much poorer. Same VHS player being used. I read that modern HDTV's don't do as good a job of upscaling the Scart socket as in the past.

Was looking at getting something like this to see if it improves things:

https://www.amazon.co.uk/gp/product/B00A...3DX4&psc=1


Don't have space for a CRT!

This is a regrade I made after the colors on the 4K remaster left me disappointed. At first I spent about two weeks trying to regrade the new remaster as it is in fact a higher quality transfer than the old blu-ray, but I found it difficult to fix certain issues I have with it. Despite its blocky nature, the old blu-ray image looks more like a 35mm print to me than the new one (when given a proper contrast adjustment of course), and I also left the remaster behind entirely when I realized the credits/titles have been stabilized, which isn't the case for the old master. So, I got to work on it again and came out with something I see as being at least decently more accurate to the print run than the remaster is.

Some people have said that the remaster is much more accurate to the 35mm release than the old blu-ray, though I disagree. The 35mm frames posted as "proof" don't look anything like the remaster does. The comparison only proves that the contrast level of the remaster is more accurate, not the colors being presented. Anyway, enough rambling, here's my grade.



Presented with the film is the JP laserdisc track as synced by Bronan (synced to this BD by adding an extra four frames to the beginning of the track) in PCM, and the Tim Burton commentary from the BD. Chapters from the BD are also included.

Discussion on the new 4K release such as this thread:
https://fanrestore.com/thread-2692.html
...got me to consider releasing this, so here it is.